Saltglaze plate, from a service for King George III, English, circa 1760

The so-called ‘Crowther Plate’ dated January 1770: Octagonal, painted in blue underglaze with the monogram ‘RC’ in a floral cartouche and with elaborate scroll, pendant and cell a...

Trophy plates were a particularly Victorian development at Wedgwood, taking the use of classical ornament to its absolute limit. Over 2,000 individual sprigs were made, applied, and ...

A large platter, probably once associated with tureen. Beautiful flower painting, possible done outside the factory at the Giles studio in London, or perhaps at the Chelsea studio by a painter who had previously worked there. The tulip, heartease, and others look very Giles. One of the most distinctive features of Chelsea porcelain is its intricate floral painting, which often featured detailed, lifelike renditions of flowers and other botanical subjects. The factory employed skilled artists who were trained in the art of flower...

A creamware plate, with transfer printed decoration. From a service probably ordered to commemorate the wedding of John Peter and Ann Du Port, of Guernsey. The plate is of plain cre...

A London decorated neoclassical coalport plate with grisaille Roman scene and gilt decoration.

Circa 1780-1810 Chinese export porcelain platter. The center & conforming border feature gilded sepia ground flowers with famille rose vines & dotted rose & blue flowers. Made for th...

18th Century Chinese Export Porcelain Cake Plate / Charger with Armorial Crest

A large 18th century French Rouen white glazed cul noir earthenware platter with scalloped edge, hand-painted with blue decorative banded border and a fruit basket in the center. Rob...