Pair of Derby Porcelain Yellow Fruit Coolers with Liners and Covers

Chamberlain Worcester Porcelain Crested Fruit Coolers, Covers and Liners, The crest on the coolers – ‘a phoenix in flames.’ could be that of the St Clair family of Staverton Court, G...

Chinese Export Porcelain Armorial Dish, Pseudo Continental Arms, Motto- "His Ornari Aut Mori", After a Meissen Porcelain Original Service, Circa 1760 The Chinese Export armorial porcelain oval dish with overall Bianco Supra Bianco has a central Rococo armorial coat of arms centered with three garlands with the motto "His Ornari Aut Mori" below. The armorial surrounded by scattered flowers and four shaped gilt bordered panels on the shoulder with two bouquets of famille rose flowers and two of fruit. The motto translates as To be adorned with these, or to die, referring to the three wreaths in the coat of arms, woven of olive, laurel and oak leaves. The three leaves representing sapientia, doctrina ac rei militaris peritia, "wisdom, learning and military expertise." The reverse with a bamboo band with fruit and flowers with scattered flowers to the top, bottom, and each side. The gilt rim on the border now rubbed. Dimensions: 16 1/2-inch-wide x 13 3/4 inches deep x 1 1/4 inches high Reference: The Choice of the Private Trader: The Private Market in Chinese Export Porcelain illustrated from the Hodroff Collection, David. S. Howard, 132-133, for a strainer & Dish from the same service. Howard says this is from a Chinese Export service that is a direct copy of an original Meissen porcelain service...

Pair Footed Fruit Coolers, about 1810-20 Stône, Coquerel, and Legros D’Anisy, Paris (active 1808–49) Porcelain, partially transfer printed in sepia and green and gilded Each, 13 1/2 in. high x 10 in. wide x 7 1/2 in. deep Signed and inscribed (on underside of one top and one base, with printed mark): STÔNE / COQUEREL / ET / LE GROS / PARIS / PAR BREVET D’INVENTION: Manufre de Décors sur Porcelaine Faience; variously inscribed with decorators’ initial in green and brown (on underside of one top and one base): M; variously inscribed with incised mark (on underside of one liner and both bottoms): 3; inscribed (in blue script, on the inside of one liner): 615 The Parisian firm of Stône, Coquerel, and Legros d'Anisy is distinguished for the important role that it played in the introduction of transfer-printed decoration on fine china in France. Although the process had been known and used in Great Britain since the eighteenth century, it was, according to Régine de Plinval de Guillebon in her book, Porcelain of Paris 1770–1850 (New York: Walker and Company, 1972), not until 1802 that Potter, Blancheron, Constant, Neppel, Cadet de Vaux & Denuelle took out a patent in France for transfer-printing on earthenware, and it was only on February 26, 1808, that John Hurford Stône, his brother-in-law, Athanase Marie Martin Coquerel, and Francois Antoine Legros d'Anisy not only took out a patent for transfer-printing on china, but also established a Stône, Coquerel, and d'Anisy partnership for the manufacture of transfer-printed ceramics. Their address from 1808 until 1818 was at 9, rue de Cadran, Paris. Prior to this, Stône and Coquerel had been partners at a creamware factory in Creil, France, and Legros d’Anisy had worked at the Sèvres factory, where he had apparently developed the transfer-printing technique for which his own firm became well known. “The process,” notes de Guillebon, was “based upon removing from the engraving a ‘pull’ made on a specially coated filter-paper, which was pressed onto the object to be decorated; this object itself was covered with a film. Firing took...

Large Majolica fruits centerpiece, signed Sarreguemines, circa 1920.