Plate, Delftware, English, London, Blue White Bird Chinoiserie Fantasy

Delightful pair of chinoiserie plates evoking how exotic the East appeared to Europe and a sense of wonder it portrayed. Painted with a chinoiserie scene of a tall lady standing i...

Beautiful, early stylised decoration evoking the striking simplicity of early Chinoiserie painting Painted with a central floral spray within a circle centre, surrounded by a trai...

A rare early example of European chinoiserie decoration showing how minimal the decoration was similar to abstraction. Painted with a chinoiserie landscape scene with a fence and ga...

Charming pair of plates with rare and desirable features of delftware; fluting, bianco-sopra-bianco border and in polychrome including manganese From a Bristol collection and originally made in Bristol Pair of 18th century bianco-sopra-bianco delftware plates, made at Redcliff Back, under Richard Frank. The press-moulded fluted border and scalloped rim is decorated with repeated foliate designs in a style known as ‘bianco sopra bianco‘, or ‘white on white’. Although inspired by the incised patterns found on the rims of Chinese export porcelain, the name alludes to the use of this decoration on sixteenth-century Italian maiolica at Faenza. The main pattern depicts an oriental river scene, showing two hatted men...

Good pair of 18th century Dutch Delft Blue chinoiserie dishes decorated with a oriental central flower arrangement behind a rock. The borders adorned with 3 foliage sprigs and brown ...

Delft Tin-glazed earthenware plate decorated in blue on a white ground, featuring a chinoiserie inspired landscape. Dutch, Delft, second half 18th century. Condition: Very good. Mi...

A beautiful English Delftware plate, hand-painted in rich cobalt blue, featuring a Chinoiserie-inspired landscape with a floral border. I cannot help thinking that I am seeing the ta...

These exquisite hand-painted Delftware dishes, made in Bristol, England, circa 1760 and inspired by Chinese blue and white porcelain, are a perfect example of the mid-18th-century En...