Georgian PAIR Soup Bowls by Spode in Blue & White Rome or Tiber Pattern, Ca 1815

This is a beautiful plate in the Bow Pot pattern, produced by the Spode factory and made of a type of earthenware pottery called Pearl-ware, in the early 19th century, circa 1820. ...

This is a very good Dinner Plate in the Long Tailed Pheasant pattern No.2, made by Hicks and Meigh of Shelton, Staffordshire, England between 1812 and 1822, probably circa 1815. Thi...

This is a good ironstone side plate in hand painted floral pattern No. 8, made by Hicks and Meigh of Shelton, Staffordshire, England between 1812 and 1...

This is a good stone China (Ironstone) coffee can made by the SPODE factory in the early 19th Century, circa 1820. The coffee can is well potted with cylindrical shape and a loop handle with the distinctive Spode kink to it. The piece is beautifully decorated with hand painted enamels in the chinoiserie Kakiemon style, pattern number 2117. It has the Spode Stone China blue printed...

This is a good, very early, rare blue and white coffee cup in the "Boy on a Buffalo" pattern, probably from the factory of Josiah Spode, stoke on Trent, Staffordshire, England, made...

This is a good ironstone Sauce Tureen in hand painted floral pattern No. 8, made by Hicks and Meigh of Shelton, Staffordshire, England between 1812 and...

Spode Neo-classical Greek pattern blue soup plates, Refreshment for Phliasian Horseman, Set of twelve (12) Early-19th century The Spode Greek pattern ...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

The ship is flying the flag of the last German Emperor of the Holy Roman Empire, Francis II , Circa 1775-1790. The rare Wedgwood creamware plate...

An English blue and white Brown-Westhead, Moore & Co., Valletta pattern washbasin from the late 19th century, featuring a pitcher and its basin. Created by the English manufacturer B...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A pair of white ceramic Chinese vases circa early 20th century.