Important Dame Lucie Rie Footed Porcelain Bowl, circa 1978

A very elegant antique 19th century KPM porcelain hand-painted & gilded lidded bowl/tureen, decorated with birds & butterflies, 1840-1895. This very handsome lidded tureen made by th...

A fine & monumetal Japanese Meiji period Porcelain charger/plate, circa 1890. The charger is very finely decorated with underglaze blue, red iron oxide glazes and heightened with gil...

A very good antique Chinese blue and white bowl for the Islamic market, late Ming dynasty, 16th century. The bowl having a flared r...

Edmond Lachenal (1855-1948), a wonderful Art Deco turquoise blue volcanic glazed ceramic vase, circa 1930, in wonderful antique condition. Edmond Lachenal was considered an innovator...

A good antique Art Deco Belgian Blue Pottery crackle glaze vase, Charles Catteau for Boch Freres, circa 1925. The bottle shaped vase with a 'mallet' shaped base and raised on a shall...

A good antique Palissy Ware style Portuguese majolica wall plate, circa 1900. The plate decorated with a large lobster to the center resting on a textu...

Lucie Rie (British/Austrian 1902-1995), a porcelain bowl of flaring form, uranium yellow glaze with craquelure and running manganese band to rim, impressed seal mark, 14.7cm diameter...

Lucie Rie Stoneware cream jug in manganese and pitted white glaze. With impressed LR mark. c1950s. Provenance: European Ceramics, Knaresborough, 2002. Alan and Pat Firth Collection. Lucie Rie DBE (1902-95) was one of the most important figures in Twentieth Century ceramics. Born in Vienna, she originally studied at the School of Applied Arts in Vienna under Michael Powolony. Before the war she exhibited at the Paris World Fair in 1925 and 1937, at which she won a silver medal. Of Jewish descent, she fled Austria for Britain in 1938 and spent the rest of her life in London. It is difficult to underestimate the importance of her work in Britain and indeed worldwide. She brought the style of European modernism to this country and inspired a generation of potters to develop that approach. A good friend of leading British studio ceramicist Bernard Leach, she became and internationally acclaimed ceramicist with innovations in both shape and glaze. In 1948 she hired a young Hans Coper and they worked and exhibited together for many years. She also spent some time teaching at Camberwell School of Art. Her ceramic work is now regarded as some of the finest and most important of the last century, its lasting influence assured. After her death her studio was reconstructed and exhibited by the Victorian and Albert Museum. Her work is held in the most important ceramics...

Extraordinary stoneware bowl of the famous ceramic artist Lucie Rie. Slightly beige-pink matte glaze with stronger pink spots, brown, partially bluish edge. Interior and exterior wa...

This is a hard paste porcelain Tea Bowl and Saucer by New Hall, dating to the turn of the 18th century, George 111rd period, circa 1800. Both pieces are decorated over-glaze with ...

This is a hard paste porcelain waste or slop bowl by New Hall in a hand painted Chinoiserie figure pattern No. 20, dating to the late 18th century, circa 1790. The bowl is well potted on a mid depth foot. The decoration is hand-painted using bold enamels in a charming chinoiserie figure pattern, number 20, showing a Lady with a parasol being presented a flower by a young man, all by a fence in a garden setting. The inner rim has a repeated border pattern and the inside base has a hand painted flower bud sprig which is worn and faded. This is a recorded New Hall pattern No 20. Overall a charming 18th Century Bowl...

This is a very fine hard paste porcelain Tea Bowl and Saucer by New Hall, dating to the 18th century, George 111rd period, circa 1785. Both pieces have 24 vertical flutes. Both pie...