Antique Blue and White Delft Vases Pair Hand-Painted IN STOCK

Made circa 1780, this 18th century Dutch Delft vase was hand painted with floral decoration of flowers and scrolling vines. A beautiful deep cobalt blue covers most of the surface....

This blue and white Delft jar was made in the Netherlands in the early 18th century, circa 1730. The jar is covered in a gorgeous light blue glaze traditional to much early 18th ce...

This pair of Dutch Delft mantle jars show a delightful rococo scene hand-painted on blue and white Delft. We see a pair of cows resting in a fenced area with a flock of birds in the ...

This blue and white jar is a hand-painted gem of mid 20th century Delft. What makes this jar so exceptional is the exquisite deep rich blue painting. Made by De Porceleyne Fles, thi...

Made in the Netherlands circa 1880, this lovely pair of Dutch Delft mantle vases have a traditional double gourd shape.   The vases were painted in traditional polychrome colors show...

A blue and white Dutch Delft mantle jar hand-painted in exquisite deep cobalt blue. We see a peacock in a garden filled with flowers and ferns. The cover is similarly decorated a...

This important antique vase was crafted in France, circa 1780. Octagonal in shape with gadrooned body style and a tall neck, the elegant potiche features a hand painted medallion dep...

A pair Dutch Royal Delft vases. Tall decorative vases on an octagonal foot. The vases are hand crafted and hand painted in enchanting blue colors, blue camaieu. Floral decoration wit...

Blue and white Delft handled chinoiserie vase. Antique Dutch porcelain vase with rich blue flowers and chinoiserie fencing in a lustrous glaze; with scro...

Pair 18th century delft blue & white vases are of a type that is getting more rare with each passing year. Alas, the fragile nature of such han...

This elegant antique faience planter was created in Holland, circa 1880. Round in shape with bowed movement, the cachepot stands on small shell...

Blue and white chinoiserie altar vase. Delft, circa 1685 The ovoid altar vase stands on a high-waisted foot. The flaring cylindrical neck ends in an outward sloping mouth rim. The two blue coloured lion-shaped handles have suspending rings in their jaws. The body is painted with a continuous oriental landscape with banana and pine trees, Chinese figures and houses, while the neck is painted with three bands of different ornaments. The mouth rim is decorated with rectangular ornaments, the foot with leaves under a band around the ankle. Altar vases are also called vases à chimères. The oldest faience examples were made in the sixteen-twenties in Nevers, France and are attributed to the Conrade potters family, who originated from Italy. The shape is based on metal vases used during the services in Catholic churches. Therefore it is no wonder that many altar vases are painted with the Christogram IHS. Altar vases were made in Delft from about 1675 onwards and production continued well into the eighteenth century. Marked examples are known from multiple manufacturers, such as The Greek A and The Moor’s Head potteries (Aronson 2011, pp. 14-15). A pair of eighteenth century vases was made between 1700 and 1716 at The Three Porcelain Ash Barrells pottery. They are marked with PK for the owner Pieter Kam or, after 1705, by his widow (Blazy & Boyazoglu 1983, p. 110). The pair is painted with a dense parsley decor. A miniature example was excavated from a cesspit in the grounds of the former Porcelain Bottle pottery in Delft. At the same location a larger fragment was also found, decorated with a triple-tulip design in blue and yellow (Eliëns, Schledorn, Van Aken-Fehmers, pp. 31 , 36, 45). Three altar vases with similar tulip and flower decoration in blue and yellow are in the collection of the Dutch Open Air Museum in Arnhem and can also be attributed to the Porcelain Bottle pottery (Klein, p. 152). Official Catholic services were not allowed in the seventeenth century in the Dutch republic, however Catholic conventicles were tolerated. At first sight it might be surprising that a Catholic object...