Queen Victoria’s Silver Coffee Service by William Bateman & Daniel Ball

Watercolor by William Birchall depicting a world war one naval warship on convoy with destroyers on station on the ships port hand side. Entitled The Everr Ready. Dated 1914 Ov...

These two wood panels are of rectangular form, one with rounded corners. Each is painted with a large Royal coat of arms flanked by a lion and a unicorn surmounted by a queen’s crown and red velvet mantling trimmed...

The enamelling on this quatrefoil gold pendant is attributed to Ray & Montague: ‘hiltmakers, goldworkers and enamellers’. The obverse is mounted with a vitreous paste profile portrait cameo of Admiral Viscount Nelson within four navy blue enamel panels with the gilt inscription: ‘H·Nelson·Died·for His·Country at·Trafalgar Oct:21·1805’ all within ropework borders. The reverse is mounted with an oval polychrome enamel plaque representing a blue Royal Navy ensign flying triumphant above the flags of France and Spain superimposed with an anchor and laurel wreath against a red background within four navy blue enamel panels with the gilt inscription: Glory to the Souls of the Brave, a line from The Battle of the Baltic written in 1801 by Scottish poet Thomas Campbell (1777-1844) to commemorate Nelson’s victory at the Battle of Copenhagen. Cameo with incised signature Tassie F. 1805 English, 1805 John Ray and James Montague succeeded to the celebrated enamelling and goldsmithing firm of James Morisset (1738-1815) in 1800. Like Morisset, they specialised in presentation swords...

A fine genre oil painting by William Arthur Breakspeare depicting the fictional meeting of Nelson and Lady Emma Hamilton in the Studio of the Painte...

George Edward Horton: The Launch of H.M.S. ‘Victoria’ from the Elswick shipyard of Sir W. G. Armstrong Whitworth and Co. Ltd, Newcastle-upon-Tyne in 1887, watercolour and pencil heig...

George III Lloyds patriotic fund silver and silver gilt vase and cover by Samuel Hennell, of Adam design, the lift-off cover with knop finial above angled swept handles and laurel wr...

An excellent, fine and impressive antique Georgian English sterling silver snuffer/pen tray made by William Bateman I; an addition to our ornamental silverware collection. This exceptional antique George III sterling silver snuffer tray has a plain rectangular form with rounded corners. The surface of this fine example of antique silverware is plain and unembellished. The raised rounded border is embellished with an impressive vertebrate band of stylized floral, bud and foliate ornamentation, all on a matte background. The rim of the tray is encompassed with an exceptional applied gadroon decorated border accented with a floral motif to either side and a scrolling leaf decorated design to each corner. The underside of this impressive Georgian snuffer tray bears the silversmith's centre punch mark in addition to the full hallmarks pertaining to the renowned London silversmith William Bateman I. Condition This antique silver candle snuffer...

A beautiful set of six (6) Scandinavian Danish porcelain coffee espresso or tea demitasse cups and saucers with bird design by Bing & Grondahl, circa mid-20th century, Denmark. Piece...

This exceptional and one-of-a-kind wooden mallet commemorates the marriage of Queen Victoria and Prince Albert, which occurred on February 10, 1840. Exqu...

1 Volume. Richard R. Holmes, Queen Victoria. Bound in 3/4 wine morocco and linen boards. The cover displays a crest in gilt. Raised band spine with panels displaying gilt royal detai...

This is an 1893 gold Sovereign with the portrait of Queen Victoria, featuring the traditional George and Dragon design and provided in a plastic capsule. The M mintmark denotes the M...

A Measham – Bargeware Tea Kettle impressed with the Blue Ribbon Temperance motto, England, circa 1880. The Blue Ribbon Movement was active from 1880-1882 in Great Britain, Canada, and the United States. The ribbon badge was worn by those who took the pledge of abstinence from alcohol consumption, adopting the term teetotaler. The kettle has a dark brown treacle glaze with enameled, raised and molded floral and fruit applications. The main panel, seen on both sides of the kettle reads, “Sign the Pledge, Don the Blue” The notched lid is held securely in place for pouring. Measham Ware was decorated with floret appliqués and an impressed panel or banner personalized using a printer’s typeface. The pottery, also known as Rockingham or Motto Ware, was produced from the 1870’s by William Mason, a South Derbyshire potter. Often called ‘barge ware’ because it was extensively marketed through a shop on Measham High Street, located near the canal bridge...