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L'Escalier de Cristal's Plate, 19th "Grands Oiseaux"

$1,258.01
£922.81
€1,050
CA$1,717.28
A$1,931.56
CHF 1,001.86
MX$23,431.27
NOK 12,702.99
SEK 11,954.22
DKK 7,989.97
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About the Item

Presenting the "Grands Oiseaux" plates, an exquisite piece from the renowned Escalier de Cristal, the definitive tableware store of the 19th century. This hand-painted plate delicately depicts an animal scene, showcasing craftsmanship and Japanese-inspired artistry. The plate illustrates a conversation between two sparrows. This tender animal scene evokes a sense of gentle escapism. The vibrant blue border and finely fluted rim add a touch of sophistication to the overall design. Inspired by the illustrious Félix Bracquemond (1833-1914), who transformed ceramic art by incorporating Japanese motifs into Western designs, this piece pays homage to his pioneering work. Bracquemond, celebrated for his iconic Rousseau service, was highly praised by critics, including Mallarmé, who described it as "the most beautiful recent tableware I have ever seen." The "Grands Oiseaux" collection, a variation produced by the Choisy-le-Roi factory and distributed by Émile Pannier’s store, has become a rare and highly sought-after item. This footed bowl captivates with its unique blend of Japanese influences and 18th-century forms, demonstrating timeless elegance. Every detail, from the finely crafted animal illustrations to the subtly stylized botanical motifs, reflects exceptional taste and artistry. Add a touch of history and art to your collection with this remarkable piece from the "Grands Oiseaux" collection. Elevate your table with this exceptional bowl that exudes prestige and refinement. Don’t miss the chance to own this treasure. Signed on the underside with "Escalier de Cristal Paris." Museums around the world have collected pieces from L'Escalier de Cristal, including the State Hermitage Museum in Saint Petersburg, the Musée d'Orsay in Paris, and the Corning Museum of Glass in New York. As featured in *L'Escalier de Cristal, Le Luxe à Paris* by Annick and Didier Masseau, 2021, p. 138.

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