Hand Embroidered Norwegian Wall Tapestry, Traditional Folk Art, Norway 1960s

Scandinavian hand blown glass bowl with internal bubbles, in clear, blue and red glass, Norway 1960s. Willy Johansson for Hadeland Glassverk. Engraved "Hadeland WJ"

Set of three pewter candleholders, made in Norway in the 60s. Made by Haugrud Tinn.

A beautiful rare vintage bar cabinet 'Baccus' by Torbjørn Afdal for Bruksbo Tegnekontor, designed in 1955 and produced at Mellemstrands Møbelfabrikk, Norway. The cabinet is made of rosewood and black formica. Furnished with a handy pull-out preparation surface as well as 6 compartments for bottles, mirrored back and two drawers to store any accessories. Interior lighting. Sculpted handles on the doors which open to reveal a glass lined interior. Torbjørn Afdal was one of Scandinavias premier midcentury designers and most of his pieces were manufactured by Bruksbo. He was born October 25 th 1917 at Voss – Norway, died January 15 th...

This unique wavy-shaped pewter bowl from the 1960s showcases classic Norwegian craftsmanship. Its elegant design and timeless aesthetic make it a perfect addition to any collection o...

3-1029 Embroidered Folk Art wall hanging applied to wood board. A home in the wilderness signed by the maker.

Circa late 1800s, wood, and glass, American, possibly New York. Charming beyond belief, this polychrome Folk Art House was originally made to feature a ...

Modern and Architectural Sterling Necklace and Earrings - hand-made and trending, this piece, along with their earrings have the effortless and artistic flavor of Architect, Frank Ge...

The young dancers wear an armor of threads over their bodies, showing off an ancient indigenous art form. Colorful thread combinations characterize the huipil dress, a rectangle of cloth handwoven on a backstrap loom that dates back thousands of years in used in Zapotec culture. Through symbols in their dresses, Zapotec women wear their identity, history, culture, power, social and marital status, religion, personality, and power. In this folkloric dance, “Flor de Piña” (Pineapple Flower), innocence surrounds young girls as they dance and hold pineapples on their shoulders as an offering. Their long braids represent purity and their bare feet symbolize their connection to the Earth. This folkloric dance is part of the “Guelaguetza” (name in the indigenous Zapotec language) Festival Celebration. Since pre-hispanic times, the indigenous people of Oaxaca have honored the goddess of maize with this festival, performing and offering gifts to ensure a good harvest. Husband and wife, master woodcarver Manuel Cruz and wood painter...