Jean-Baptiste-Claude Odiot Sterling Silver 3 Piece Breakfast Coffee or Tea Set

A Sino-Tibetan bronze Yamantaka (Sanskrit: Vajrabhairav) with 3 buffalo-head faces and Medusa-like dreadlocks, and 10 arms, holding weapons and objects in every hand as he furiously ...

Very pretty, Limoges porcelain double thimble shaped trinket box is handmade with a white background and features pretty multi-colored flowers surrounding each side of the double thi...

"Interface" is a limited edition, original kinetic bronze abstract modern sculpture by Bill Bedford, which manually turns on a concrete block base to show...

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...

Blossom by Unknown Gorgeous Blossom Mexican sterling silver 7-piece tea set (maker unknown). This set includes: 1 - Kettle on stand: measures 14" tall x 9" and weighs 75 troy ounce...

Magnificent set of 4 pieces in sterling silver consisting of one teapot, one coffee pot, one milk jug and one sugar box hand made by Ilario Pradella for Bellezza Cagliari. Splendid ...

Magnificent set of 4 pieces in sterling silver consisting of one teapot, one coffee pot, one milk jug and one sugar box hand made by Ilario Pradella for Bellezza Cagliari. Splendid ...

An exceptional, fine and impressive, composite antique Victorian English sterling silver four-piece tea and coffee service/set; part of our silver teaware collection. This exceptional antique Victorian four-piece sterling silver tea and coffee service consists of a coffee pot, teapot, sugar bowl and cream jug. Each piece has a pear shaped form onto a circular spreading foot. The pieces of this Victorian tea and coffee set are embellished with embossed panels in a swirl design, accented with bright cut engraved segmented quatrefoil leaf motifs on a textured background. One side of each piece incorporates a circular cartouche displaying the engraved initial 'B'. The upper rims are encompassed with plain applied moulded borders. The teapot and coffee pot are fitted with domed hinged hallmarked covers reflecting the identical decoration as that to the body. Each cover retains the original hallmarked cast sterling silver finial embellished with scrolling leaf ornamentation. The components of this antique silver tea set...