Large 19th Century Meissen Style Nodding Buddha

A large rare pair of 19th century Meissen Chinoiserie style Nodding Pagoda Figures with Movable Head, Hand and Tongue, known as a "Nodder'. This Unusual...

19th Century Meissen Birdcage Grouping Germany Circa 1880 This enchanting 19th-century Meissen birdcage grouping, made in Germany circa 1880, is a re...

19th century German large blue and white Meissen porcelain vase with gilt trim and scroll handles.

A 19th century Meissen porcelain nodding head figure modeled as a seated pagoda figure, with head and hands articulated by internal counterweights. The un...

PRE-OWNED GOODS ARE EXEMPT FROM IMPORT TARIFFS FOR U.S., UK, AUSTRALIAN & CANADIAN CUSTOMERS. THEREFORE, NO IMPORT TARIFFS WILL BE APPLICABLE TO YOUR PURCHASE. Meissen, Germany....

A wonderful late 19th-Century Meissen blue onion square hand painted porcelain dish. Printed and impressed "Meissen" mark on reverse. This fine blue onion platter exhibits excellen...

19th Century Meissen Model of a Slipper Delve into the high Victorian era with this enchanting 19th century Meissen model of a slipper. Crafted by the illustrious Meissen Porcelain, this artifact embodies the elegance of its time with intricate designs and detailed hand painting. The porcelain slipper...

19th century Germany Meissen porcelain grouping.

A Fine and Large Pair of 19th Century Meissen Porcelain Parrots. Each parrot is depicted perched on a detailed tree stump base, with bark and foliage carefully painted to mimic natur...

Magot of exceptional size with tilting head, tongue and hands. Material made entirely of porcelain, with the exception of the "biscuit" hands. What are magots? The word magot comes from the French: barbary ape. They are male or female figures with oriental features. Usually the material used for the representation was painted or decorated porcelain. The subject depicted, in a good-natured and pleasant way, is Pu-Tai. The Chinese god of happiness and abundance. It is said that they brought good luck because, thanks to their head, tongue and jointed hands, they were able to warn earthquakes. They arrived in Europe between the end of the seventeenth century and the beginning of the eighteenth century thanks to the first connections between European merchants (Venetian in particular) and Chinese. In the following decades, they became a status symbol to be displayed in aristocratic homes. They found fertile ground in Europe thanks to the fashion for the exotic that developed in the Old Continent during the first decades of the eighteenth century. This fashion can be found in various objects of the time, not only in the Magot, see the toilet objects and lacquered furnishings decorated with the famous chinoiseries. In a few years, thanks to the increased demand, our factories also began working to satisfy this new form of collecting. From the German ones: Meissen, Dresden, Rudolstadt; to the French ones: Saint Claude Samson and Chantilly, to the Italian ones. True masterpieces were created throughout Northern Italy. The Piedmontese ones, made of papier-mâché, were then unusual. Authenticity: Completely intact to the naked eye and the infrared lamp...