Inlay Tea Sets

A very beautiful Italian Murano white opaline, pink and gold art glass bowl attributed to Fratelli Toso company, circa mid-20th century, Italy. A beautiful oblong piece with an organ...

Article: Murano glass bowl, element Origin: Murano, Italy Producer: FRATELLI TOSO (with producer label) Decade: 1970s This original vintage glass sh...

A stylish vintage Italian Murano twin handled millefiori vase by Fratelli & Toso. The hand blown glass vase stands on a clear glass petal shaped foot each impressed with a grid patte...

An exceptional, fine and impressive antique Georgian English sterling silver locking tea caddy; an addition to our silver teaware collection. This exceptional antique George III sterling silver locking tea caddy has a navette, paneled shaped form. The body of this silver tea caddy box is embellished with bands of bright cut engraved volute spiraling leaf ornamentation on a matte background to the upper and lower portions; these bands flank a plain undulating bordered panel. The ornamentation to the surface of the caddy alternates with panels of concave vertical fluted decoration. This antique Georgian tea caddy is retains the original hallmarked flush hinged covers; the flush hinge indicates the fine quality of this piece. The cover is embellished with further bright cut engraved undulating borders accented with bud motifs, in addition to simplified borders paralleling the domed paneled portion; the domed portions reflects the incurved shape of the body. This impressive cover is surmounted with a cast sterling silver urn style finial, in the Classic Adams style. The caddy retains the original fitted fully working lock and functional key. This sterling silver tea caddy is a highly desirable shape and style. Condition: This Georgian silver tea caddy...

A fine Japanese cloisonne hinged box with pheasant and autumn foliage, by Inaba Nanaho and the Inaba Cloisonne Company, Meiji period, circa 1900, ...

This extraordinarily rare and masterfully crafted tea urn is by the hand of the master Georgian silversmith Paul Storr. Created by Storr while working for Rundell, Bridge and Rundell, Jewelers and Goldsmiths to the King, this magnificent piece truly represents the sophisticated style of the renowned firm and the enormous talents of Paul Storr. Applied and engraved decoration envelop this masterpiece equipped with a carved handle, lion's head spigot and spectacular lion's paw supports. The piece bears the arms of the Neave Baronetcy with those of Digby, for Sir Thomas Neave and his wife Frances Caroline, daughter of the Hon. William Digby, the Dean of Durham. Though he held no formal title, Storr enjoyed patronage from the most important and powerful figures of the period including King George III and the Prince of Wales, the future King George IV. His first major work was a gold font commissioned by the Duke of Portland in 1797, and in 1799 he created the “Battle of the Nile...

Indulge in the timeless elegance of this Exquisite early 20th-century Tiffany Sterling Silver Classical Style Four-Piece Tea/Coffee Service. Each piece is a testament to Tiffany's re...

Fantastic and very rare India pattern flow blue goose neck teapot in amazing condition. The aging or crazing is from age and use. Some people say it come...

A Japanese covered tripod enamel over metal tea pot. Circa: the first half of the 20th century. The tea pot is enameled with polychrome medallions with flowers, butterflies, and a Ph...

Antique Millefiori Vase, Fratelli Toso Murano ca. 1920s Item e7091 An antique millefiori murrine glass vase manufactured by Vetreria Fratelli Toso, Mur...

Early 19th century English Sheffield silver plate tableware five pieces tea/coffee service. The coffee/tea features intricate exterior floral details and paw. The set include a tall ...

Japanese tripod Koro from the Meiji Period (1868-1912). This is a rare and beautiful antique koro censer, created in the imperial Japan during the Meiji period (1868-1912), circa 1900. It was carefully crafted in solid bronze and copper with silver wires and embellished with applications of polychromatic Cloisonné enamels and aventurine. The designs depict organics and natural motifs such mythological animals and flowers. The Chrysanthemum Symbol In Imperial Japan, the chrysanthemum (Kiku) was a potent symbol of the imperial family and the emperor himself, representing longevity, royalty, and divine power. The 16-petaled chrysanthemum is the Imperial Seal and crest, found on passports, coins, and the Chrysanthemum Throne. This association dates back to the Kamakura period (1185–1333), particularly with Emperor Go-Toba's fondness for the flower, establishing its link to imperial authority and lineage. The connection between the chrysanthemum and the imperial family began when Emperor Go-Toba adopted it as a personal emblem, aligning it with the strength and refinement of the emperor's rule. During the Meiji Period, the 16-petaled chrysanthemum crest, solidifying the association with the imperial family, was established during this time. The Meiji Imperial Period This is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. Country: Imperial Japan. Period: Meiji, 1890-1910. Technique: Silver Wire Cloisonné over copper and bronze. Weight: 416.80 Grams, (0.417 Kg). Measurements:118 mm by 115 mm (4.65 x 4.52 Inches). Koro This term refers to a Japanese censer, incense burner, perfume burner or pastille burner is a vessel made for burning incense or perfume in some solid form. They vary greatly in size, form, and material of construction, and have been in use since ancient times throughout the world. They may consist of simple earthenware bowls or fire pots to intricately carved silver or gold vessels, small tabletop objects a few centimeters tall to as many as several meters high. Many designs use openwork to allow a flow of air. In many cultures, burning incense has spiritual and religious connotations, and this influences the design and decoration of the censer. Cloisonné This is an enameling technique in which the pattern is formed by wires soldered to the surface of the object to be decorated, which is usually made from copper, forming cells or cloisons, each of which holds a single colour of enamel paste which is then fired, and ground and polished. The champleve technique also uses an enameling technique, but the cells are formed by carving into the surface of the object, or in the casting. The cloisonne technique has been in use since the 12th century BC in the west, but the technique did not reach China until the 13th or 14th century. It became popular in China in the 18th century. Initially bronze or brass bodies were used, and in the 19th century copper, at which time the quality of the items produced began to decline. Chinese cloisonné is the best-known enamel cloisonné, though the Japanese produced large quantities from the mid-19th century, of very high technical quality. In the west the cloisonne technique was revived in the mid-19th century following imports from China, and its use continued in the Art Nouveau and Art Deco periods. Condition: Basically, is in great antique condition, near mint, with insignificant and minimal usage, in great condition. All parts are secured in the settings. This Japanese Meiji Koro...