Artisan abstract nail art, Netherlands 1950s

Minimal design wall mirror. It has a round mirror in a copper frame. Handcrafted in the 1950s in the Netherlands. The copper has gained a beautiful patina throughout the years. The p...

Set of 2 floor standing candle holders. Made from wood and brass. They came from a monastery in Oirschot Netherlands The bases are made ...

Set of two sculpted architectural columns. They are made from some kind of cast stone or plaster. They were probably meant as fireplace columns seeing the height of 104cm. They have ...

Handmade set of two brutalist stools. Hand carved from solid wood. The seats have serrated edges resembling industrial cogs. They differ slightly in size accentuating the handmade ch...

Handcrafted living room or patio set. It is made in the style of Gerrit Rietveld and is clearly inspired by his legendary "kratstoel" or "crate chair" where difference lies in the amount of slats in the seat and back. This set was made during the 1950s and is entirely made from pine and assembled using round headed screws that are recessed in the wood. Made with great eye for detail. The set consists of 2 two-seater sofas and 1 lounge chair. Dimensions sofa: W. 130cm H. 70cm D. 75cm Dimensions chair. W. 75cm H. 70cm D. 75cm Seat height: sloping back from 33 to 27cm Armrest height: 52cm De Stijl (Dutch for "The Style"), also known as Neoplasticism, was a Dutch art movement founded in 1917 in Leiden. De Stijl consisted of artists and architects. In a more narrow sense, the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to vertical and horizontal, using only black, white and primary colors. De Stijl is also the name of a journal that was published by the Dutch painter, designer, writer, and critic Theo van Doesburg that served to propagate the group's theories. Along with van Doesburg, the group's principal members were the painters Piet Mondrian, Vilmos Huszár, Bart van der Leck, and the architects Gerrit Rietveld, Robert van 't Hoff, and J. J. P. Oud. The artistic philosophy that formed a basis for the group's work is known as Neoplasticism—the new plastic art (or Nieuwe Beelding in Dutch). According to Theo van Doesburg in the introduction of the magazine De Stijl 1917 no.1, the "De Stijl"-movement was a reaction to the "Modern Baroque" of the Amsterdam School movement (Dutch expressionist...

Mid century serving cart. Model PT10 designed by Cees Brakeman for Pastoe in the 1950s. It has two trays made of shaped plywood. The frame is also made of plywood. Well designed piece with very nice details. It stands on the original castors. The cart can be disassembled. It was sold originally as flat packed furniture. For shipping it will be disassembled for safer and easier transport. Easy to put back together again with the original brass bolts. The wood gained a beautiful dark patina through the years. UMS Pastoe b.v. is a Dutch furniture manufacturer from Utrecht, which designs and produces furniture under the Pastoe brand name. This company was founded on April 13, 1913 in Utrecht as UMS, which stood for Utrechtse Machinale Stoel- en Meubelfabriek. The name Pastoe comes from "passe partout" and was added to the name after the Second World War Well-known designs are the wire steel chair SM05 by Cees Braakman and Adriaan Dekker, the cabinets by Aldo van den Nieuwelaar and Vision by Karel Boonzaaijer and Pierre Mazairac. Pastoe has worked with graphic designers such as Dick Bruna and Benno Premsela, photographers such as Ed van der Elsken and Cas Oorthuys and designers such as Shiro Kuramata, Shigeru Uchida, Maarten Van Severen and Vincent van Duysen. Frits Loeb founded the factory in 1913 under the name Utrechtse Machinale Stoel- en Meubelfabriek (UMS). This was located at Oosterkade 30 in Utrecht. The furniture that was produced was initially intended for his store at the Ganzenmarkt in Utrecht, but soon it was sold at various points of sale in the Netherlands. When the space on the Oosterkade had become too small, the factory moved around 1918 to the building of the former Tegelfabriek 'Holland' on the Rotsoord. Since 2016, the factory has been on the Tugboat in Houten. UMS focused on the general public with its furniture. Business manager and designer Dirk Lubertus Braakman varied on the designs of the Amsterdam school. Although the business design style did not suit the taste of the general public, UMS continued to engage in innovative design, with influences from Scandinavia and art deco. After World War II After the Second World War, Loeb found an empty factory. He decided to rebuild UMS, with his cousin Frits Ullman assisting him. In the first years after the war, UMS mainly worked on behalf of third parties and did not yet have a permanent collection. Around 1947, the factory set a different course, with contemporary design central. In 1948, the new brand name Pastoe was introduced, which was added to the abbreviation UMS. Business manager and designer Cees Braakman, after a study trip through the United States, introduced a new technique of curved plywood and persuaded Loeb and Ullman to use this production method. Due to the use of this new technique, no more reference was made to the craft. New materials such as plywood finished with oak and birch veneer characterized the designs. The new production technique provided the subdued and sober design that later became the company's trademark. UMS Pastoe joined the Good Living Foundation. The focus of the UMS Pastoe collection was mountain furniture, where the consumer could put together a cabinet himself. This new concept of flexible cabinet systems was developed in 1955 in the cabinet system Meubelen-naar-maat. In this series, the cabinet could not only be assembled by the consumer himself, but also expanded later. This series was a great success at home and abroad. This became clear when the teak version was awarded a silver medal in 1957 at the 11th Triennale in Milan and Le Signe d'Or in Belgium. In 1968, the company received the BKI Award for the innovation of PVC-coated chipboard that is milled transversely; the plates could then be folded into a cube. This technique was applied in the 1967 Pastoe Cube...

1950s Folk Art wood carving of a group of drunk Swedes at a bar scene with fish and alcohol fermentation.

This ceramic crucifix is a profound representation of mid-century modern European studio artistry. Handcrafted with precision and care, it reflects the era's characteristic blend of ...

Wentworth Tool Museum sign assembled with scrap tools and hardware. Assemblage include many wrenches, drill bits, saws and scissors. Heavy iron constructio...

We recently acquired a collection of mid to late 20th century sculptures by the Newton, Massachusetts artist, psychotherapist and inventor Mayer Spivack. A lifelong innovator and cre...

Paul Edward Walker (American, b.1949) Checkerboard oil on board signed “Art by Paul Walker”, “Nov. 97, Savannah, GA” 26 by 20 inches; ¾ inches deep Paul Walker is a Savannah, G...

Bold geometric abstract board found in Texas. We have a collection of these boards from an anonymous artist. Painted on recycled cupboard doors, table tops, stool tops and bread boar...