
19th Century Collage Containing Many Signatures
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19th Century Collage Containing Many Signatures
About the Item
This unusually graphic historical collage was likely assembled sometime between 1865 and the 1890’s. It contains eight printed paper portraits, three state crests (Massachusetts, Vermont, and Missouri), and a cabinet card-type print of Lincoln’s 1861 farewell address to his neighbors; but most importantly contains no less than eighty-six signatures, almost all of which belong to Union Civil War generals, some of whom were among the most interesting personalities of the era. Among these are the following men:
● James Garfield (general, President of the United States, 1880-84 term, assassinated in 1881)
● Winfield Scott Hancock (general, 1880 presidential candidate who ran against Garfield, West Point graduate, 1844)
● John Fremont (general, the first Republican to run for president, 1856)
● Joseph K. Barnes, Surgeon General
● George Meade (General, Comm. Army of the Potomac, defeated Lee at Gettysburg, W.P., 1835)
● Philip Henry Sheridan (Cavalry Comm., Army of the Potomac, burned the Shenandoah Valley, instrumental in Lee’s surrender, W.P., 1853)
● Daniel Edgar Sickles (a famous and controversial character, lost his leg at Gettysburg)
● John Gibbon (Comm. the Iron Brigade, gave them their black hats, W.P., 1847)
● John Adams Dix (Outranked all volunteer officers, as he was first on the list on May 16 1861. Governor of New York, U.S. Senator, Secretary of the Treasury, namesake of Ft. Dix, NJ)
● Joseph Jones (J.J.) Reynolds (Chief of Staff, Army of the Cumberland, W.P., 1843)
● Joseph Hooker (Comm. Army of the Potomac at Chancellorsville, W.P., 1837)
● John McAllister Schofield (namesake of Schofield Barracks, W.P., 1853)
● John Pope (W.P., 1842)
● George Henry “Pap” Thomas (Comm. Army of the Cumberland, W.P., 1840)
● Andrew Atkinson Humphreys (Aide to McClellan, Chief of Staff to Meade, W.P., 1831)
● Jefferson C. Davis (killed Gen. William Nelson in a quarrel, 1862)
● Frederick Steele (W.P., 1843)
● John James Peck (W.P., 1843)
● Oliver Otis Howard (W.P., 1854)
● Irvin McDowell (W.P., 1838)
● Rufus Saxton (W.P., 1849)
And many others who I have either not yet recorded or identified.
Mounting: This is a sandwich mount between 100% cotton velvet and u.v. protective plexiglas. The frame is a black-painted, gilded, and distressed Italian molding.
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1895-1890
- Condition:Condition: There is foxing throughout.
- Seller Location:York County, PA
- Reference Number:Seller: pat-0911stDibs: U080721849765
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View AllHand-Painted 19th Century Banner with the 1867 Proposed Seal of Illinois
Located in York County, PA
HAND-PAINTED 19TH CENTURY BANNER WITH AN 1867 VERSION OF THE SEAL OF THE STATE OF ILLINOIS, PROPOSED IN THAT YEAR BY THE SECRETARY OF STATE, BUT IN A VARIATION NEVER FORMALLY ADOPTED
Banner with the Illinois State Seal, in a rare variation of the design, never adopted. In 1867 Illinois Secretary of State Sharon Tyndale proposed that the phrases in the state motto be reversed. In the wake of the Civil War, (which ended in 1865,) Tyndale suggested that the verbiage be changed from "State Sovereignty--National Union" to "National Union--State Sovereignty,” which made sense given the recent secession of the Southern States, which placed their own interests first. Illinois' own Abraham Lincoln had worked hard to preserve national interests, echoed here in the altering of the language. Though Tyndale’s suggestion was rejected, he was nonetheless charged with creating a new design, which he did and was soon adopted. This displayed the dates of "1818," when Illinois became a state, and "1868," when the seal was officially changed. Interestingly enough, Tyndale did manage to send a message in the new version by turning the word “sovereignty” upside-down , with the surmised explanation that this fit accordingly with the orientation / position of the streamer.
The banner is beautifully hand-painted on muslin and retains its original staff. The shape is beautifully scalloped at the bottom edge, which is painted to look as if there is an applied fringe. Most of the elements are congruent with the 1868 version, but there are various differences. Set within a shield-shaped medallion—usually circular—is the expected eagle in a side view, spread wing pose with beak uplifted. The eagle is supposed to be perched upon a rock with one talon, while gripping a Federal shield in the other. Here there is no rock and both talons grip the shield, which displays 13 stars. Note the date of "1867" and Tyndale's preferred order of the wording on the billowing ribbon in the eagle's beak. The foreground of the official design is all grass. Here there are olive branches—a peacetime reference appropriate for a country recovering from war—on a grassy area, set upon a sandy shore before Lake Michigan, with a rising sun on the horizon.
Mounting: The banner was mounted and framed within our own conservation department, which is led by masters degree trained staff. We take great care in the mounting and presentation of flags and have preserved thousands of examples; more than anyone worldwide.
The background is 100% cotton twill, black in color. The mount was placed in a black-painted, hand-gilded and distressed Italian molding. A shadowbox was created to accommodate the staff. The glazing is U.V. protective plexiglass. Feel free to contact us for more details.
Banner - 49" x 56.5"
Frame - 67.75" x 59.25"
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