Tribal Art

mid-20th century Tami Islands Papua new guinea wooden feast bowl Of classic form, each end carved with raised and incised imagery depicting stylized sea cr...

This set of 3 pieces of African currency is very interesting. Looking like some sort of ancient maraca, these 19th century pieces jingle and noise-make with each step. The dimensions...

Sculpted solid brass in a "smoke" acid patinated finish, machined and mechanically fastened. Goatskin parchment shade with accordion-folded face and hand stitched edges. Hand-dyed br...

Large and exceptional vintage tribal carved green jade/nephrite axe from Sentani, Papau New Guinea. The Axe is mounted in a custom made bronze base and is...

A pair of stylish handmade vintage Moroccan brass wall sconces or lanterns. The sconces have a semi-cylindric shape, feature exquisite Moorish geometrical design and made of high qua...

A fantastically hand-crafted piece by the Kota (or Bakota) tribe who are located in the northeastern region of Gabon. This figure, which is a Mahongwe reliquary figure as exhibited with its truncated almond-shaped face, is made of wound copper, hammered brass and wood. Reliquary figures were used as guardians to protect the revered bones of venerated family ancestors and leaders and ward off unwanted spirits. These figures are meant to embody intense powers and were also commonly used in communal rites and ritual performances. This particular piece came from an American collector who traveled the African continent and collected African artifacts for over 50 years. This piece has a beautiful, organically aged patina acquired naturally over time and use. It is mounted on a custom wooden display stand. We believe it dates back to the early to mid-1900s but could be older. We are listing as 20th century because we did not have it appraised. This African Tribal Statue Osseyba or Reliquary Figure Kota (Bakota) Mohongwe Peoples decorative art would clearly stand out as part of a collection or by itself in any setting. Truly unique, eye-catching and engaging. Dimensions on stand: 25 3/4" High, 7" Wide, 5 1/2" Deep Kota Reliquary...

Carved and painted wood with an openwork tiered bucket form back. The top tier with female figures, the bottom row with horsemen holding small-scale figures on top of the horses' heads. The shaped back with a dentated top border and two carved panels with birds. Panels with snakes frame...

This is a very good example of a 19th century Zanzibar storage chest. The chest was created in the mid-19th century. The teak case is adorned with cut and open work brass strapping i...

Sculpted solid brass in a dark patinated finish, machined and mechanically fastened. Goatskin parchment shade with accordion-folded face and h...

Sculpted solid brass in a polished unlacquered finish, machined and mechanically fastened. Goatskin parchment shade with accordion-folded face...

African tribal art. Fine old male and female pair of Yoruba Ibeji Figures from the Igbuke carving workshop in Oyo. Igbuke was a known carver of Ibeji figures and this style is attri...

A scarce antique African tribal carved Hemba helmet mask, the Suku peoples, possibly Kwese culture, Democratic Republic of the Congo, Central Africa, early 20th century, surmounted by four-legged animal, over round face, with mouth ajar and incised jagged teeth exposed, protruding almond shaped eyes, scattered remnants of pigment, full raffia fiber fringe, mounted on wood stand. A superb museum quality example, this remarkable tribal folk art sculpture is a wonderful way to add rustic warmth, rich historical depth, and fascinating cultural interest to any space! Dimensions: (approx) Overall: 26" High, 9" Wide, 10.25" Deep; Mask only: 15" Tall; 7 lbs total Provenance / Acquisition: Acquired from the highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Excellent Condition: Nicely aged distressed patina over the whole. Highly desirable wear consistent with age and indicative of use, including scattered losses, antique character marks and typical signs of aging throughout. Retaining scattered remnants of original pigment. Overall a superb museum quality example Primitive Arts Of Africa: Among the Suku of the southwestern part of the Democratic Republic of the Congo, masks plays crucial role in protecting boys during initiation, the vulnerable period between boyhood and manhood. The power contained in Hemba masks...