English Porcelain Chinoiserie Imari Teapot

English creamware Chinoiserie teapot & cover with pierced galleried rim. Circa 1775. The circular English creamware teapot with two designs front ...

Dutch Delft Dore Chinoiserie teapot & cover, Early 18th Century. The circular Dutch Delft Dore large teapot is painted in with Chinoiserie scene...

A charming folky fresh pottery teapot decorated with flowers in distinct orange and green.

English Creamware Large Teapot with Puce Flower Painted Decoration, circa 1770 The Staffordshire Globular teapot is painted with large puce-colored f...

English creamware pottery green glazed teapot and cover, Swinton, Yorkshire, circa 1770 The barrel-form creamware teapot is decorated with a dipped green glaze over an impr...

Staffordshire Whieldon-type creamware teapot and cover, circa 1765-1775 The Whieldon-type cream earthenware teapot has a moulded design of grape vines and large grape leaves to t...

A diminutive Chinoiserie teapot featuring a dragon. Early 20th century in the classic blue and white colors the style is known for.

Small teapot, square, rounded body on flat unglazed base. Curved handle and a short straight spout. Small upright mouthrim, flat lid with round knob. Imari decorated in iron-red and gold on the sides with flowering plants and grasses and two deeply recessed kidney-shaped panels with modelled decorations in high relief. One panel with a cock, chicken and two eggs on the other a bird perched on a branch of a prunus tree. Round the base of the spout an upturned pointed leaves pattern border. On the handle a floret between scrolls. On the cover round the base of the knob a leaves pattern border in low relief. In category 36 'Coloured Imari with no underglaze blue, iron-red and gold only' of his Japanese export porcelain, Impey states that the implication of this singular restriction of palette, without the use of underglaze blue, is that these may be the product of a single enamelling workshop, but may or may not be the product of a single kiln. The restriction is probably one of choice, for it would hardly be cheaper, if at all, to use a wider range of enamels, and no cheaper to use underglaze blue. Bottles, vases, teapots and other objects with similar recessed panels that form a kind of window through to a deeper picture layer were only produced for a short period. This was probably because they were too time-consuming to make and therefore expensive. This type of decoration is only found on Japanese pieces; Chinese imitations are still unknown. Japanese Imari objects decorated in a low relief are rare. In 'Fine & Curious' a bottle cat...

A fine antique English porcelain teapot trivet. Attributed to New Hall. In a diamond-shaped form. With a single red & black...

Underglaze blue ground.

This finely moulded John and William Ridgway porcelain teapot and stand is decorated with the hand coloured printed pattern 2/818, which features a large urn and scholars rocks amid floral Chinoiserie. It is unmarked, but corresponds to Plate 1798 in Miller and Berthoud's "An Anthology of British Teapots...

Limoges porcelain teapot is an original decorative object realized in the Mid-20th Century. Made in France. Original fine Limoges Porcelain with...