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Elaborate Sailor Souvenir of Washington Crossing the Delaware, circa 1885-1912
About the Item
Elaborate sailor’s souvenir embroidery from the orient with a beautiful hand-painted image of Washington crossing the Delaware, surrounded by a large eagle, federal shield, crossed flags, a cannon, cannonballs, and anchor, circa 1885-1910:
Between roughly 1880 and 1915, American sailors visiting the orient could obtain beautiful needlework embroideries on shore, with patriotic American themes. These extraordinary works of art were acquired as mementos of a long voyage, often with the hope that they might be presented as gifts for loved ones and friends.
Using silk floss, elaborately embellished with both silver and gold metallic bullion thread, and combining various types of embroidery work and stitchery, as well as trapunto work to make them three-dimensional, artists created these elaborate pictures, making standardized designs or customizing them to the buyer's content. Executed on satin, like this example, or sometimes on velvet, the most common devices included eagles, flags, and shields, often with various maritime elements.
This particular example features a spread-winged, war-like eagle, with a cluster of arrows in each talon, above a canted, federal shield, flanked on either side by trios of American national flags, with metallic finials and tassels. In the lower center is a rectangular window, also bullion, with embroidered stars, that frames a rendition of Washington crossing the Delaware River on Christmas Eve to surprise British troops on Christmas Day. Expertly painted in watercolor on cloth, with beautiful colors and great detail, this image reproduces the 1851 oil-on-canvas painting by the German-American artist Emanuel Leutze. Note the artist’s liberty in the background that appears to feature Mt. Fugi on a mountainous, Japanese landscape, as opposed to the banks of the Delaware in New Jersey.
An anchor emerges from beneath the frame, flanked by crossed cannons and cannon balls. Along the bottom is a billowing streamer with the familiar American motto, in Latin, "E Pluribus Unum" (out of many, one).
This particular embroidery was made by “The Geo. Washington Company” in Yokohama, Japan. G. Fukughi opened his firm in 1880, with the intention of producing souvenirs for an audience of American Navymen. Advertising as a “Dealer in Fine Art Goods,” Fukughi employed expert painters and embroiderers who painstakingly produced these extraordinary textiles with some of the finest handwork one can encounter. His extraordinary business sold goods at points all over the orient, including not only Japan, but China, Taiwan, the Philippines, Korea, the Philippines, and elsewhere. I have seen them from ports as far as Hawaii. Over many years of viewing these textiles, I have seen dated examples as late as early as the 1880’s and as late as 1915. Due to the Spanish-American War (1898) and Roosevelt’s famous world tour of the “White Fleet” (1907-1909), this was an extremely patriotic era. Many of the members of the Great White Fleet came home with these embroideries.
Washington Crossing the Delaware was among the most elaborate of Fukughi’s standard designs. In my opinion, it was the best of them, especially when it did not include an open window for a portrait of the sailor.
When examining the level of craftsmanship, note the glass eye employed in the eagle and the tassels, carefully knotted from metallic bullion thread. Also note the treatment of the raised feathers on the legs, the scales on the talons, and the spiraling chain of the anchor. I have seen many of these embroideries, and while the mix of images here is not unusual, the attractive way in which they are sewn and displayed is excellent, as are the colors. The yellow in the wings is especially eye-catching.
Mounting: The textile was framed in our own conservation department. The black-painted and gilded molding is Italian, with a traditional American profile. The glazing is U.V. protective plexiglas.
Condition: Minor foxing in the painting. Minor to modest breakdown in the embroidery in the blue portion of the flags, accompanied by some fading in this region. Two of the stars are significantly soiled. The overall condition is extraordinary.
- Dimensions:Height: 45 in (114.3 cm)Width: 31 in (78.74 cm)Depth: 2.5 in (6.35 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1885-1910
- Condition:See Item Description.
- Seller Location:York County, PA
- Reference Number:Seller: pat-6631stDibs: LU849728455952
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Printed in sepia ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years. Stuart painted it in oil on canvas for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton.
The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington through the fabled story of the cherry tree), were made ca 1806 by Germantown Print Works in Germantown, Pennsylvania.
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1806 Printed Linen Kerchief Glorifying George Washington, Germantown, Penn
Located in York County, PA
EXTRAORDINARILY EARLY (1806) PRINTED LINEN KERCHIEF GLORIFYING GEORGE WASHINGTON, PRINT WORKS, GERMANTOWN, PENNSYLVANIA
Printed in blue ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years, most often referred to as the Landsdowne portrait. Stuart painted three versions of it in oil on canvas, one of which was completed in 1796 for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton.
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To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion on the right. It is reasonable to assume that the textile may have been produced in demonstration of the maker's desire, and/or that of others, to advance trade with England. Commercial printers were very influential in early America, as they possessed the means by which to disseminate information.
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Mounting: The textile was mounted and framed within our own conservation department, which is led by expert staff. We take great care in the mounting and preservation of flags and have framed thousands of examples.
The gilded molding has a rippled profile and dates to the period between 1825 and 1850.The background is 100% cotton twill, black in color. The glazing is U.V. protective plexiglass. Feel free to contact us for more details.
Condition: There is an all-over golden oxidation of the white fabric and there is very minor staining. There are tiny tack holes in each corner and there are minor nicks around the perimeter.
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