Erik Hoglund 12-Arm Chandelier for Boda, 1960-1970s

Swedish glass master Erik Höglund reveled in unconventional techniques and practices — the Karlskrona native once drove glassblower Ruben Hjelm out of a studio at Boda after mixing potatoes into a crucible of molten glass to determine if he could generate bubbles in the finished object. Höglund always walked his own path, and his individuality and creative spirit defines the range of decorative objects, lighting fixtures and other works in glass that he created over the years.

Höglund was born in 1932 and studied drawing and sculpting at the Swedish School of Arts. Despite his limited experience with glass, Höglund joined Boda Glassworks when the manufacturer reached out to the school for the services of a young glass artist. He taught himself how to blow glass at night and found inspiration on travels through Europe as well as in his everyday life, creating sculptures that boasted exquisite color pairings and subdued, streamlined forms. He worked at Boda for 20 years.

The Swedish National Museum purchased Höglund’s early works for an exhibition of Swedish glass art, and in 1957, Höglund’s stunning and expressive objects and sculptures earned the Danish Lunning Prize — the highest honor for an up-and-coming Scandinavian artist. He garnered international acclaim and his colorful iron and glass candleholders, candelabras and vases went on display in New York City. His work is held in the collections of the Blekinge Museum, the National Museum of Stockholm and the Cooper Hewitt, Smithsonian Design Museum.

Höglund left Boda in 1973 to establish his own smithery. He returned to glass design in the subsequent years, when the legendary innovator created richly colored and provocative works for Pukeberg, Åhus, Nový Bor and other manufacturers.

On 1stDibs, find a collection of Erik Höglund decorative objects, lighting and dinnerware. 

Sweden’s oldest glass company, Kosta Boda, also enjoys a reputation as the country’s most artistic and experimental glassmaker. Since the late 19th century, Kosta Boda has hired painters, sculptors and other artists for short stints — generally two or three years — designing glassware, ensuring that the firm’s aesthetic is always lively and fresh.

Two former army officers founded Kosta Boda in 1742 in Sweden’s densely forested Småland province. (Plentiful timber was needed as fuel for the melting furnaces.) The glassworks’ early products consisted of everyday glassware, such as drinking vessels and windowpanes. As the company recruited master craftsmen from Bohemia, it created fine crystal for an aristocratic clientele.

Kosta Boda began making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Wennerberg worked in the Art Nouveau style and brought a lush, organic look to the company’s wares. He was followed to the firm by artists such as Edvin Ollers, who in the early- 20th century created rich geometric and abstract floral patterns that were engraved on clear crystal.

Two post-war Kosta Boda designers stand foremost in the minds of collectors. One is Vicke Lindstrand, who excelled at a technique called cased glass, in which a vividly colored or patterned section of glass is surrounded by and seems to float within a clear crystal body. The other is Erik Höglund, who had an almost artisanal eye for glass shapes, and liked to produce glass that had a textured, warped look. As you will see from the many pieces available on 1stDibs, Kosta Boda created works in an astonishing array of styles, with something to suit any taste.