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Meiji Period Shinto Shrine Ema Votive Plaque, Japan

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Tenjin-Sama, Wood, Japanese Shinto Deity of Learning and Wisdom, Meiji Period
Located in Point Richmond, CA
Tenjin-Sama, Shinto Deity of Learning and Wisdom, Meiji Period Tenjin,-Sama, Deification of Sugawara no Michizane, was a famous scholar, poet and politician of the Heian period. In...
Category

Antique Late 19th Century Japanese Meiji Sculptures and Carvings

Materials

Wood

Meiji Period Japanese Indigo Double Ikat Futon Cover
Located in Point Richmond, CA
Meiji period Japanese Indigo double ikat futon cover Japanese futon cover, a double ikat pattern in four panels depicting Kumamoto Castle with im...
Category

Antique 1890s Japanese Meiji Textiles

Materials

Cotton

Saki-Ori Farmers Coat, Northern Japan, Meiji Period
Located in Point Richmond, CA
Saki-ori farmers coat, Northern Japan, Meiji period A very heavy and substantial saki-ori coat, made of cotton with an indigo kasuri lapel. Several patches of hand sewn stitching ...
Category

20th Century Japanese Meiji Textiles

Materials

Cotton

Japanese Two Section Mizuya (Kitchen) Tansu, Meiji Period
Located in Point Richmond, CA
Two Section Mizuya (Kichen) tansu, Meiji period. Handmade with Japanese hinoki (cypress), sugi (cedar) and zelkova (keyaki) wood with handforged metal handles. Top section has four ...
Category

Early 20th Century Japanese Meiji Furniture

Materials

Wood

Japanese Head Bucket (Kubi-Oke), Lacquer, Meiji Period
Located in Point Richmond, CA
Japanese Head Bucket (Kubi-Oke), Lacquer, Meiji period. The head bucket was used for storing and transporting severed heads. During the Samurai era cla...
Category

Early 20th Century Japanese Meiji Metalwork

Materials

Wood, Lacquer

Thai Buddhist Votive Plaque
Located in Point Richmond, CA
Thai Buddhist Votive Plaque, Sukhothai style, cast  in relief from a metal alloy of tin and lead with an iron like surface of a deep brown colour, depicting a relief image of a walking Buddha. His left foot planted firmly on the ground while his right heel is raised. His left hand is held upwards known as the Abhayamudra (the had gesture of reassurance and safety), his right hand hangs at his side, known as the posture of the Buddha in the Descent from the Tavatimsa Heaven. He wears a simple belted robe. Above the image is a two tiered honorific parasol and an arched ornamental doorway supported by a pair of columns with vases...
Category

Antique 15th Century and Earlier Thai Other Wall-mounted Sculptures

Materials

Lead, Tin

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