Tall Carved Wooden Oracle or Divination Tapper "Iroke Ifa", Yoruba People, 1930s

Hand-carved Opon Igede Ifa or divination bowl, Yoruba People, Nigeria, early 20th Century. A Babalawo ("diviner") of the West African Yoruba people uses an Opon Igede Ifa to store th...

Large carved wooden spoon in the shape of a standing female figure, with a round bowl over her head, Yoruba People, circa 1960s. The numbers are the inventory numbers from Penn Stat...

Wooden head of an Ooni of Ile-Ife, Yoruba People, Nigeria, circa 1930s. The Ooni is the traditional ruler of Ile-Ife. The Nigerian town is seen as the cradle of the Yoruba people. The number is the inventory number from Lehigh University. Exhibited: The Lehigh University - Art Galleries permanent collection. Provenance: The collection of Dr and Mrs John E. Swanson. Dr John Swanson and his wife Marian lived from 1966 - 1981 in Lagos, Nigeria where Dr Swanson was the Advisor to the National Universities Commission and later on the Chief Planning Officer of the University of Ibadan, Nigeria. During their time in Africa the Swansons started to collect African art. In 1973 a part of their collection, circa 120 pieces went on loan to The Pennsylvania State University Museum of Art, where the remained until 1978. In 1981 Dr Swanson passed away and his wife Marian never returned to Africa. In 1982 Mrs Swanson lent 130 pieces to the Lehigh University Art Gallery where they remained until 1987. A few pieces were also lent to Lafayette College...

Forged bronze headdress or kind of crown/tiara "God of Thunder" which was used for protection. The size is slightly changeable, as the headdress bronze band is open on one side. Yoru...

Wooden head of a wife of an Ooni of Ile-Ife, Yoruba People, Nigeria, circa 1930s. The Ooni is the traditional ruler of Ile-Ife. The Nigerian town is seen as the cradle of the Yoruba people. The number is the inventory number from Lehigh University. Exhibited: The Lehigh University - Art Galleries permanent collection. Provenance: The collection of Dr and Mrs John E. Swanson. Dr John Swanson and his wife Marian lived from 1966-1981 in Lagos, Nigeria where Dr Swanson was the Advisor to the National Universities Commission and later on the Chief Planning Officer of the University of Ibadan, Nigeria. During their time in Africa the Swansons started to collect African art. In 1973 a part of their collection, circa 120 pieces went on loan to The Pennsylvania State University Museum of Art, where the remained until 1978. In 1981 Dr Swanson passed away and his wife Marian never returned to Africa. In 1982 Mrs Swanson lent 130 pieces to the Lehigh University Art Gallery where they remained until 1987. A few pieces were also lent to Lafayette College...

Gelede festivals honor the creative and dangerous power of women elders, female ancestors and goddesses known as "our mothers". The Gelede headdress often consists of two parts, a lo...

A finely carved significant Yoruba Male Ibeji figure with a tall headdress, expressive eyes, original bead belt and heavy wear and polish from native use. Areas of encrusted camwood ...

With one of the highest rates of twin births in the world, Yoruba cultures place special social and religious significance on twins, referred to as "emi alagbara" or "powerful spirit...

Very early large Yoruba divination board, a classic form round board with face at top, figures, couples, snakes, cowrie shells and other items around the edge of the board. Heavy wood, early 20th century, Nigeria. Areas of erosion and wear in center from traditional use. Provenance: ex - Mereidi Singer Stoli collection, ex Lempertz Auction 2019 With small metal stand...

This wooden headdress was created by the Yoruba People of western Nigeria, and was worn during a masquerade known as egungun. A widespread Yoruba ritual, egungun performances honor a...

Hand carved with a figurative design, this TOTEM-like wooden post was crafted by an artisan of the Yoruba peoples of Nigeria. Resembling the tall houseposts used to support the roof of a home, this shorter post would have been placed on a veranda courtyard as a symbolic and decorative element and did not bear weight. This veranda post...

This four-sided brass face bell, known as omo, was created by an artisan of the Ijebu Yoruba People of Southern Nigeria. A mark of the wearer's rank and power, the bell would have be...