Louis Vidal, Bronze of a Wounded Stag, Barye, circa 1863

Emile Louis Picault, French (1833-1915) "Olympias XCI Graeci Syracusis Captivi" bronze tazza Dated 1863. Standing on decorated base with Roman head motifs. Signed 'E. Picault, Exp...

Possibly Khmir period but probably just after. Bronze buddha seated in bhumisparsha mudra on stepped base, remnants of earlier gilding throughout, I have been dealing in ancient bronze Buddhas...

A gilt bronze figure of Chakrasamvara and Vajravahari, 17th-18th century Tibet, 18th century. The two in embrace striding in alidhasana atop a lotus base with a beaded edge. He is holding vajra and ghanta and is adorned with a long garland of severed heads and skulls, the face with a third eye below a skull tiara, the hair pulled into a high chignon. She is holding a flaying knife and skull cup...

Comprising a Burmese and two Nepalese figures of the seated Buddha. Height of tallest 7.75 x 6 x 3,75 inches. 19th century Medium: 5 Inches. 19th century Smallest: 3.75 Inches. 1...

A very whimsical and spirited Luohan from calls in the beasts of the forest as to protect them from harm. These bronzes are rare but come up for sale from time to time. This piece sh...

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

"Antoine Louis Barye (1796-1875) Large standing Stag patinated bronze in beautiful original condition. The Bronze with brown patina. Signed o...

A sweet French bronze study of a jumping hare in mid leap with excellent hand chased surface detail and very fine rich brown patina, signed Vidal Aveugle ADDITIONAL INFORMATION Height: 8.5 cm Width: 9 cm Depth: 5 cm Condition: Excellent Original Condition Circa: 1860 Materials: Bronze SKU: 9019 ABOUT Louis ‘Navatel’ Vidal (French, 1831 ~ 1892) Born in Nimes he studied under Barye and Rouillard and exhibited at the Salon from 1859 onwards, winning various prizes. Louis Vidal first became blind during his childhood; studying other sculptors work through touch, and with help from Alfred Barye, he learnt how to work with bronze, marble and plaster. Many of his works are signed Vidal Aveugle or ‘Vidal the Blind’. Patronised by figures including Princess Mathilde and the Rothschilds, Vidal’s bronze...

Pair of figural bronze paperweights over cararra marble bases. circa early 19th century; models of "Il Porcellino" and "Wounded Stag" Item # C104009 A superb pair of 19th century p...

Beautiful roaring lion in gold patinated bronze by the artist and sculptor Louis Vidal (1831-1892) of the Romantic period, France 19th century. Dimensions in cm ( H x L x l ) : 17 x 36 x 9 Secure shipping. Louis Vidal, Vidal the blind or Vidal-Navatel is a French sculptor born on December 6, 1831 in Nîmes and who passed on May 9th, 1892 in the 12th district of Paris. Born to an unknown father and Sophie Vidal-Navatel, he grew up in a family of artists, having for stepfather the painter Alexandre Colin who married his mother in second marriage and for half-brother Paul-Alfred Colin. He studied anatomy but became blind around 1853, which prevented him from pursuing this path. He studied with the animal sculptors Antoine-Louis Barye and Pierre Louis Rouillard and became an animal sculptor himself by replacing sight with touch. This faculty enabled him to create portraits, he perceived the shape of faces by touching them and sculpted them in clay, and remains known as the author of a sculpture representing a roaring lion, as well as that of a bull in bronze, donated by the State to the Musée des Beaux-Arts de Nîmes in 1867. Louis Vidal worked in particular with Alfred Barye, son of his master Antoine-Louis Barye. He became a professor of modeling in 1888 at the École Braille in Paris. A portrait of the artist taken by the photographer Étienne Carjat...

A fine original, French, early 20th century bronze statue of a walking wolf "Loup qui Marche" signed by Antoine-Louis Barye, Henry Bonnard foundry Co NY ...

Antique bronze sculpture by the french sculptor and artist Antoine-Louis Barye. Signed at the plinth.