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Large 19th Century Meissen Style Nodding Buddha

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19th Century Meissen Tureen
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A fine quality 19th century Meissen Porcelain lidded tureen, having wonderful bold coloured raised floral decoration, berries and insects. Underg...
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19th Century Meissen Cherub
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An enchanting late 19th Century Meissen Porcelain cherub, press two hearts together. Wonderful bold colours, blue underglaze blue crossed swo...
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Meissen Parrot, late 19th century.
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Located in Brighton, Sussex
An enchanting late 19th century Meissen porcelain figure of a Parrot perched on a tree stump, having wonderful bolding colouring and having blue crossed swords signature to the base....
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19th Century Meissen Group of Lovers
By Meissen Porcelain
Located in Brighton, Sussex
An enchanting late 19th Century large porcelain group of two ladies competing for the heart of a nobleman. Having wonderful bold colours, garlands of flowers, and an under glaze blue...
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Antique Late 19th Century German Romantic Porcelain

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Pair of 19th Century Meissen Vases
By Meissen Porcelain
Located in Brighton, Sussex
A good quality pair of 19th century Meissen porcelain vases. Each having gilded scrolling decoration with inset painted panels depicting harbour scenes. Blue crossed swords to base.
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Antique 19th Century German Porcelain

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Late 19th Century Meissen Porcelain Group of Two Lovers
By Meissen Porcelain
Located in Brighton, Sussex
An enchanting late 19th Century Meissen Porcelain group of two seated lovers. Blue crossed swords mark to base.
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Magot, original 19th century porcelain Buddha
Located in Vicenza, IT
Magot of exceptional size with tilting head, tongue and hands. Material made entirely of porcelain, with the exception of the "biscuit" hands. What are magots? The word magot comes from the French: barbary ape. They are male or female figures with oriental features. Usually the material used for the representation was painted or decorated porcelain. The subject depicted, in a good-natured and pleasant way, is Pu-Tai. The Chinese god of happiness and abundance. It is said that they brought good luck because, thanks to their head, tongue and jointed hands, they were able to warn earthquakes. They arrived in Europe between the end of the seventeenth century and the beginning of the eighteenth century thanks to the first connections between European merchants (Venetian in particular) and Chinese. In the following decades, they became a status symbol to be displayed in aristocratic homes. They found fertile ground in Europe thanks to the fashion for the exotic that developed in the Old Continent during the first decades of the eighteenth century. This fashion can be found in various objects of the time, not only in the Magot, see the toilet objects and lacquered furnishings decorated with the famous chinoiseries. In a few years, thanks to the increased demand, our factories also began working to satisfy this new form of collecting. From the German ones: Meissen, Dresden, Rudolstadt; to the French ones: Saint Claude Samson and Chantilly, to the Italian ones. True masterpieces were created throughout Northern Italy. The Piedmontese ones, made of papier-mâché, were then unusual. Authenticity: Completely intact to the naked eye and the infrared lamp...
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