Contemporary Hand-Built Matte Pink Sculptural Glazed Ceramic Spore Floor Lamp

White bowerbird family is a contemporary sculptural multi-shell hand-built ceramic pendant lamp finished in a matte white glaze with a warm glow reflecting off of a round joyful form. Each shell is individually hand formed and unique, creating a pleasant rhythm when installed in multiples. The hand-built ceramic canopy, finials and socket cover add an enjoyable character. Component dimensions and weight: Shell: 4-6 diameter x 12-14 h in. / 10-13 diameter x 30-36 height cm 2 lbs / 1 kg each Custom drop length, please specify 5 in. / 12.5 cm diameter ceramic canopy Materials: Shells, canopies, socket covers and finials in hand-built ceramic in a warm-white matte glaze, off-white nylon-covered SVT lamp wire, brushed brass hardware, and electrical components Light source 1 x E-12 candelabra base per shell 25W incandescent lamp included Compatible with LED replacement lamps Additional info: Each lamp is individually hand-built without using a mould to create an enjoyable uniqueness and spatial balance within each form. Variations in dimensions, forms, and finishes are expected. The story: White Bowerbird collection is from Courtship Behavior...

The project was born inside Mercado Novo, consecrated by its many aromas, colors and flavors - a cultural and historical point of our city, Belo Horizonte...

The walking floor lamp can also be used as a sculpture or an accent piece in the interior. It is handmade by renowned Chinese artist Zhipeng Tan and can be customized in size and color. Keyword: Floor lamp, lighting, sculpture About the artist: Since graduating with an Industrial design degree from the China Academy of Art in Hangzhou, Zhipeng Tan has focused on the ancient technique of lost-wax casting. Through this foundry process, rich in heritage and tradition, Tan explores his interest in organic forms. Often inspired by his environmental surroundings such as water and plants, he explores anthropomorphic themes, as well. Though trained as an Industrial designer, he has become an accomplished self-taught sculptor, eagerly exploring the elastic and permeable boundaries between art and design and finding a harmonious fusion of sculpture and furniture, provocative objects of both beauty and utility. In spite of his rigorous training in computer modeling, Tan develops all of his concepts exclusively with hand drawing, preferring the direct connection to his work that sketching provides. As he likes to say, “Every line in the artwork is touched by me.” Most of his work is hand-sculpted in clay and the final work is achieved through casting, hammering, welding and polishing. He has chosen brass as his preferred medium in part because of its connection to historical tradition, but most especially because of its warm color, rich luster and versatility. Though from his early work, one may sense the influence of Joan Miró, Henry Moore and Constantin Brancusi and in his more recent pieces there is a nod to the Post-Pop sensibilities of Jeff Koons and Takashi Murakami, the work of Zhipeng Tan is thoroughly original, an expression of his exuberance and imagination. In all of his work, one may see an exploration of our fundamental humanity and a desire to discover worlds within worlds. From the 33 Step Chair...