George IV Pitchers

Marked: London, 1859, Maker: John S. Hunt.

Our pair of elegant silver-gilt ewers are attributed to the Austrian maker, Johann Georg Hann of Vienna, circa 1780-1800. Heights: 17 7/8 and 22 1/2 in; 45 a...

An extremely elegant Victorian silver claret jug with pear-shaped body decorated with hand-engraved floral swags and garlands. It has an ov...

Maya Signed under the base Colored stoneware ceramic pitcher Original good condition Red and blue colors Height 20 cm Large 16 cm

This Neo-Grec sterling silver Ewer from Tiffany & Co., crafted by the renowned silversmith Edward C. Moore, is a remarkable example of 19th-century American artistry. Produced by Moo...

Pierre Digan Extra large ceramic pitcher signed at the base Height : 40 cm Large : 30 cm Original perfect condition Light grey ceramic glaze decoration Original 20th m...

Austro-Hungarian silver wine ewer.

Lohoff (Montreau Lohoff) Realised in La Borne circa 1960. Large stoneware ceramic pitcher. Unique handmade piece. Signed under the base. Original perfect condition. ...

A stylish Vintage Italian Jug with an understated elegant straight sided design displaying the luster of plain polished silver. The Jug has subtle spout which has a straight geometri...

Medallion wine ewer designed by William Gale & Son. Very rare and important piece of the American silversmith history. This fabulous wine ewer was made by the William Gale & Son Company, just five years before the American Civil War (1861-1865) in the 1856. The rich design and the delicate composition reflects the extreme opulence of the northern United States in these period and the degree of sophistication when serving a table. By other part, this wine ewer is full of symbolisms, where the degree of knowledge and understanding of the characters of Greek and Roman mythology is demonstrated. This one-of-a-kind piece was carefully crafted with impeccable details in solid .925/.999 sterling silver. It is fully decorated with ancient Etruscan and Greek revival patterns and architectural neo-classic elements, such the small two balusters and the rosettes located in the handle. The most significant are the two medallions depicting the classical figures of the helmeted & bearded portrait bust of Dionysus and the portrait bust of his daughter Methe, wearing a diadem made of vine leaves. This rare pitcher has a total weight of 750.43 grams and a measure of 12 by 7.5 inches (30.5 x 19 cm). The base has a diameter of 4.75 inches (12 cm). Fully stamped in the underneath, with the silver assay hallmarks, the maker's cartouche GS, the year of production 1856 and signed in full, "W. GALE & SON NEW YORK .925 STERLING GS 1856". Dionysus, (Bacchus for the Romans), was the god of the grape-harvest, winemaking and wine, of fertility, orchards and fruit, vegetation, insanity, ritual madness, religious ecstasy, festivity and theatre in the ancient Greek culture. The iconographic theme on this sheet refer to the legend of the triumph of Dionysus, or as the Romans called him, Bacchus the god of the grape harvest, winemaking and wine, the son of Zeus and Semele. The Bacchanalia was a religious festival in honor of the wine god, Dionysus. Methe, was the goddess-nymph of drunkenness in the ancient Greek mythology. She was the daughter and companion of the god Dionysus. She was also the wife of Staphylos (bunch of grapes) and mother of Botrys (grapes). History: The founder of the firm was William Gale (1799-1867) and the company was located in the number 447 at Broome street in New York. W. Gale invented and patented in 1826 a process for making spoons with ornamental patterns by cutting the ornament on rollers, both the upper and the lower rollers being cut with the pattern. this made the production of pattern spoons much less expensive than the former method of hand hammering patterns by the use of dies. William Gale was succeeded in the business by his son William Gale Jr. (1825-1885) who, after few years, ceased the control of the firm to H.B. Dominick & Leroy B. Haff until 1928 when the business was finally purchased by Reed & Barton. Note: The signature and hallmarks stamped at the bottom of this piece, correspond to the pieces produced before the US civil war...

A hand-thrown, well-crafted, piercing green glazed ceramicpitcher by famed Texas-born San Antonio ceramic master Harding Black. A perfect combination of form and function. Signed and dated (1983) by the Black on the base. This work has a great feel and heft to them. The deep rich colors are striking. Harding Blacks Exhibitions include: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of fine Arts...

Benoist Favre Realised circa 1970 in la Borne Original brown ceramic pitcher Handmade production Original perfect condition Signed at the ...