1950 Marc Lalique - Tablewares Saint Hubert Crystal Glasses Tumblers Goblets

Mirror “Floride” (Florida) made in clear and turquoise crystal by Marc Lalique created in 1950. Engraved signature.  Perfect condition. Very beautiful model. diameter: 27.5 cm

Set of tablewares glasses and decanters "Boules" made in clear glass created by René Lalique in 1935. "R.Lalique" signature under each piece. All pieces are in perfect condition. S...

Tumblers glasses "Swans" made in clear engraved crystal by Baccarat. All glasses are in perfect condition. Service of 32 pieces including: - 9 gob...

Set of 12 drinking glasses "Strasbourg" made in clear glass by René Lalique in 1926. All glasses are signed. Perfect condition. 6 glasses 12,5 cm high 6 glasses 14 cm high Félix M...

Set of tablewares glasses "Savergne" made in frosted glass created by René Lalique in 1924. Engraved signature under each piece. All pieces are in perfect condition. Set of 34...

Sculpture Decorative Motif "Deux Poissons" (Fishes) made in clear crystal by Marc Lalique in 1953. Engraved signature on base. Perfect condition. height: 29 cm width: 26.5 cm Mode...

A Saint Louis crystal port decanter and six tumbler glasses, delightfully embellished with a tactile and geometric design of gently undulating waves. The...

1970s Mod Set of Two Water Goblet Crystal Glasses Thick Stem Vintage Antique Crystal Cut Beautiful Design Glass Water Goblet Tumbler 3 diameter x 6 h Preowned vintage, please see ...

A fine Lalique compote or footed bowl. In the Nogent pattern (or Sparrows design). With a frosted finish pedestal and base supporting a transparent scalloped bowl. Designed by Ma...

Superb service of sixteen champagne glasses "Smile of the Angel" also titled "Angel of Reims" designed by Marc Lalique for the Lalique Maison. In very good condition. One glass with a small chip on the lip. Dimensions in cm (H x D): 20.4 x 7 Secure shipping. The Lalique Maison was created by René Lalique who was one of the greatest artists of his time, whether as a jeweler or master glassmaker. He marked the Art Nouveau and Art Deco periods with his unique style. Lalique is recognized as one of the most important jewelry designers and glass maker of the French Art Nouveau period, creating innovative pieces for Samuel Bing's new store in Paris, Maison de l'Art Nouveau. He began exhibiting his work under his own name as early as 1894, notably at the Salon des artistes français, 1897 and 1898. The great glassmaker Émile Gallé discovered him at the first one and praised him highly. His stand at the 1900 Universal Exhibition in Paris was a great success. While keeping sources of inspiration from the Art Nouveau woman, fauna and flora - including the peacock, various insects and sometimes a fantastic bestiary - he innovated by using materials barely used for jewelry at the time: glass, enamel, leather, horn, mother of pearl, often preferring semi-precious stones to precious stones. The introduction of volume in jewelry is facilitated by his knowledge in modeling. He designed his models, having them made by a team of chisellers, sculptors and enamellers that he carefully recruited. Many women from the nobility, the bourgeoisie and the entertainment world began to wear his extraordinary jewelry, such as the Marquise Arconati-Visconti, the Countess of Béarn, Madame Waldeck-Rousseau, and Sarah Bernhardt, for whom he created a stage costume in 1902 for the revival of the play Théodora at the Sarah-Bernhardt Theater. Lalique was the only modern artist whose client and friend Calouste Gulbenkian became. Gulbenkian acquired the famous Pectoral à la libellule (circa 1897-1898), a masterpiece much admired at the 1900 World's Fair, which he lent to the tragedienne Sarah Bernhardt. After the end of the First World War, Lalique's colorful and fantastic jewelry were no longer in fashion. The creator sensed this and decided to convert to the Art Deco style through glassware in 1920. Thus, the neo-classical and geometric Art Deco replaces Art Nouveau. According to Olivier Mauny, former CEO of Lalique, his creations paved the way for an industrialization of art objects, because one of the best ways to include luxury and aesthetics in everyday life is to make everyday objects. He will create many objects such as vases, cups, candlesticks, perfume bottles, radiator caps for the Citroën 5CV (1925), decorations for the restaurant cars of the Côte d'Azur Pullman Express (1929), decorations for the dining room of the first class of the Normandie liner...

"Abundance" was produced in Circa 2008. This magnificent design was produced in a limited edition of 99, this being number 47. The foot has the etched trademark signature with the copyright symbol: Lalique France. The piece is both clear and frosted silky crystal with a wide shallow footed bowl molded with a flower on the interior and fruit and foliage molded on the baluster. This is a unique and extraordinary Art Nouveau design. It measures 15.125'' H x 15'' Dia. René Lalique’s name is synonymous with French Art Nouveau decorative arts. Born in 1860 he first began designing fine jewelry in Paris in 1881, but pursuing increasingly more innovative experimentation in glass commencing around 1883, he eventually created crystal pieces. Early works used the familiar "lost wax" technique by which the model is made in wax while a mold is formed around the model. Then, the wax is melted and molten glass is poured into the mold. Lalique glass was made in this manner until approximately 1905 at which time the factory was redesigned for a larger production. Without the hand-formed pieces and unique molds, the individual uniqueness of each example of Lalique glass came to an end. The success of this venture resulted in the opening of his own glassworks at Combs-la-Ville in 1909. During the art nouveau period, Lalique was well known for a wide variety of objects including perfume bottles, vases, inkwells, decorative boxes, and bookends. Lalique glass is lead based, either mold blown or pressed. Characteristically the glass is crystal in combination with acid-etched relief. In addition to vases, clocks, automobile mascots...

Richly hand cut and mouth blown with hand gilt gold bees design top details and stem garland wreath design barware and tableware wine glass service for 6 people. Each glass features ...