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Impressive Pre-Columbian Rio Magdalena Urn, Colombia, circa 800 to 1500 AD

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  • Museum Quality Pre-Columbian Gold Twin Figures Pendant, circa 800 to 1500 AD
    Located in San Pedro Garza Garcia, Nuevo Leon
    Southern Costa Rica/Western Panama, circa 800 to 1500 AD. Gold Veraguas-Chiriqui-Diquis twin figure pendant cast by the lost-wax (cire perdu) grasping an imaginary club with their claws, with bat ears and pop out eyes and each figure ending in the shape of a jaguar tooth, symbolizing the power of the jaguar and the ability to see in the dark; The casting process did not go entirely smoothly. Part of his mold, on the side of the proper right figure (viewer's left side), did not fill with metal. The Pre-Columbian goldsmith carried out a superb repair, probably making a wax patch and pouring gate on the gold pendant, then enclosing it in a new mold and pouring in more metal. The patch is hardly visible on the outside. A modern goldsmith, who cannot do it as well, would use his gas torch to solder on a patch. The gold is of such high grade or karat, possibly unalloyed native gold...
    Category

    Antique 15th Century and Earlier Costa Rican Pre-Columbian Figurative Sc...

    Materials

    Gold

  • Supernatural Being, Pre-Columbian Gold Pendant, Costa Rica, circa 800 to 1500 AD
    Located in San Pedro Garza Garcia, Nuevo Leon
    Southern Costa Rica or Western Panama, circa 800 to 1500 AD. A very fine example of the goldwork of the Veraguas-Chiriqui-Diquis region. A pendant in Carbonera style of a supernatural being, a composite monster with human torso and feline (probably jaguar) head. The figure is set in a frame decorated with little animal heads, one at each corner. The hands have also turned into animal heads. In place of genitalia is a stylized serpent head suspended by a twisted cord that was supposed to continue across the frame. A minor casting accident prevented it form being attached to the frame. A modern goldsmith would solder in two short lengths of twisted wire, but the ancient goldsmith did not have the equipment to make such repair. A double thread ending in spirals goes across the frame behind the neck of the figure, helping to fill up the frame and avoiding a large empty space. The word "thread" reminds us that the twisted and straight cords were, in the original wax model of the pendant really extruded wax threads, turned into metal by the lost wax (cire perdue) process. The braid pattern on the frame is illusory, just two twisted threads of extruded wax laid side by side. The goldsmith made the toes out of extruded wax thread too, very decorative as well. The piece comes with a certificate of authenticity by Mr. Robert Sonin, 5 May 2006. ref. photo roll 3301. A world renowned expert on Pre-Columbian Artifacts...
    Category

    Antique 15th Century and Earlier Costa Rican Pre-Columbian Figurative Sc...

    Materials

    Gold

  • Pre-Columbian Ica Fringed Textile Panel, Ex Kate Kemper, Peru 800 to 1200 AD
    Located in San Pedro Garza Garcia, Nuevo Leon
    A semi-ovoid rectangular panel with heavily fringed border having a very tightly woven multi-color geometric pattern consisting of two scroll devices containing multiple stylized zoo...
    Category

    Antique 15th Century and Earlier Peruvian Pre-Columbian Antiquities

    Materials

    Textile

  • Pre-Columbian Inca Complete Uncu Textile, Peru 1300-1500 AD, Ex Guillot-Muñoz
    Located in San Pedro Garza Garcia, Nuevo Leon
    Inca Complete Uncu of beautiful geometric composition with serpent form in red, purple and yellow. This beautiful poncho of a geometric composition has only some worn out sections on...
    Category

    Antique 15th Century and Earlier Peruvian Pre-Columbian Tapestries

    Materials

    Textile

  • Pre-Columbian Warrior Banner, Chimu, Peru, circa 1100-1476 AD
    Located in San Pedro Garza Garcia, Nuevo Leon
    Pre-Columbian ornamental banner with fringes composed of warriors/divinities holding figures in their hands, surrounded by geometric frets. Two-headed birds in alternating colors decorate the top and bottom of the banner. This one-of-a-kind tapestry has preserved its vibrant original colors and fibres. Professionally cleaned. Provenance: Private European Collection Textiles from elite Chimu tombs include elaborate gauzes, embroidery, painted plain weave and tapestry, and three-dimensional fibre sculptures. Among others, shades of yellow and brown, scarlet, white, lavender-blue and olive green were the colors used. Birds and a deity wearing a crescent-like headdress have been the most popular decorative motifs. Many Chimu textiles...
    Category

    Antique 15th Century and Earlier Peruvian Pre-Columbian Antiquities

  • Pre-Columbian Chimu Textile, Meander Design and Fringe, Peru circa 900 to 1300AD
    Located in San Pedro Garza Garcia, Nuevo Leon
    A woven textile shirt of rectangular form having small rectangular panels on the front and back, all with fringed borders, and open head slit in center. Decorated with zigzag rows of...
    Category

    Antique 15th Century and Earlier Peruvian Pre-Columbian Antiquities

    Materials

    Textile

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    Pre Hispanic earth ware vessel from the pre-Inca Chimu culture. Beautiful ancient vessel, created in northern coast of Peru around the 900 / 1470 AD. by the Chimu culture. This is...
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  • Peru Pre Inca 100-700 Ad Moche Pre Columbian Personified Vessel in Earthenware
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    A pre-Inca Chimu culture, pre Columbian vase in earth ware. This beautiful little vessel vase, was created in the northern Peruvian region by the Chimu culture between the 900 / 1...
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  • Framed Pre-Colombian Peruvian Textile, 900 to 1470 AD
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    Peruvian Pre-Colombian (Chancay) textile panel of camelid wool embroidered on cotton with three birds, each holding a lizard in its beak.
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    An Inca Peru pre-hispanic black ware huaco vessel, from Lambayeque. Beautiful piece, created under the Inca culture between the 750 / 1375 AD at the Sican...
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  • Pre-Columbian Ceramic Vessel from Mexico, Date Unknown
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