Pre-Columbian Chancay Gauze Textile with 12 Animals, Ex-Kate Kemper

A large, rectangular panel composed of a large diamond pattern grid, each grid contains a stylized human figure with arms raised. A few very minor imperfections, overall excellent condition. Backed and stretched on a brown linen, it has been stabilized and sealed in a very thick and rigid plexiglass. Estate of Miss Kate Kemper, London. Kate Kemper, of London and Switzerland (1908-2004) was an early collector of Andean art, forming an important collection of ceramics and textiles after...

A semi-ovoid rectangular panel with heavily fringed border having a very tightly woven multi-color geometric pattern consisting of two scroll devices containing multiple stylized zoo...

Magnificent Pre-Columbian multi-color Chancay textile with animal figures in cubist form. The Chancay are known more for their textiles than for their ceramics. Textiles from elite Chancay tombs include elaborate gauzes, embroidery, painted plain weave and tapestry, and three-dimensional fibre...

Extremely detailed yellow embroidered Pre-Columbian textile fragment with hints of red from the Chancay culture in Peru. This piece is framed in a black shadowbox. It is a wonder to behold antiquities such as a Pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts -- so the existence of these pieces after hundreds and thousands of years is exceptional. These textiles maintain their vibrant colors, natural threads, and their unique, historical designs. Provenance: This textile comes from the collection Ulrich Hoffmann, Stuttgart and former collection of the archaeologist Ferdinand Anton...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...

Two framed pre-Columbian textile fragments from Chancay culture (1000AD-1470AD) in nowadays Peru. Both panels are of a similar red background and possibly wove...

A Proto-Nazca textile fragment from Southern Peru circa 100BC-200AD. The linked munecas ("dolls" in Spanish) figures were woven with fibers likely from l...

Two small fragments of pre-Columbian textiles in shadow box frames. Both have strong geometrical patterns in the style of Nazca culture, located in the southern coast of nowadays Per...