Ceramic Floor Lamps

LArge, West German, Mid-Century Modern, brown & white, pierced & patterned, ceramic, hexagonal lava table lamp with original shade 93cm, 36½ inches high Striking statement piece w...

Gordon Martz floor lamp Measures: 60" height to top of wood finial. 19.75 height to top of table.

Light blue glazed ceramic lamp made by Saint Clement. Signed S´Clement, France, 712, 0. France, CIRCA 1930.

A massive floor lamp from the 1970's with an 18 inch diameter. It features a bone white glazed color. Original shade is has kinks and damages, and will not be included in the sale.

Article: Ceramic vase object Producer: SOHOLM, Denmark Decade: 1970s This original vintage ceramic vase was designed and produced by SOHOLM in Denma...

An organic and Brutalist style Floor Lamp with Dragon Fly and Leaf design. No chips or cracks. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Very beautiful and rare 'Fruit D'ange' lamp, as the French call it. A classic example of French design. The base is made of ceramic and resembles an antique column with a fruit bowl...

Huge unique table lamp made in the 1970s by Danish artist Birthe Troest at her own workshop in Nysted, Denmark. The vessel is beautifully sculpted in stoneware clay and is decorated ...

Ceramic lamp MIDA2 cod. LM002 white glazed with cotton lampshade Measures: H. 120.0 cm. Dm. 50.0 cm.

Massive, West German, Mid-Century Modern, brown & white, pierced, motled ceramic, figural table lamp 56cm, 22 inches high. Striking statement piece with the torso form...

Rare vintage West German Pottery tall floor lamp. Original lampshade. The lamp also features lamp holder inside the base.   

This Giacometti floor lamp by Bailey Fontaine is inspired by the works of Alberto Giacometti. The lamp is sculpted from unconventional materials ...

An extra tall cubist design lamp in the style of Pablo Picasso and produced by Marbro Lamp Co. It features a ceramic form in a gold, black & white glaze, steel base, and brass stem. ...

The Palazzo Vecchio Collection is a tribute to the majesty of the palace that inspired them. From the ancient ceiling of Cosimo dei Medici's room in Palazzo Vecchio in Florence the...

Table lamp in porcelain decorated with colorful flowers and a bird. Underside with under-glaze blue stamp 'Porcelaine de Paris, France, fondee en 1773'. Shade shown are for demonstr...

One of a kind ceramic lamp, hand built and assembled by hand. The lamp base is comprised of speckled clay manufactured regionally to the East Coast with custom made matte finish whit...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and features a raw, unglazed ceramic surface to...

Rustic floor lamp with ceramic base, Mid-Century Modern, Italy, the 1940s; This rustic floor lamp has a ceramic base and a round fabric lamp cap. An i...

Beautiful large ceramic floor lamp, made in Denmark by an unknown artist in 1970s. Nice various colors in high quality. A great vintage object that complementary the modern interior...

This table with light comes from Maarten Baas’s Plain Clay collection. This collection was originally developed for the Mendini restaurant in the Gron...

Robert Guillerme placed equal emphasis on function and aesthetics, creating a look as staid as it was arresting. While his work was in many ways distinctively conservative and recogn...

For lovers of vintage lighting, this French orange ceramic floorlamp, still with its original lampshade. Color your world.

Guillerme & Chambron French floor lamp, for Votre maison editeur. Glaze tiles by Danikowski, light oak and ceramic. 2 light, 100 watts max bulb.

French handmade ceramc lamp Elegant large stoneware ceramic table lamp realized in La Borne, circa 1960 Original perfect condition Ceramic dimensions: height 52cm, large 15cm Wit...

Great strong yellow. In beautiful contrast to the brown appliqués. With original lampshade. A fine ceramic table lamp in an ovoid form with a double waisted flared neck and flank...

Chic Dorothy Draper style black and white floor lamps side tables having white ceramic urn shaped bases, black slate round table tops and squar...

Very rare and nice 19th century ceramic urn table lamps or floor lamps from the south of Europe. Measures: Diameter 22 cm. Height 32 cm and w...

Two table lamps. Height base 39 cm. Width 17 cm. Depth 16 cm. Total height 70 cm. Diameter shade 33 cm. Shades shown are for demonstration purposes only.

Italian brass and ceramic floor lamp by Victor Cerrato. Multi-colored glazed ceramic and trimmed in brass floor lamp.

Article: Ceramic table light base Producer: Tue Poulsen, Denmark Decade: 1970s This original vintage ceramic Pottery...

Rare Guillerme et Chambron, floor lamp, Votre Maison Edition circa 1970.   

This floor light comes from Maarten Baas’s Plain Clay collection. This collection was originally developed for the Mendini restaurant in the Groninger Museum. Unlike the clay seri...

Vintage Danish Ceramic floor lamp 1970s Large scandinavian modern floor lamp by Jørgen Tjelberg Hansen. One of a kind made by hand. Tall rou...

lovely colors, original 1970's lampshade.

A unique tiled floor lamp by renowned artist Ron Hitchins made with 265 individual, handmade, biscuit fired tiles, each one totally unique, hand made and handed coloured. With origna...

Stunning modernist floor lamp by Tye of California / Angelo Testa, Classic midcentury iron tripod base, wonderful large ceramic pottery ball with Angelo T...

The Linha collection is a collaboration between Hannelore Freer and Filipe Ramos. The handbuilt ceramic tops are one-of-a-Kind art pieces made by Ha...

Orange glazed ceramic floor lamp, 1970s Mid-Century Modern floor lamp.

Beautiful white ceramic fish table lamp, handmade and hand painted with gold plate on a brass base.  

Three-fixture brass floor lamp with painted metal accents and a white ceramic insert planter. Vintage linen shades are included, though not original to the piece. Includes original...

Article: Ceramic table light base Producer: BITOSSI, Italy for BERGBOMS, Sweden Decade: 1960s This original vintage ceramic Pottery light base was produced by BITOSSI in Italy for Swedish light producer BERGBOMS in the 1960s. It is made of solid pottery and has coloration in main color of white beige on the bottom and on the top shining silver tone surface finish. The light base is marked with production number and made in Italy. A very collectible and very rare item of the Bergboms Bitossi collection...

Made in Czechoslovakia Made of glass, glazed ceramic, steel 2xE27 or E26 socket New cabling Re-polished Fully functional Original condition.

Article: Ceramic table light base Producer: SOHOLM, Denmark Design: Sorensen & Jensen Decade: 1950s This orig...

Large stoneware ceramic table lamp or floor lamp XXth century design Brown and green ceramic light Original perfect condition Electric ...

Article: Ceramic table light base Producer: SOHOLM, Denmark Decade: 1970s This original vintage ceramic Pottery light base was designed ...

Beautiful ceramic table lamp designed by Jane and Gordon Martz for Marshall Studios, c. 1960s. This examples shows off a lovely flat white glaze with incised swirls and dots. Walnut ...

Stunning Italian porcelain table lamps depicting Egyptian Queen Nefertiti. Amazing detailed chiseled features, jewels and head piece's, wonderful patina. Signed Edoardo Tasca. Heig...

Tall ceramic table lamp handmade by Danish ceramist Rolf Tiemroth (1917-2009), during his time in Norway 1970s. Organic leaf / floral pattern, dark red t...

Taking the span of almost a year from inception to completion, we are so thrilled to share our new collection which is available now for Pre-Order. The New Moringa Floor Sculpture ...

A rare floor lamp in pink ceramic with hand painted gold flowers. Italy 1950s.

An exceptional pair of large ceramic table/floor lamps, Germany/Denmark, 1960s. Sculptural high-end pieces made of handmade ceramic in rich blue tones, with glazed finishes. With new...

Stunning Mid-century floor lamp attributed to Giuseppe Ostuni. The lamp consists of a marble base that support a white enamelled metal rod with brass details. The original lampsha...

Floor very chic Italian design 1970s ceramic leaves, attributed to Tommaso Barbi design.

Tall ceramic table / floor lamp, showing striking illustration depicting late 15th- early 16th century Latin America with Christopher Columbus "Santa Maria" and Azteks and Spanish Conquistadors.

Open eyes floor lamp by Lionel Jadot. Functional art; Lionel Jadot; Belgian art Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips, the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner, but as you walk this walk please be seated on any of the thrones and experience the work for a moment, the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair. On an experience level, the conversation chair enhances self-confidence, while putting you literally in a good spot with the person you’re conversing with. The lamp perfectly shows the playful Cadavre Exquis...

Extremely rare lamp, later electrified with a lamp. No umbrella available. (F-50).

-Good condition -Stand made of glazed ceramics. -cleaned -Sirm is faded.

Unusually large scale reticulated Blanc De Chine porcelain table lamp. This example has an interior light allowing illumination from the upper bulb and or the interior light as illus...