Punch Powl, Bow Porcelain Factory, circa 1755

A fine octagonal plate painted in the botanical style; possibly the yellow gloriosa climbing lily. Provenance: Taylor Collection; Robyn Robb 2003. Filled edge chips.  

A delicate tea-bowl and saucer, decorated after the Chinese in the Famille Rose palette. This style of painting, known as 'wet enamelling', is very attractive but quite scarce in Bow...

Of full-bellied pear-shape with large sparrow-beak lip set slightly below the top rim of the body in front of a triangle of circular pouring holes and at the right angle to the strap...

Oval tureen and cover, decorated after the Kakiemon in the two quail pattern; the crabstock handles and masks are interesting features. The tureen has had a rather unhappy life, appa...

A large tea-pot, or perhaps a punch pot, of globular form with loop handle. Painted in a vibrant wet palette after the Chinese. A most attractive example, of...

Modelled after a small Chinese blanc-de-Chine wine cup of Dehua, Fujian Province; the bowl with three single prunus sprigs. Thick glaze with some crazing around base. Green translucency. Base glazed but partially wiped. Provenance: Taylor Collection; Parkside Antiques Melbourne...

This is a very charming orphaned coffee cup made by the Bow Porcelain factory in about 1755. The cup is decorated in a Chinese "famille rose" peony pattern. This cup would have been part of a large tea service, and the tiny size shows how expensive coffee was in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. The cup is unmarked, which is normal for Bow items of this era. Condition report the cup is in excellent condition without any damage or repairs. There are various glazing imperfections, which are quite normal for porcelain of this era. Antique British porcelain...

This is a very rare and impressive complete set of large figures called The Four Elements, made by the Bow Porcelain factory in about 1765. It consists of Ceres representing Earth, V...

This is a wonderful little figure of a boy or putto made by the Bow Porcelain factory in about 1760. The Bow Porcelain Factory was one of the first potteries in Britain to make soft...

Bow porcelain Chinoiserie tankard, Bow, London, 1760-1765. The unusually painted polychrome Bow porcelain tankard depicts Chinoiserie figure...

Hochst porcelain teapot and cover, c. 1755. The globular body, hand painted with a farmer and a shepherdess, seated beneath a tree, on a riverbank. The man holds a footed bowl of fru...

Heading : Bow porcelain octagnoal, fan panelled, underglaze powder blue, landscape pattern dish Date : c1760 Period : George III Marks :Faux Chinese marks Origin : New Canton - then...