Metal Floor Lamps

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

The Feather floor lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch...

Description: Mast Dimensions: Approx. 16” diameter x 86” height Material: Marble, hand blown Murano glass Finish: Polished bronze, white glass (custom finishes available) Bulbs: ...

Vintage type 2351 Midget Solarspot stage light by Mole-Richardson of Hollywood, CA. This fantastic light is in 90% original condition with some light polishing to accentuate the bronze handles and cast-aluminum case. Original maroon/burgundy paint is 99% intact and features a beautiful 50-year-old patina...

Beautifully cast Italian neoclassical style bronze floor lamp modeled after an original excavated at Pompeii or Herculaneum. With acanthus leaf decoration above and below the reeded ...

The Alte floor lamp is perfect for dressing up any room, offering both practical lighting and a touch of warmth, creating a welcoming atmosphere that invites relaxation and enjoyment...

Lampe de la Maison Charles & Fils Paris en bronze nickelé, signé. Hauteur : 68 cm diamètre : 35 cm

Nicely cast with paw feet.

Italian Renaissance Revival floor lamp in cast bronze with repousse brass lantern with ornamental crown finial on top. Handmade in Italy during the circa ...

Bronze floor lamp Pompeii Grand Tour attributed to Caldwell please contact me with any questions or for shipping quotes

Light sculpture in brass and amethyst; depicting an eagle with outstretched wings resting on a tree, the belly is an amethyst geode. Circa 1970 Provenance Castel in Normandy Width: 9...

Introducing the Seraph floor lamp designed by Samuel Hillard. The double sided shade rotates 360 degrees to highlight your rooms best details with dynamic illuminated style. Clear F...

In the Louis XVI style with finely cast decoration signed on side of base. Ex Christies sale.

High pair of Mauro Marzollo design floor lamps for Lucien Gau maker made of bronze and brass gilt and vernished Good conditions Note : 1 round task on one of the floor lamps Cir...

Unusual, extraordinary and exciting floor lamp by Toni Cordero. Very interesting combination of different materials. Toni Cordero was born in Lanzo Torinese in 1937. He took his architecture degree in Turin, and in 1962 opened his first design office. His architectural work includes Turin’s ”Delle Alpi” stadium with the collaboration of Hutter, Ossola and Majowiecki, a building based on advanced timber technology in Turin’s Mandria Park in 1997 and the Staff International factory in Noventa-Vicenza in 1996. Among his many important interior design projects we can cite: the Olivetti head offices in Ivrea (1997); the chain of Kenzo boutiques in Europe and the USA (1981); the renovation of the Gio Ponti Montecatini building in Milan, and the conversion of a London place of worship into an apartment hotel and gallery; the 1983 restorations of the Hotel Splendido...

Bronze neoclassical patinated bronze floor lamp. Good quality casting. Early 20th century. Needs to be rewired.

The "Febo" Floor Lamp is a stunning piece of Italian craftsmanship designed by Roberto Pamio for Leucos in 1975. This exquisite lamp, the grandest in the Febo series, epitomizes lux...

A traditional floor lamp made from a combination of cast iron and brass elements. Lovely scallop design base with a cast iron urn design. This l...

Vintage type 407 baby solarspot stage light by Mole-Richardson of Hollywood, CA. This fantastic light is in 90% original condition with some light poli...

Incredible vintage regency metal and glass floor lamp. Features three glass tulip lamp shades on three gold stems.

A gold, vintage Mid-Century modern Italian floor lamp made of hand crafted polished brass with its original light switch, designed by Angelo Lelii and produced by Arredoluce in good ...

Unique and great design, antique bronze oil lamp with angel sculptures, by one of Europe's finest. There is a reason why the late 19th and the early...

A genuine design gem, sparkling and precious like a bracelet, the Caboche floor lamp has a metal base with a circular design that reflects the shape of the diffuser. To add a touch o...

Vintage French bronze floor lamp designed and manufactured in France circa 1900s. This fantastic floor lamp features a solid bronze frame with a unique leaf design surrounding the li...

A Pair of unique tall Hollywood Regency French Patinated bronze and gilt bronze circular form floor lamps of great detail embellished with neoclassical motifs and further adorned wit...

A slender floor lamp handcrafted in plaster. A cast bronze base and a linen shade complete the light. The light has one medium based bulb with a three-way socket.

Inspiration for this floor lamp is taken from “The Century Building” Lobby in New York. This collection is crafted from vertical rounded linear bronze f...

Karl Springer style modern style up light table or floor lamp made in bronze with dark satin finish, with the light source angled up towards the ceiling. The piece was created in the...

Daphine Terra Gold Daphine and Flo, two of our most important icons, are now enriched with a new special semi-gloss brushed “yellow Gold” finish, which lends them uniqueness and pres...

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

Flo Floor Gold Daphine and Flo, two of our most important icons, are now enriched with a new special semi-gloss brushed “yellow Gold” finish, which lends them uniqueness and prestig...

Unusual design with a " magnifier " enhancement. The lamp is fashioned with a brass filigree and mica shade. The bronze stem of the lamp is appointed with lion figures.

Very rare beautiful original 1960s large metal wire floor lamp. Great very elegant Space Age design. Made in Germany. The frame is anodized in gold color and steplessly height-adjust...

Height without/with lampshade : 168/185 cm (66,1 / 72,8 in.) ; Base : 43 x 43 cm (16,9 x 16,9 in.) Beautiful pair of neo-Greek floor lamps in bronze with double patina, composed of cylindrical lamps, decorated on the body with a rotating frieze representing women dressed in the Antique style weaving and spinning, surmounted by lampshades with cut sides in red pleated silk with golden braid. They are placed on pedestals from which hang thin chains attached to the slender shaft decorated with stylized leaves and flowers, resting on a tripod base decorated with large palmettes and ending in lion’s paws. The stylistic repertoire used here, composed in particular of palmettes, masks, and nymphs, evokes Greek Antiquity, as does the reuse of forms of furniture and objects such as tripods and antique vases. The rediscovery in the 18th century of the archaeological remains of Pompeii and Herculaneum allowed artists of all disciplines to draw inspiration from Antiquity while reinterpreting it. This trend did not fade and, in the 19th century, many personalities fitted out their interiors with neo-Greek furniture, as was the case for the Maison Pompéienne built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoleon, or Empress Eugénie who bought from the Maison Barbedienne pedestals inspired by antique tripods. Related work : Pedestal model presented by Maison Barbedienne at the Universal Exhibition in Paris in 1855. On this occasion, Empress Eugénie bought it for her bathroom in the Château de Saint-Cloud. This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoir in the palaces of Compiègne and Fontainebleau. (see photo attached) Photo showing a floor lamp similar to ours in Empress Eugénie’s bedroom in the Château de Compiègne (Oise), in Architecture intérieure et Décoration en France des...

Combining the highest quality materials, the Lotus Standing Light boasts a harmonious blend of ABS polymer and electro-plated bronze for each of the 25 leaves, infusing it with a lux...

A very elegant gilt bronze Maison Bagues style uplighter. The shallow brass dish mounted with gilt bronze leaf decoration. The slender palmette stem cast and chased sitting on a cir...

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

Tiffany Studios of New York bronze floor lamp, circa early 20th century. Original domed bronze shade with decorative border over a single socket. Signed on base as shown. Immaculat...

1920s Arts Deco Bronze & Stone Floor Lamp Country: United States Materials: Bronze, New Custom Linen Shade Condition: Newly Rewired Style: Art...

A gold-black, vintage Mid-Century modern Swedish floor lamp made of hand crafted iron and polished brass, designed by Josef Frank and produced by Svenskt Tenn in good condition. The ...

Nizwa mixed clay floor lamp resting on a circular bronze base. Barracuda edition, made in Portugal.

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

Superb quality Maison Bagués bronze floor lamp France , circa 1950. Wire For US use. One Socket, 100watts Max Bulb or 13 watts LED....

Pair of large candelabras in the Gothic style, in painted bronze ("tree" part) and iron (base) The upper part is decorated with flowers and foliage, 7 lights with painted sheaths, a...

Wow - stunning pair of giant Italian bronze candelabras stand in at ten feet tall - 304 CM over three metres! Glorious polychrome finish to...

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

A highly important pair of large patinated bronze figural torcheres by Émile Guillemin, cast by Ferdinand Barbedienne. French, dated 1872. Barbedienne Title: 'Deux Femmes, Indi...

Mid-century bamboo look floor lamp on 3 legs by Maison Baguès. The bamboo look brass trunk forms the base of the lamp and tapers off at the bottom to 3 curved foot ends. Light-footed designed object with a naturalistic touch. The straight shade made of 100% raffia material has a natural and rustic texture which perfectly matches the bamboo base. The shade is laminated on beige foil and is edged with a natural ribbon. 3 sockets make it possible that the lamp can give a lot of light. Maison Baguès Since its establishment in 1860, the Maison Baguès has been an emblem of French sophistication in luxury lighting design. Each piece the firm makes is hand-assembled using traditional techniques in order to emphasize the elegance and excellence of their detailed artisanal work. Still the epitome of savoir-faire, Maison Baguès’ luxurious pieces are prized for their craftsmanship, beauty and harmony. The master metalsmith Noël Baguès founded the company as specialists in liturgical bronzes, but by 1880 the company had expanded into the production of bronze light fixtures in response to the development of electrical lighting. Carried on by Noël’s son Eugène and grandsons Victor and Robert, Maison Baguès continued to progress, adding intricately detailed iron lighting collections in the 1920s as well as stair banisters, gates and accessory tables...

Modern bronze floor lamp in the style of Giacometti. Circa 1980s. This modern designed floor lamp has a beautiful dark patina, two soc...

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

Trunk-form stem with colored hardstones on a circular base.

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

This absolutely stunning Bronze floor lamp was designed in the style of preeminent Modernist sculptor Alfred Giacometti. It is constructed in a dark brown patinated bronze, showcasin...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Bronze neoclassical tripod floor lamp by André Arbus. Lion feet decor. Height can be adjusted from 45" to 60". In good vintage condition. European socket and wiring (price includes ...

A green, vintage Art Deco Italian pair of large floor lamps made of handcrafted bronze with a twisted shaft and broad dish, in good condition. The detailed lighting is resting on sty...

Pair of Oversized palatial size torchères made of bronze silver-plate bases and alabaster lamp shades. Made in Italy, c. 1900's. *Size reference photo is from a 5'6" person standing...