Late 18th Century Political and Patriotic Memorabilia

French Revolution, End of the 18th century, Rare polychrome bronze bas-relief representing Jean-Paul Marat Revolutionary period, after 1793 Rare polychrome bronze representation of the famous revolutionary Jean-Paul Marat. Represented in profile and wearing the Phrygian cap, the latter adorned with the cockade, the hairstyle in a ponytail tied with a ribbon. Inscription on the right " UNABLE TO CORRUPT HIM THEY MURDERED HIM " above the Masonic symbol of the level pierced with a knife. At the bottom of the bas-relief, the inscription "MARAT THE FRIEND OF THE PEOPLE " On the reverse, old exhibition label After a tormented youth, Marat, self-taught, became a doctor in Great Britain, first became known by philosophical and scientific writings that earned him a certain notoriety in the cultivated circles of London, then Paris. From the beginning of the Revolution, he was to become a well-known journalist in Jacobin circles. Defending increasingly radical solutions in L'Ami du peuple, he denounced the enemies of the Revolution as he conceived it, advocating energetic measures inspired by a systematic distrust of all those who did not adhere to his ideas. Featured in several trials, he attracted in particular the hatred of the Girondins, triumphed over them, but was murdered by one of their friends, Charlotte Corday...

Document 1: Certificate of citizenship of the Municipality of Sedan granted to Citizen Robert Dated March 9, 1794, Year II of the Republic In the left margin: "Note. The bea...

French Revolution, end of the 18th century, rare color engraving depicting the three martyrs of Liberty: Le Pelletier, Marat and Chalier under the gaze of...

French Revolution, end of the 18th century, rare handwritten circular from the Minister of Justice Cambacérès on the subject of the prohibition of English goods, dated 19 Brumaire of...

A naively panted horse or cow vertebra showing the late Methodist preacher John Wesley whom founded the movement in the early 18th century. The radical and over the top politics o...

A late 18th century Masonic horn beaker, with typical Masonic imagery and symbolism The imagery has been scrafittoed into the surface and then ink pres...

Sheared beaver with woven linen liner. An amazing example of early surviving Americana. Provenance from an important American antiques collection in Maine, John McInnis Auction. Cust...

Presented is an original collage featuring the autograph of Alexander Hamilton. This one of a kind collage highlights Hamilton, with an original signed Treasury Department circular letter, dated June 17th, 1794. The letter has been framed underneath a Jacques Reich...

An outstanding helmet as worn by the personal guard of the German emperor Wilhelm II. One of the most elegant and well designed spike helmets (pickelhaubes) polished brass skull and ...

Plan (Map) of the City of Washington in the Territory of Columbia Published 1796, in the American Atlas by John Reid Published in 1796, this map is by John Reid, and was part of o...

REMARKABLE PATRIOTIC SCHOOLCHILD WATERCOLOR BY MORRIS TWITCHELL, ILLUSTRATING THE ORIGINAL 13 COLONIES PLUS VERMONT AS CONJOINED RINGS, 1791-1792: Executed on laid paper, this beautiful patriotic pen and ink, watercolor fraktur drawing, entitled "United States of America," was signed by schoolchild Morris Twitchell. The graphics illustrate the 13 original colonies as states, plus Vermont, which joined the Union on March of 1791. Because Kentucky followed as the 15th state in June of 1792, just 15 months later, the time in which this work could have been completed falls to within a very narrow window of just 1-year-and-3-months. The imagery beneath the arched title consists of a series of conjoined rings, gracefully drawn with a compass in scarlet red, lime green (perhaps once blue) and sepia. Inside these are the names of each state in red capital letters. Note how in instances where extra space remained that nondescript squiggles in red and green were used to fill some of the spaces in a naïve decorative fashion that demonstrates school child creativity. Others received a crosshatch or nothing at all. In the case of Massachusetts, the "s" at the end was forgotten and added after the fact. Inside the rings is another single ring, in green, with 14, crudely drawn, 8-pointed stars. Even though the the specific words do not appear, each of these images illustrates the basic American concept and motto of "E Pluribus Unum" (out of many, one). The basic design seen here was a product of Benjamin Franklin and first appeared in public on fractional American colonial currency, printed in Philadelphia by Hall & Sellers in 1776. In the center of similar conjoined rings, which number 13, is another ring inside a 13-pointed sunburst. In the very center are the words "We Are One," surrounded by "American Congress." With the exception of the absence of Vermont and the position of Connecticut, the colonies/states appear in the same order on both this schoolchild watercolor and the Hall & Sellers currency. The imagery is later seen on a famous illustration printed by Amos Doolittle of New Haven, Connecticut in March of 1798, entitled "A Display of the United States of America. To the Patrons of Arts and Sciences, in all parts of the World." There are 14 rings in the Doolittle illustration, which excludes the newest states of Vermont, Kentucky and Tennessee, but instead includes the Great Seal of the United States at the very top. In Twitchell's drawing, within his green ring of stars is endearing patriotic verse: While education bears her gentle sway And we her precepts cheerfully obey; While every breast glows with a generous flame, And Britons [sic] envy our increasing fame; In mighty pomp America will rise Her glory spreading to the boundless skies A boy by the name of Morris Twitchell was born to Benjamin and Patience (Tucker) Twitchell of Bellingham, Massachusetts in 1774. Morris would have been 17 in 1791 and this would be the correct period. These words of Twitchell's verse appear on the title page of a 1779 book that is believed to be the first purely English grammar...

Cast iron waffle press with a 16-star variant image of the great seal of the United States, 1796-1803: Circular head of an early waffle press featuring an image of the Great Seal of the United States. Early representations of the Great Seal can be found with great variety. Normally an arrangement of 13 stars appears in a formation surrounded by clouds and sunburst. This one features a scattering of 16 stars above the eagle with an arch of clouds overhead. It also features a Federal shield upon which are 15 pales (vertical stripes). A variant on the same design, also with 16 stars and 15 pales, but with a more refined eagle, can be found on a waffle iron...