Davenport Creamware Shaped Tray with Botanical Specimen, a Purple Coherent

This is a rare and early stone China (Ironstone) mug which dates to the George 111 period, circa 1815 made by the Davenport factory of Longport, Staffordshire Potteries, England. The mug is straight sided similar to a coffee can and has a loop handle with an upper thumb rest. The pattern is number "659", which is one of Davenport's very few chinoiserie patterns. The bold pattern features striking polychrome enamels of rocks and different flowers all in the Chinoiserie style, hand painted over-glaze in different colours over an under-glaze blue printed outline. The pattern is embellished with good hand gilding. There is also a deep border pattern to the inside rim which replicates the outer mug pattern with sprigs of hand painted flowers. The mark on the base of the mug is Godden's 1183, a blue printed DAVENPORT STONE CHINA...

This is a finely hand painted PAIR of early Stone China (Ironstone) Side or Desert Plates, which date to the George 111 period, circa 1815. Made by the DAVENPORT factory of Longport,...

A rare antique English creamware pottery octagonal plate of Whieldon-type dating from around 1750. The lightly and finely potted plate has a deep round central reserve with a raised ...

A charming and rare antique English creamware pottery fox head stirrup cup probably dating from around 1800. The lightly potted large cup is ...

This is a rare Creamware pottery Chestnut Basket made by the SPODE factory, Stoke on Trent, Staffordshire, England, in the late Georgian, Regency period...

A good quality Leeds Pottery creamware figure group depicting Bacchus holding a cup and a bunch of grapes and standing alongside a wine barrel believed to date from the latter 19th c...

A style of portrait previously unknown, this extraordinarily deep bust of Shakespeare is in creamware, with a cold painted background. William Sha...

This elegant Wedgwood charger was made in England in the late 18th century, circa 1785. Crafted from creamware, the charger features a meticulously painted geometric border composed of orange and black flowerheads set within a lattice of fine black lines. Each flowerhead is centered in a diamond-shaped cell, creating a repeating pattern that radiates rhythm and precision. The inner field is left undecorated, emphasizing the clean form and enhancing the visual impact of the border. The simplicity of the cream-colored ground paired with the precise hand-painting along the rim reflects the neoclassical restraint and balance that defined Wedgwood’s aesthetic...

A good quality Leeds Pottery creamware figure group depicting Venus and Cupid with a large fish believed to date from the latter 19th century. The molded figure group stands raised on a square shaped base and is well modelled with nice detail with Venus dressed...

Cleopatra and Mark Antony, in enamelled creamware. After a model by Ralph and Enoch Wood, and quite likely made by this important partnership. The figur...