French Pitchers

French Majolica beige pitcher rabbit with a medal 1900, made for the International Exhibition in Paris of 1900. The pitcher is stamped by the store where he was sold Compagnie Franco...

'Pichet Espagnol' ceramic piece from the Madoura Pottery (A.R. 245) by Pablo Picasso (1954). A fired, unglazed ceramic pitcher in the form of a stylise...

Elegant French Majolica Heron Pitcher signed Keller and Guerin Saint Clement, circa 1900.

Large Majolica duck in an egg pitcher signed Keller et Guerin Saint Clement, circa 1900. Decorated with a duckling watching a dragonfly.

French Majolica Rat Pitcher Poet Laval, circa 1900. The rat wear a jacket and hold an umbrella.

French Majolica cat with mandolin pitcher with blue ribbon, circa 1890.

CHRISTIAN DIOR - EMPOLI (Manufactured in Italy (Tuscany) for Christian Dior Home) - Large and exceptional Mid Century tortoiseshell glass pitcher / vase - hand made / mouth blown with striking brown and amber patterned glass - hollow amber glass pulled handle...

French Majolica rooster pitcher signed Keller and Guerin Saint Clement, circa 1900. Original older model. Measure: Height / 12.8 inches.

French Majolica otter pitcher signed Onnaing, circa 1900.

Beautiful hand painted Set of Bowl by Robert Picault from France, 1950's. White glaze with green Blue and brown painted zig-zag motif. Signed RP. Vallauris.

French Folk Art. Huge monoxyl pitcher olive wood. Free-form and organic design. Fantastic patina. Measures: - Height 27 cm / 10,63'' - Width 14 cm / 5,51'' ...

Jug or pitcher in Stoneware, with an exceptional patina. It's color with brown and Grey gives very pleasant contrasts. This Pitcher was created in FRANCEce, circa 19th century. Japon...

Art Nouveau French Faience Pitcher Luneville Circa 1900 Model "Guipure" signed Keller & Guerin Luneville.

Rouillard Unique handmade mid XXth century ceramic pitcher Original brown stoneware ceramic color Signed under the base Original perfect condition Measures: Height 21 ...

Lohoff (Montreau Lohoff) Realised in La Borne circa 1960. Large stoneware ceramic pitcher. Unique handmade piece. Signed under the base. Original perfect condition. ...

Terracotta jar with green glaze. This kind of pitcher was used to retain oil. Typical of those objects of the French provincial life of past centuries where it was necessary to have...

An unusual and very quirky vintage Majolica barbotine water or wine pitcher in the shape of a mallard duck, made by Keller et Guérin's earthenware factory at Saint Clément, near Luné...

French yellow Majolica pitcher signed Onnaing, circa 1920.

French Majolica elephant pitcher signed Sarreguemines, circa 1900.

Rare Swedish mid century and decorative stoneware pitcher by Hans Hedberg from his personal collection produced for Biot France, 1950s. In good original condition. Some minor chips f...

Superb carafe with decorations of hand cut honeycomb pattern in Baccarat crystal. Stamped by the manufacture. Excellent condition. Dimensions in cm ( H x L x l ) : 21.5 x 16.5 x 12 Secure shipping. Since 1764 Baccarat has written the chapters of its remarkable history in sparkling letters. Founded in Lorraine, by permission of King Louis XV, the world’s most famous Crystalworks has, over the ages, become a symbol of superb craftsmanship and French Art de...

Vintage decorative ceramic drink set by Jacques Pouchain / Atelier Dieulefit (circa 1960s). Classic cylindrical vase/pitcher with sensuously curved handl...

Fine Baccarat Empire Harcourt cocktail/water pitcher. The Empire Harcourt pattern is one of Baccarat's most sought after designs. A classic since 1841, it has graced the tables of n...

A French glazed pottery olive oil pot from the 19th century, with brown, orange and green motifs. Created in France during the 19th century, this rustic ...

French Pottery Pitcher Savoie With Leaves , Circa 1890.

A beautiful large antique French export hand-painted Limoges porcelain pitcher (would also make a wonderful vase) with gilt handle and accent...

French Art Deco stoneware pitcher by DENERT & BALICHON (Vierzon), France, ca.1920. Elegant stoneware pitcher. Upper belt showing 4 stylized roosters. Height : 5.5"(14cm), Width : 7.1...

Antique French Majolica barbotine pitcher produced by La Faïencerie d'Onnaing in the late 19th or early 20th Century. These pitchers, also called pichets or canettes, are known for t...

The piece showcases a classic design that was popular during the mid-20th century in France, dated back to the 1960s, crafted with a combination of pewter and glass. The "Étain du Manoir...

A fabulous small French green handblown glass vase.

French Majolica pig with ham signed Orchies, circa 1900.

Majolica duck mallard pitcher Keller et Guerin Saint Clement, circa 1900.

Baccarat crystal barware / tableware serving pitcher with side handle & exterior cut crystal design details. The pitcher is in great condition...

Pierre Digan Extra large ceramic pitcher signed at the base Height : 40 cm Large : 30 cm Original perfect condition Light grey ceramic glaze decoration Original 20th m...

Made as a premium for the British and Irish pubs, and used for water when mixing a whiskey, a scarce advertising face jug. The French Sarreguemines majolica ...

Beautiful St-Hubert decanter by the Lalique Maison. Stopper with decorations of oak tree leaf. Signed Lalique France. In very good condition. Secure shipping. The Lalique Maison was created by René Lalique who was one of the greatest artists of his time, whether as a jeweler or master glassmaker. He marked the Art Nouveau and Art Deco periods with his unique style. Lalique is recognized as one of the most important jewelry designers and glass maker of the French Art Nouveau period, creating innovative pieces for Samuel Bing's new store in Paris, Maison de l'Art Nouveau. He began exhibiting his work under his own name as early as 1894, notably at the Salon des artistes français, 1897 and 1898. The great glassmaker Émile Gallé discovered him at the first one and praised him highly. His Stand at the 1900 Universal Exhibition in Paris was a great success. While keeping sources of inspiration from the Art Nouveau woman, fauna and flora - including the peacock, various insects and sometimes a fantastic bestiary - he innovated by using materials barely used for jewelry at the time: glass, enamel, leather, Horn, mother of pearl, often preferring semi-precious stones to precious stones. The introduction of volume in jewelry is facilitated by his knowledge in modeling. He designed his models, having them made by a team of chisellers, sculptors and enamellers that he carefully recruited. Many women from the nobility, the bourgeoisie and the entertainment world began to wear his extraordinary jewelry, such as the Marquise Arconati-Visconti, the Countess of Béarn, Madame Waldeck-Rousseau, and Sarah Bernhardt, for whom he created a stage costume in 1902 for the revival of the play Théodora at the Sarah-Bernhardt Theater. Lalique was the only modern artist whose client and friend Calouste Gulbenkian became. Gulbenkian acquired the famous Pectoral à la libellule (circa 1897-1898), a masterpiece much admired at the 1900 World's Fair, which he lent to the tragedienne Sarah Bernhardt. After the end of the First World War, Lalique's colorful and fantastic jewelry were no longer in fashion. The creator sensed this and decided to convert to the Art Deco style through glassware in 1920. Thus, the neo-classical and geometric Art Deco replaces Art Nouveau. According to Olivier Mauny, former CEO of Lalique, his creations paved the way for an industrialization of art objects, because one of the best ways to include luxury and aesthetics in everyday life is to make everyday objects. He will create many objects such as vases, cups, candlesticks, perfume bottles, radiator caps for the Citroën 5CV (1925), decorations for the restaurant cars of the Côte d'Azur Pullman Express (1929), decorations for the dining room of the first class of the Normandie liner...

Yellow Majolica Rope Pitcher Saint Clement, Circa 1950.

Superb 1933, Set of three Brass banded, oak barrels. This beautiful wine or cider jugs were created by Gérard Lafitte, selected as Meilleur Ouvrier de France (one of the best worker...

19th Century Majolica Chrysanthemum Pitcher signed Onnaing.

A lovely rare late 18th century French ironstone pitcher for olive oil, HUILE D' OLIVE. A beautiful and quite a rare piece as I've never seen another for olive oil. The glaze is crac...

Jean Austruy Large abstract ceramic pitcher or vase by Jean Austruy White and grey abstract decoration Original perfect condition Signed under the base Height 26 cm Large 36 cm...

Antique Large Jaspé Pottery Pitcher, Late 19th Century, France. An exceptionally large size pitcher with striking marbleized slip application. From the Savoie region of France.

Hervé Rousseau Beautiful ceramic handmade pitcher by French ceramist. Realised in Boisbelle near La Borne. Elegant brown fire ceramic effect. ...

This small, elegant pitcher, reminiscent of the work of Georges Jouve, features a refined, curvaceous form with a lustrous black metallic glaze. Measuring 12 cm in diameter, 14 cm in...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Pablo Picasso (1881-1973) "Cruchon Hibou" jug in...

Oversized Mid-Century Modernist glazed ceramic gurgling fish water jug / pitcher. France, 1950s-1960s Manufactured by Vallauris Ceramics. Eye-catching large green Majolica ceramic va...

Alexandre Noll Pitcher in Carved Sycamore France c. 1950 Acquired from the estate of a former Saks Fifth Avenue Executive. This rare piece was presented by Noll as a sample to Saks...

French Pottery White Flowers Pitcher Savoie Circa 1890. H / 6.4 inches.

Unusual 19th century Majolica pomegranate liquor pitcher.

19th Century Victorian Majolica Set of 3 Graduated Fish Pitchers. H / 10.5 inches , 7 by 4.3 inches. H / 8.7 inches , 5.5 by 3.3 inches. H / 7.7 inches , 4.5 by 2.5 inches.

Art Deco jug by Louis Süe(1875-1968) & André Mare (1887-1932) for Gallia - Christofle. Silverplated with plant motifs in low-relief. Stamped underneath "...

19th century French Jersey pitcher.

A charming French majolica barbotine pig pitcher by Orchies, circa 1880. Maker's mark on reverse. This highly collectible pitcher, titled "Cochon au Jambon" (pig with ham), is depict...

Elke Montreau Lohoff Blue ceramic pitcher realised in La Borne Circa 1970 Original perfect condition Height 20 cm Large 13 cm

Charming Small French Green Majolica Pitcher Creamer decorated with a carnation.

Beautiful oval ceramic dish by French artist Gustave Reynaud from the 1960s. Off-white glaze with blue and muted green painted bird motif. Signed on bottom. Great as catch-all or to ...

Very Large 19th Century Rare French Majolica Pig Pitcher signed Delphin Massier. Height / 10.2 inches.

Charming Small French Majolica Pitcher Creamer circa 1900.

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

A fabulous vintage French Chinoiserie style white ironstone watering can or pitcher with a faux bamboo design, circa 1950. It has a sleek and stylish design, perfect for the modern h...