PAIR of Spode "967" Pattern Vases, c. 1810

This is a fine example of an English George III period, porcelain Tea Cup, made by Spode and hand painted in Pattern 967, during the early 19th century, circa 1815. The cup has th...

This is a fine example of an English George III period, porcelain, Sucrier with cover or lidded sugar bowl, made by SPODE all hand painted in Pattern 967, during the early 19th Century, circa 1810. This Sucrier has a beautiful and elegant shape with high loop handles either side of the oval body. The cover has a shaped oval knob...

A very fine set of three Georgian Imari pattern decorated porcelain cabinet plates by Spode and dating from around 1810. The small side plates are of...

This is a beautiful pair of Spode hand painted, artist signed "Sevres Green" porcelain vases with gilded graceful handles rising above the opening. Painted on both front and reverse ...

A very Fine pair of Spode porcelain shrimp bowls. With rich gilding, underglaze cobalt blue borders, and hand painted topographical scenes at their centers. One scene depicts f...

An incredibly beautiful and rare Spode porcelain vase decorated with shells to the front and flowers to the reverse. The shape name is "New Shape Fish Handled Beaker" and it was d...

A very fine Spode porcelain punch bowl c.1805-1810. Finely decorated and gilded in a rich pattern number 944. Condition: Excellent 

This is a beautiful orphaned teacup made by Spode in about 1810. It bears a lavish Japanese-inspired Imari pattern. Spode was the great pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by British potters ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the Chinese export china, which had come to an end around that time, with their own designs. This was fundamental to a thriving industry that would last for about 150 years and provide half the world with their tableware. Spode porcelain is regarded as one of the highest quality porcelains around; for a soft-paste porcelain it is surprisingly hard and fine, and has a wonderful bright white colour. The pattern on this can is called "Dollar" pattern, a very famous pattern that was used by English potters in the 18th and early 19th Century. It is obvious why it is called “dollar” - but its origin is less obvious! It is thought that this pattern was derived from a very old Chinese pattern depicting a tree with elaborate foliage that hides a Chinese character representing longevity or happiness. Traditionally, this went with a an image called “Taotie”, which was used on very ancient bronze vases...

This is a good quality porcelain coffee can that we attribute to Spode of Staffordshire, England, made during the very early 19th century, George 111rd period, circa 1810. The coffee can is nominally parallel, with a loop handle having one lower kink, characteristic of the Spode handle. It has a fairly deep foot recess with obtuse corners and is unmarked to the base. The pattern is one of Spode's transfer printed floral leaf designs in a burnt orange colour around the upper border, all between gold gilt rings with a further gold gilt ring just above the base and hand gilding to the outer handle. We date this piece to the late George third...

This is a very good example of an English George III period, porcelain, coffee can, made by Spode, England in the early 19th century, circa 1810. The can is nominally straight sided and has the Spode loop handle with a pronounced kick or kink to the lower part, with a lower attachment that curves out slightly from the cup. Spode is the only factory with a handle of this exact shape. The can is decorated with one of their grey "bat printed" designs, showing game birds collected after the shoot. It also has hand painted gilded detail to both rims and the handle. Similar Spode bat printed...