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Kayapo-Xikrin Upé Long Hoop Feather Headdress, Akkati, Indigenous Brazil

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  • Large Brazilian or Guyana Amazon Indigenous Macana War Club, 18th or Earlier
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    A splendid and rare Amazon indigenous wamara wood Macana war-club Southern-Guyana or Northern Brazil, Wapitxana group of the Aruak peoples, 18th century, possibly earlier Measure: H. 43 cm The deep patina of the club present, and the residue on the part where it was held, attest to its great age. This unusually large Macana is decorated with several incised whitened anthropomorphic and human figures, a decoration only found on one other documented club in the British Museum, which is illustrated in: Hjalmar Stolpe, Amazon Indian...
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  • American Diorama, Follower Gerrit Schouten, Carib Indigenous Village
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    Follower of Gerrit Schouten (second half of the 19th century) Diorama depicting a Carib Indigenous camp Carved wood, papier-mâché, paint on paper...
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  • Exceptional Surinam-Themed Amsterdam Long-Case Clock
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    A Surinam-themed Amsterdam long-case clock The Netherlands, 1746-1756, dial signed Nicolaas Weylandt/Amsterdam The case of the clock is made of Rio palisander veneer and snakew...
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  • Unique Diorama Depicting a North-American River Scene with Natives and Settlers
    Located in Amsterdam, NL
    Unique diorama depicting a North American river-scene United States of America, early 20th century Measures: H 36 x W 68.5 x D 34 cm The dioram...
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  • Rare Anthropological Diorama of Carib Indigenous by Hendrik Schouten
    Located in Amsterdam, NL
    Hendrik Samuel Schouten (1785-1840) A unique diorama depicting Carib Indigenous at the river side Wood, paint on paper, twigs and dried moss Measures: H. 51 x W. 69.5 x D. 20 cm Note: This is the only known diorama by Hendrik Schouten. He became a planter and inherited the Jagtlust plantation from his grandfather Samuel Loske. His older brother Gerrit Schouten...
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  • Bronze Portrait Bust of a Black Man 'Marbruk' by Arthur Kaan
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    Artur Kaan (Austrian, 1867-1940) 'Marbruk' Signed and dated A. Kaan '95 and Verwielfältigung vorbehalten (reproduction reserved) Bronze on marble base, H 28.5 cm? Note: ...
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    A beautiful, somewhat benevolent mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood and hand painted/ decorated with pigment. The mask seems to represent some sort of smiling, benevolent spirit or character. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...
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