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Sugar Box in Cobalt Jasperware, Adams, circa 1800

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Potpourri in Cobalt Jasperware, Wedgwood, circa 1820
By Wedgwood
Located in Melbourne, Victoria
A broad, flat potpourri in cobalt jasper dip, with a tall pierced cover.
Category

Antique Mid-19th Century English Neoclassical Pottery

Materials

Pottery

Potpourri in Cobalt Jasperware, Wedgwood, circa 1820
$910 Sale Price
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Jasperware Perfume Bottle, William Adams, circa 1790
By William Adams
Located in Melbourne, Victoria
In cobalt jasper, decorated with Androcles and the lion and Demeter, Goddess of the harvest; Aphrodite to the other side. Original bright cut silver ...
Category

Antique Mid-18th Century English Neoclassical Pottery

Materials

Stoneware

Pale Blue Jasperware Bowl, Wedgwood, circa 1790
By Wedgwood
Located in Melbourne, Victoria
In solid slate blue jasper, with inlaid foot; decorated with numerous reliefs typical of the period. Engine turned decoration and lapidary polished interior. Exhibited: Wedgwood, Ma...
Category

Antique 1790s English Neoclassical Pottery

Materials

Stoneware

Jasperware Buckle, Wedgwood, Matthew Boulton, Circa 1795
By Wedgwood
Located in Melbourne, Victoria
A jasper medallion decorated with Aphrodite, set in cut steel as a buckle, probably by Matthew Boulton. Original box. The Greek goddess Aphrodite is often depicted in ancient art with a dolphin. In mythology, dolphins were considered sacred to Aphrodite, and they were associated with love, beauty, and fertility. According to one legend, Aphrodite emerged from the sea on a shell-borne chariot drawn by dolphins, and the creatures were said to be her faithful servants. As a result, images of Aphrodite with dolphins became a popular motif in Greek art, appearing on vases, sculptures, and other decorative objects. The association between Aphrodite and dolphins has continued through the centuries, and the image of the goddess with a dolphin remains a popular symbol of love and beauty. Matthew Boulton (1728-1809) was an English manufacturer and entrepreneur who was best known for his contributions to the Industrial Revolution...
Category

Antique Mid-19th Century English Neoclassical Pottery

Materials

Cut Steel

Encaustic Painted Basalt Vase, Wedgwood, circa 1800
By Wedgwood
Located in Melbourne, Victoria
A fine, large vase in black basalt, decorated with an encaustic painted figure of a youth, taken from The Hamilton vase in the British Museum. The shape is taken from the Greek Hydria...
Category

Antique Late 18th Century English Neoclassical Pottery

Materials

Stoneware

Hot Milk Jug, Engine-Turned Jasperware. Wedgwood, C1785
By Wedgwood
Located in Melbourne, Victoria
Superb and exceptionally rare small jug in tricolour engine-turned diceware. This is very early jasperware, made when "cherokee clay" was still being used. This clay, sourced from America, contained kaolin, the ingredient that makes porcelain translucent. Exhibited: Wedgwood, Master Potter to the Universe, Roche Foundation, 2023. Engine turning, also known as guilloche, is a decorative technique that was commonly used on eighteenth-century pottery. The process involved cutting intricate, repetitive patterns into a metal or ceramic surface using a machine known as a rose engine...
Category

Antique Late 18th Century English Neoclassical Pottery

Materials

Stoneware

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Wedgwood Crimson Jasperware Pitcher
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This striking Wedgwood crimson dip bas-relief covered jug features an applied white jasper neoclassical decoration of grapevines bordering the rim. De...
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Italian Castelli Majolica Bases, circa 1800
By Castelli
Located in CH
Italian Castelli majolica bases, Circa 1800. This pair of bases for large vases are a typical example of the high quality manufacturing of the Caste...
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Mocha Seaweed Pottery Pearlware Coffeepot, circa 1800-1830
Located in Downingtown, PA
Mocha Seaweed Pottery Pearlware Coffeepot, circa 1800-1830 The footed coffeepot and cover are attractively decorated with bands of different color...
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19th Century Glazed Terracotta Cheese Strainer circa 1800
Located in LA CIOTAT, FR
This rare early 19th-century cheese strainer is a beautiful example of traditional French rural pottery. Handcrafted in terracotta, it features a rich honey-brown glaze on the interior and rim, contrasting with the natural, unglazed base on the outside. The piece is instantly recognizable by its unique form: a wide, shallow basin with a raised central platform, designed to separate whey from curd during the cheese-making process. The slight lip on the rim and the central pedestal are both functional and decorative, reflecting the artisanal know-how of the period. This antique strainer...
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Hand Painted Prattware Plaque Showing a Pair of Lions, Made England, circa 1800
Located in Katonah, NY
Provenance: The Rouse Lench Collection A pair of lions resting comfortably on a Prattware plaque molded in high relief. They probably just finished a big meal! Hand painted in three ...
Category

Antique Early 19th Century English Country Decorative Art

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English Pearlware Coffee Pot, Blue Transferware, Fallow Deer in Snow, 1800-1820
Located in London, GB
This is a superb coffee pot made in England between 1800 and 1825. The pot is made of pearlware and has a very charming blue transfer printed pattern of fallow deer in a snowy landscape with farm buildings. This transfer print looks like an early 19thC print; as we couldn't identify the maker it was impossible to date it exactly. A charming detail is that the rim of the cover and the footrim, which are printed with a row of houses, both are printed up side down; this was probably done by children, who often did the smaller transfer prints because their little fingers could handle the thin strips of paper better than adults. The coffeepot is unmarked. There is an old shop label on the underside stating it is "English, probably Spode" - however, although this pot is certainly English, it is certainly not Spode. CONDITION REPORT The coffee pot is in good antique and usable condition without any damage to the pot or the spout; there are just some chips off the lower rim of the cover, which are not visible when in position and are inconsequential for using the pot. As is normal for antique pearlware...
Category

Antique Early 1800s English George III Pottery

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