Animal Skin Pitchers

Inspired by Daniel's hand built boats (particularly the leather detail on the wooden oars) the porcelain Remo Pitcher is simple and elegant with a hand stit...

Gucci green leather and silvered metal thermos. Vintage metal coffee thermos pitcher with vacuum seal interior canister fitted to pitcher with thumb lift all nestled in fitted green...

Jane & Gordon Martz Ceramic Stoneware Carafe / Pitcher for Marshall Studios, c.1965.

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Thermos Carafes by Aldo Tura For Macabo, 1950s Product Details Hand-painted goatskin leather and brass. Dimensions: 13 D x 27 H cm / 12 D x 28 H cm

Defined by its exquisite craftsmanship, the Rose thermal carafe boasts a sleek stainless steel construction both inside and out. Its practical button-operated design ensures easy rem...

Midcentury termos Aldo Tura with square section decorations parts goat skin, 1950s.

Circa 1970. We offer this Aldo Tura Peach Goatskin Pitcher.

Exuding elegance and functionality, the Rose thermal carafe is expertly crafted from stainless steel both inside and out. Its practical design includes removable linings for effortle...

A fine modern water pitcher. By Plata Lappas. In silver plate. With a c-shaped leather handel and strainer to the spout. Founded by Alcibiades Lappas 1887, Plata Lappas is a one...

Italian Modern Brass And Lacquered Goatskin Pitcher By Aldo Tura. Offered is a stunning Italian mid century modern lacquered goatskin and brass pitcher, carafe or decanter by the acc...

Crafted entirely from stainless steel, both inside and out, the Rose Thermal Carafe boasts practicality and elegance. With its easily removable lining, cleaning is a breeze. Availabl...

Thermos Guapa in solid brass in chrome plated finish. Partially covered with genuine leather. Maintains 1 liter liquid’s temperature for up to 12 hours. Al...

Thermos bottle in brown goatskin and brass by the Italian designer Aldo Tura, circa 1960.

Beautiful in form and highly functional, this model M132 carafe/ coffee server by Gordon & Jane Martz for Marshall Studios has a great organic shape, is glazed in their signature sub...

Rooster Aldo Tura ice box pitcher midcentury Italian design multicolor, 1950s Measures: Box height cm.17, diameter cm.18, teaspoon height cm.28, pit...

Set Aldo Tura box pitcher red color brass and goatskin Mid-Century Modern, 1950s. Measures: Box ice height cm 13, width cm 16.5, depth cm 16.5. Pitch...

Thermos bottle in brown goatskin and brass by Aldo Tura, circa 1960.

AMBIANIC presents 1950s Aldo Tura Modern Pitcher Carafe Thermos Goatskin Italy Goatskin and metal Missing original label. 12 h x 6 d x 4 diameter Preowned original unrestored vintag...

Aldo Tura pitcher bottle goatskin Mid-Century Modern, Italian design clear color.

A vintage handblown glass pitcher with leather wrapped handles. Made in Mexico. The hand made gourd shaped vessel has a ribbed body with two C-scroll handles. They have foliate detai...

The Decanter of slim tapered form with bulbous body, splayed circular foot with pinched stem and shaped opening. The Decanter extensively decorated throughout the body with two large fern leaves stemming from a central tied ribbon in the form of a bow. The decanter features a rounded handle fitted to the upper half of the decanter with a hinged shaped lid opening with gravity. To the base of the decanter an engraving reading “Jesse Collings. from I. Chamberlain.” Hallmarked to the neck AM (Alexander Macrae), Lion passant (sterling silver), Leopard Head town mark for London, Date letter R (1872) and the sovereign head duty mark. The Decanter is complete with its original latched fitted box lined in purple velvet with gold stringing to the exterior and the retailers mark to the inside doors “Widdowson & Veale, Goldsmith & Jewellery, to the Court of Spain, 73 Strand London.” Widdowson & Veale George Widdowson (b. 1804 Lincoln – Died 1872 Dulwich Village) was a celebrated silversmith and goldsmith although he took the route of retailer rather than a craftsman and by the age of 28 he had taken over his uncle’s London shop on the Strand, London. His uncle John Salter had been a close friend of Lord Nelson’s daughter, Horatia, and was godfather to one of her children. The shop was very successful and John Salter had supplied Nelson with many pieces of jewellery, including mourning rings. Widdowson developed the shop into Widdowson & Veale located at No. 73 Strand on the corner of Adam Street and opposite the Adelphi. Widdowson had a real eye for marketing. He once had a detailed newspaper article dedicated to his proposal to make a copy of Aeneas’ shield, as described in Virgil’s Aeneid. There is no evidence the shield was ever made though it did get good publicity. The company made swords and other weapons for the British army and navy, orders and decorations for the British court and were goldsmiths and jewellers to the court of Spain. In 1842 on the christening of Queen Victoria’s eldest son (later King Edward VII), Widdowson’s eye for publicity meant that the firm gave a christening gift of ‘an immense silver coronet supporting the Prince of Wales feathers.’ Widdowson & Veale were also makers to HRH the Duke of Sussex and the Court of Spain. In 1844, George was 40 and his business was doing well, as was the economy as a whole. The firm were able to advertise for apprentices, asking for a premium of £100. On 11 February 1847 George married Eliza Duffield (nee Boville), the daughter of a Putney wine merchant who had been living in Gibraltar but returned when her first husband, John Duffield, died. George and Eliza were middle-aged when they married and did not have children. Alexander Macrae founder of the firm that went on to be C J Vander Ltd. Macrae was recorded at 32 Bow Street, Covent Garden, London September 1856. He was joined in partnership by Martin Goldstein c. 1870, whereupon the style of the firm was changed to Macrae & Goldstein – first listed in 1871 as a silversmith. Alexander Macrae supplied many of the great firms at that time such as Elkington, Harry Emanuel...

1950s Aldo Tura Macabo Cusano Fabulous Hand Painted Gold Pitcher Goatskin Brass Milan Italy Stunning art Fancy Gold Italian Bull hand painted. 14 h x ...

Vintage pitcher by Carl Auböck II, Vienna, 1950s. Made of handblown glass, it is covered by a band of leather which develops in a handle with hand s...

This is a beautiful thermos or carafe or pitcher designed by Aldo Tura in the early 1960s. This carafe is covered by goatskin parchment, in rich shades of emerald green, with brass a...

A glass pitcher with leather sleeve and brass handle by Carl Auböck II, Vienna, 1950s. The leather sleeve settles at the top third of the glass and is of a beautifully aged light ta...

Pitcher or waterjug brass leather glass Werkstätte Carl Auböck Vienna 1950s. A rare and precious object in stunning original condition able to b...

Vintage sangria pitcher or carafe in amber glass accompanied by its wooden stopper held by a golden chain. Leather tag. Perfect for iced tea, wate...

A glass pitcher with leather sleeve handle by Carl Auböck II, Vienna, 1950s. A brass handle is attached to the leather sleeve and a drink stirrer in bamboo with four circular holes ...

1950's Stitched leather bottles holder by Jacques Adnet France.