Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Carved Tribal Mask from Pacific Northwest Coast by David Frankel

About the Item

A striking carved and painted mask in the tradition of the Native Indian tribes from Pacific Northwest Coast by David Frankel in 1994. The mask was carved from yellow cedar and painted with contrasting red and black colors in a geometrical pattern. The hair was made from natural fibers. The male mask features large round open eyes, a strong nose and a beguiling smiley. It may represent an ancestral spirit that bestow protection. Signed and dated on the back as shown. From a Palm Beach, FL collection.
  • Dimensions:
    Height: 14 in (35.56 cm)Width: 12 in (30.48 cm)Depth: 8.5 in (21.59 cm)
  • Style:
    Native American (In the Style Of)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
    1990-1999
  • Date of Manufacture:
    1994
  • Condition:
    Wear consistent with age and use. Minor surface wear and patina.
  • Seller Location:
    Atlanta, GA
  • Reference Number:
    1stDibs: LU945022786652
More From This SellerView All
  • Japanese Wood Bugaku Mask of Korobase Edo Period
    Located in Atlanta, GA
    A striking Japanese carved wood mask with polychrome paint and lacquer surface. This rare mask is dated to the Edo period (first half of 19th century and possibly earlier). The mask ...
    Category

    Antique 19th Century Japanese Japonisme Sculptures and Carvings

    Materials

    Wood, Lacquer, Paint

  • Fiber Polychrome Mask Yam Ancestor Papua New Guinea
    Located in Atlanta, GA
    A well preserved Yam Ancestor mask professionally presented on a museum quality acrylic display stand. The mask was a classic tribal art piece from Abelam people who live in Maprik a...
    Category

    Mid-20th Century Papua New Guinean Tribal Masks

    Materials

    Acrylic, Natural Fiber

  • Large Antique Americana Carved Elm Burl Bowl with Handles
    Located in Atlanta, GA
    A massive Americana bowl hand-carved from Elm wood (with some possible burl pattern in the wood) circa 18th century. The bowl was from Northeastern part or Eastern Woodlands of the U...
    Category

    Antique 18th Century American American Colonial Decorative Bowls

    Materials

    Wood

  • Antique Navajo Chief Blanket
    Located in Atlanta, GA
    Sometimes categorized as the fourth-phase chief blanket, this wonderful piece of Navajo textile art is well preserved and can be dated to 1890-1910. Wov...
    Category

    Antique 1890s American Navajo Native American Objects

    Materials

    Wool

  • Antique Navajo Chief Blanket Third Phase Revival
    Located in Atlanta, GA
    On offer is a Navajo chief blanket of the third phase circa 1895-1920s. The chief blanket is the highest achievement of the Navajo textile develop...
    Category

    Early 20th Century American Navajo Tapestries

    Materials

    Yarn

  • Australian Aboriginal Carved and Painted Spear from Melville Island
    By Patrick Freddy Puruntatameri
    Located in Atlanta, GA
    Title: A ceremonial spear with clan design paint Artist: Patrick Freddy Puruntatameri DOB: 19/04/1973 Medium: Ocher paint on ironwood carving DOC:...
    Category

    Early 2000s Australian Folk Art Wall-mounted Sculptures

    Materials

    Wood

You May Also Like
  • Pacific Northwest Coast Carved Cedar Killer Whale Rattle
    Located in Nantucket, MA
    Pacific Northwest coast carved cedar killer whale rattle, by Coastal Salish - Squamish artist Stan Joseph, signed and dated 2012, a beautiful and deeply carved hollow cedar dance rattle in the form of a Killer Whale, with relief carved eyes and mouth, surface striations, and three human faces on the back and tale, with applied pectoral and dorsal fins. Mounted with simple whittled cradle on cedar block base (signed and dated on bottom of base). Hollow interior rattles with entrapped pebbles. The carving was never polychromed and remains in its original natural finish. Excellent condition. Stan Joseph is a Coastal Salish artist from North Vancouver. He began carving in 1962 at the age of twelve, and also ventured into painting and designing totem poles. In 1972 he carved an 80 foot and other huge poles which sold to Germany. In 1980 he carved a 60-foot pole for Sea Span and another one for the Chief Joe Matthias Centre, as well as the welcome figure on the West Vancouver Pier. Stan is now an outstanding master carver who teaches his craft to the next generation of young artists. Stan is also accomplished at making silver and gold jewelry, and teaches this art at the employment center. Stan has been interested in the spiritual dances of the Coast Salish...
    Category

    2010s American Native American Native American Objects

    Materials

    Cedar

  • Yupik Yup'ik Native American Alaska Carved Polychrome Wood Anthropomorphic Mask
    Located in Studio City, CA
    A fantastic mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western and South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. A native bird can see seen attached to the smiling figure's chin. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...
    Category

    20th Century American Masks

    Materials

    Natural Fiber, Wood, Paint

  • Yupik Yup'ik Native American Alaska Carved Polychrome Wood Anthropomorphic Mask
    Located in Studio City, CA
    A fantastic and somewhat grotesquely strange mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to t...
    Category

    20th Century American Masks

    Materials

    Natural Fiber, Wood, Paint

  • Yupik Yup'ik Native American Alaska Carved Polychrome Wood Anthropomorphic Mask
    Located in Studio City, CA
    A truly fascinating mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a ...
    Category

    20th Century American Masks

    Materials

    Natural Fiber, Wood, Paint

  • Yupik Yup'ik Native American Alaska Carved Polychrome Wood Anthropomorphic Mask
    Located in Studio City, CA
    A fantastic and somewhat playful mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. The mask seems to represent some sort of smiling, benevolent spirit or character with its four eyes, bird beak, and cat-like ears. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...
    Category

    20th Century American Masks

    Materials

    Wood, Paint, Natural Fiber

  • Small Warrior Spirit Mask, Northwest Coast by Charlie Mickey, Nootka Nation
    By Charlie Mickey
    Located in Ottawa, Ontario
    A small warrior spirit mask Northwest Coast Carved and polychrome decorated mask with horse hair, Hand carved by Charlie Mickey (1910-1988), Hesquiah...
    Category

    Mid-20th Century Canadian Native American Tribal Art

    Materials

    Wood

Recently Viewed

View All