Art Deco Sterling Silver Cigarette Case with Green Enamel Guilloche Sunburst Ray

We are delighted to have acquired and offer this spectacular Victorian solid silver gilt cigar/cheroot case made in London in 1850 with marks for Thomas Edwards. Whilst difficult t...

We are delighted to offer this magnificent Victorian solid silver cigar/cheroot case made by Nathaniel Mills, Birmingham 1842. Bearing the hallmarks of Nathaniel Mills, unsurprising...

We are delighted to offer this exquisite antique solid silver card case made in the early Victorian period in Birmingham, 1839 with the maker's mark of Francis Clark. Clark was a s...

We are delighted to offer this beautiful pair of antique Imperial Russian solid silver enamel spoons made in Moscow c.1882-1899 with marks for Vasily Agafonov. This pair is of a lar...

A beautiful English Art Deco period sterling silver tobacco cigarette holder case, circa early-20th century, England. Marked 'Sterling' on inside...

Antique Art Deco period Austrian 935. silver cigarette case with enamel leaf ornaments. Made in Circa 1920 - 1930s Hallmarked with 935 silver mark. Dimensions: Length x width depth:...

Sterling silver cigarette case. Not monogrammed. Weight is 217 grams  

Rectangular table cigarette case with rounded corners in sterling silver 925/1000 gold plated with beautiful miniature fire enamelled and hand painted by the painter Beatrice Mellana reproducing a "still life" by the Flemish painter Willem Claes Heda. Dimensions cm. 5.7 x 9 x 1.7. Weight gr. 174. Designed by Franco Salimbeni in 1969 and manufactured in Florence in numerous specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...