Stone Serveware, Ceramics, Silver and Glass

Set of six hand blown tumbler in blue crystal with a hand-edged skier decor. The country decor shows a skier boy, trees and mountains and a chalet...

Set of six hand blown tumbler hands-free painted in country style. Each glass is painted with a skiier boy in six different colors by hand. Can be ordered in mixed colors or in one c...

Antique Persian silver box. The box is beautifully chased, engraved and decorated with birds, animals and foliage. Circa 1900.      

We are delighted to offer for sale this very rare 1867 sterling silver hallmarked Asprey 166 Bond Street London Coromandel wood vanity dressing table box A very rare and high quality collectable piece, the box is solid Coromandel wood with brass edges, it’s a lovely dark timber with a similar grain to Rosewood. The suite inside is all sterling silver, fully hallmarked T.W for Thomas Whitehouse, the Queens head for Queen Victoria, the sideways facing Lion for Sterling silver, the Panther head for London and the date letter M for 1867 The box has Braham locks which were of such high quality Gillows of Lancaster an London used them on their finest furniture, at the back of the base section you have a hand engraved plaque which reads Asprey Maker 166 Bond Street London, in the middle of this plaque is a depression switch, if you press it a hidden drawer pops out of the bottom. The listing includes the original key The mirror pulls forward to reveal a hidden document folio...

Presenting a gorgeous set of 4 Salviati Venetian glass hexagonal tumblers. Made in Venice, Italy circa 1930 by the World famous Salviati Glasswork...

A classic antique solid Silver Cigar Box / Cigarette Box with a highly polished silver exterior. The interior of the Silver Box has a cedar wood lined base and the lid is gilded. The interior has a removable wooden...

Pink crystal dinner service, 19th century Splendid pink crystal dinner service, containing 5 glasses, a cup with its spoon and their tray....

Rosewood box decorated with a sterling silver and enamel plaque by the Italian silversmith Ottaviani, circa 1960s. Signed with the maker’s signature and “925”. Notes: Ottaviani (194...

Beautiful crystal centerpiece. French production of high quality, crystalline glass. This element has a pretty rounded shape and nice dimensions ideal as a centerpiece, for a fruit ...

Circa 1950/60s, by Steuben, American. This understated set of Steuben water tumblers are the perfect addition to your modernist bar, kitchen, or table se...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. We have two other goblets identical to this one that we sell in pairs (posted on 1stdibs) Iconic and precious crystal chalice; it has been made from the highest quality lead crystal with a thickness that is thick enough to allow it to be ground deeper than normal, which allows the light to reflect in a much brighter and more brilliant manner; for this to happen, the geometry of the grinding has also been specially designed and executed. The glass is a delightful combination of intricate cuts and engravings and features some of the most beautiful motifs of the 18th and 19th centuries. Every detail of the decoration, such as the glittering star wheel, is cut entirely by hand, with hours of specialized labor required to complete each piece in the collection achieving a very high standard of quality. The glass was made in London, England, between 1995 and 1996 by the William Yeoward company, whose name it bears on the bottom (see photo), and is one of the most attractive designs in the "William Yeoward Crystal...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...