Carved Decorative Panel

Carved figure of a woman standing upright on a scrolled base. Carved from Pine with in service paint, American, circa 1850.

Canada swimming goose, hollow carved with glass eyes and lead plate Signed/incised and titled on the bottom, "The Swimmer, Frank S Finney" circa 1980.

Carved and painted watermelon bowl by master carver Frank Finney. Lift top lid, with scraping style interior. Signed on bottom "Finney" with his initals.

19th Century carved and painted wood figure of a troubadour or minstrel wearing a hat and long coat with his trousers tucked into knee-high boots and having a violin under one arm wi...

With a dark rich patina. Made with oak staves, handle and a mahogany base. In excellent condition. Attributed to Sherwin Porter Boyer (1907-1964). Measures: 6”.    

Figural trade sign in the form of a mortar and pestle, both the mortar and pestle are hand turned and gilded, with strong ring turnings. The top is capped with zinc and still bears i...

An elaborately carved and stained wood tray densely textured and decorated with sun flowers. Large carved leafy handles on the ends. The tray is set with three house form cigarette dispensers...

Presented is a spread wing eagle, most likely from the late 19th to early 20th century. This carved pine eagle is poised for takeoff and rendered with fierce facial details and well-carved plumage. The carved eagle shows intricate detail, including individual feathers. The eagle is accented with white and yellow paint to highlight the head and beak. The eagle's wings are spread widely, in a manner similar to Bellamy eagles...

Primitive hand-carved Folk Art bull made of wood. Great hand work and scale. One Horn has a chip. Great sculptural piece.

19th century American hand carved gilded pediment eagle. Antique decorative hand carved and gilded wooden pediment eagle. The expressive sculpture w...

Classic late 19th century wooden gingerbread cookie or speculaas springerle mold, circa 1890 (cow bull ox). Made of hand carved wood. Found at an esta...

The young dancers wear an armor of threads over their bodies, showing off an ancient indigenous art form. Colorful thread combinations characterize the huipil dress, a rectangle of cloth handwoven on a backstrap loom that dates back thousands of years in used in Zapotec culture. Through symbols in their dresses, Zapotec women wear their identity, history, culture, power, social and marital status, religion, personality, and power. In this folkloric dance, “Flor de Piña” (Pineapple Flower), innocence surrounds young girls as they dance and hold pineapples on their shoulders as an offering. Their long braids represent purity and their bare feet symbolize their connection to the Earth. This folkloric dance is part of the “Guelaguetza” (name in the indigenous Zapotec language) Festival Celebration. Since pre-hispanic times, the indigenous people of Oaxaca have honored the goddess of maize with this festival, performing and offering gifts to ensure a good harvest. Husband and wife, master woodcarver Manuel Cruz and wood painter...