Painted Floor Lamps

A Pair of Continental Green and Parcel Gilt Decorated Floor Lamps Measures 9" in width, 9" in depth and 57" in height.

Parliament floor lamp by Le Corbusier. Current production manufactured in France by Nemo Lighting. Painted aluminum. Wired for U.S. standards. Sh...

"Ibiza" is a standing floor lamp, designed by Jaume Tresserra and manufactured by Dessie', featuring a structure in charcoal gray colored steel, a lamp...

Illuminate your space with this Antique Turned Wooden Floor Lamp, a unique piece of lighting that marries functionality with artistic beauty. ...

Sculptural wrought iron and flower motif tole floor lamp made in Italy in the 50s . Solid well made construction. Weight 25 pounds. Rotating on/off switch on top of fixture . C...

Tall ceramic table / floor lamp, showing striking illustration depicting late 15th- early 16th century Latin America with Christopher Columbus "Santa Maria" and Azteks and Spanish Conquistadors.

Take a look at this work of art created by a master craftsman, which is hard to find anywhere else in this world in terms of quality and design. Mobach stands for quality, design and...

A circa 1920's English painted and lacquered floor lamp. Measurements: Height of body: 54" Height to shade rest: 64" Diameter:  14" (base).

Floor lamp designed by STD for Luci. Designed and published probably in the late 70s or early 80s. White painted body. Shade is made of plastic and stainless. Shade can tilt upward...

A most magnificent Mid-Century Modern sculptural and layered Martz ceramic floor lamp with walnut shelf and base. Hand carved multidimensional glazed rings of hand painted brown and white hues give the floor lamp a sense of movement - like moving rings...

This five light, antique French cast iron torchere has been painted deep green with gold colored bands around the motifs. The motifs are trefoils, ...

Style of Tony Paul Rattan Fish Trap Lamp with Ball Feet, ca 1960s Rattan or possibly bamboo fish trap basket shade woven on a wrought iron frame with...

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maje...

Flos Luminator Floor Lamp in Yellow with Iron and Metal Frame by Achille and Pier Giacomo Castiglioni Floor lamp providing indirect light. Bulb with ...

"Equatore" is a table lamp, designed by Gabriele & Oscar Buratti and manufactured by Fontana Arte, made in glass and metal and is part of a collection including table, floor and ceil...

Engineered for impact, this steampunk floor lamp is a fusion of rugged industrial design and precision craftsmanship. At its core is a vintage stainless steel and brass Japanese Fox...

A large ceramic table or floor lamp designed and produced in Denmark in the 1960's. Clean lines and organic design from the Scandinavian Modern period, with a generous ball shape bod...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 002 features a rice-paper shade constructed from a vintage souvenir parasol handed out at the 1962 World's Fair in Seattle. It sits atop a lacquered bamboo column with a hand-painted, rattan-and-leather handle, and a painted coiled-seagrass base. Brass fittings, tan leather accents, and a cloth-covered cord complete the modernist profile. Limited edition of 3. One in stock and ready to ship. Handmade in New York by artist Christopher Tennant...

Exceptional and elegant three-flamed Mid-Century Modern floor lamp. Manufactured probably in France, 1950s. Executed in dark green enameled wrought iron and brass, the lamp needs ...

Fabulous adjustable double headed floor lamp from Lightolier by Gerald Thurston c1958. Brass with painted black pole shaft and base. In e...

Here you are shown the EU wired, Terminus floor lamp with Structure in painted sheet steel. One bulb 12V, 50W., designed in 1981, by Martine Bedin. Martine Bedin is an industrial...

- Vintage theatre spotlight on wooden tripod made during the 1960s - Adjustable height and angle - Black metal body - Clear magnifying glass - Dimensions of the lamp: 21 x 21 cm,...

Editions Serge Mouille 'Lampadaire 3 Bras Pivotants' floor lamp. Originally designed in 1952, this iconic lamp is still made by Editions Serge Mouille in France using many of the sam...

Fabulous and a beautiful torchiere floor lamp by Gerald Thuston for Lightolier. Glass dish rests on a brass plate supported by three rods which are conne...

Classic 1970s Space Age double eye-ball chrome floor lamp by LITE BEAMS, very reminiscent of the classic lighting designs by Robert Sonneman, Larger chrome sphere up light, smaller s...

J.T.Kalmar floor lamp vienna around 1950s The shade is replaced ( new ) Metal withe painted Brass polished and stove enameled

Introducing the Ligurian Summer Collection, a sophisticated family of handmade fixtures in natural sea shell, coiled leather, marble, and bamboo, inspired by the faded splendor of th...

A very cool industrial architectural floor lamp by Louis Baldinger, circa 1980s. The piece is in good vintage condition and made of green painted sheet metal with brass accents and bars. The lamp is fully articulated at lamp hood and center of stem and measures 19" to 28"W x 8.5"D x 47" to 59"H. We also have a matching desk lamp available under a seperate listing. #2190 Louis Baldinger was an immigrant brass turner, who founded the company that bears his name in 1893. The company operated out of a small storefront plant in the historic Williamsburg section of old Brooklyn and specialized in creating and manufacturing beautiful decorative gas lighting fixtures. Deliveries were made to customers literally by horse-drawn wagon, throughout New York's cobblestone streets. In 1955, Daniel Baldinger, grandson of the company's founder, became president of the family business. The company grew tremendously and expanded into new markets during the latter part of the twentieth century. In 1985, Daniel's son Howard joined the company to become the fourth generation Baldinger in the business. Under Daniel Baldinger's leadership, the company solidified its position as a world-class manufacturer of high quality decorative lighting fixtures, with residential and corporate clients worldwide. He relocated and expanded the company's manufacturing plant to the Astoria section of Queens, where it has employed generations of highly skilled immigrant metal workers. One hallmark of Mr. Baldinger's efforts began in 1982 when architect Michael Graves chose Louis Baldinger & Sons as the manufacturer of the custom designed lighting fixtures for his seminal, Post-Modern Humana Building in Louisville, Kentucky. In 1986, with the project complete, the public and design-community response to the building and its lighting led Daniel Baldinger to found Baldinger Architectural Lighting, Inc., a wholly owned subsidiary of Louis Baldinger & Sons, Inc. Baldinger Architectural Lighting, Inc. provides high quality, American made lighting fixtures designed by some of the world's most respected architects and designers. The company's first standard product release was its pace-setting Michael Graves Collection of wall sconces and ceiling fixtures. Since its inception in 1986, Baldinger Architectural Lighting, Inc. has gone on to launch a selection of lighting fixtures designed by the most prominent architects and designers in the world such as Michael Graves, Andree Putman, Richard Meier, Kevin Walz...

A very functional mid-century style floor lamp by Cosulich Interiors & Antiques, entirely hand-crafted in Italy and customizable to your own request in sizes, number of lights, finis...

Vico Magistretti 'Claritas' floor lamp for Nemo. 'Claritas' is the first lamp designed by Vico Magistretti and produced with Mario Tedeschi in 1946. Cl...

Floor lamp in porcelain from the Firefly collection, inspired by the fascinating light emitted by fireflies on warm summer nights. This is how this series of original lighting design...

Ignazio Gardella 'Alzabile' Floor Lamp in Brass and Black Marble for Tato Italia. Ignazio Gardella was one of the leading figures in Italian twentieth-century architecture. A gradua...

A pair of 1960's Italian iron torchiere lamps with painted finish and three interior lights. Measurements: Height: 76" Diameter at widest: 17" (Top) Diameter base: 13" (Base)

Simple but elegant and rare pole lamp. Twin pods connected by bent smoked Lucite panels with a three-way switch. Floor to ceiling extension pole fits snugly in any room with a 8ft. c...

The One reading floor lamp, designed by Stephan Lebrun, is a perfect blend of modern design and practical functionality. This elegant floor lamp features a sleek, minimalist silhouet...

Tube floor lamp midcentury, Italy, circa 1965 Interesting tubular floor lamp from a single bent steel tube. Heavy quality piece measuring 31.5” in h...

Absolutely gorgeous hand painted tilt top oval accent table. Amazing hand painted flowers with great details. Versatile use, cocktail table, tea tabl...

Exceptional French Neo-Classical Floor Lamp, 1880s Softwood, painted and gilded. Solid wood, stained and finished with Neo-Classical accents. Three-bulb socket with shade. Electrif...

Editions Serge Mouille 'Lampadaire Droit' floor lamp in white. Originally designed in 1953, this iconic lamp is still made by Editions Serge Mouille i...

Superb character Art Deco period ceiling light circa 1920. Ideal for multiple rooms around the home but especially the kitchen.  Elegant copper shape, with single bulb holder.  Susp...

Richly carved and polychromed antique Venetian floor lamp Anonymous Probably Venice, Italy; ca. 1900 Painted and giltwood Approximate size: 56.7...

Here you are shown the EU wired, oceanic table lamp made in metal and glass, designed in 1981, by Michele De Lucchi. US version 110v also available ...

Fabulous style in a Triennial Floor Lamp. Three beautiful colored shades, all original with some normal paint loss on edges , pictured. 32 x 29 at...

Oracolo floor lamp with a cilindical basement in brown lacquered metal with a pierced stainless steel section, and a blown glass diffuser. This lamp was designed by Gae Aulenti in ...

Florentine gilded metal floor lamp with colored glass chalice-shaped shades. Hans Kögl style 1970s This rare lamp features 4 light points and has 11...

Editions Serge Mouille 'Lampadaire Droit' floor lamp in black. Originally designed in 1953, this iconic lamp is still made by Editions Serge Mouille i...

Flos Luminator Floor Lamp in Light Blue with Iron and Metal Frame by Achille and Pier Giacomo Castiglioni Floor lamp providing indirect light. Bulb w...

This halogen 333 "DIM" floor lamp was dasigned by Vico Magistretti in the 1975 for Oluce. The chrome plated stem hold an adjustable reflector: this body light can be moved long its t...

Axolight Float Floor Lamp in White Aluminum and Steel by Mario Alessiani From the ingenuity of Axolight and the creativity of the designer Mario Ales...

This small adjustable reading lamp, designed and manufactured by Stilux in Italy during the 1960s, is a superb example of mid-century modern design. The lamp features a round Carrara...

With its monolithic stature and softly tapered silhouette, the Rachel floor lamp is a modern assemblage of form and whimsy. Handcrafted in our Georgia, US studio, the lamp is constru...

"Lucy" floor lamp in brass and metal by Alvaro Benitez. Hand-fabricated by Los Angeles based designer and lighting professional Alvaro Benitez, this UL listed and highly refined floor lamp is reminiscent of the iconic mid-century Italian designs of Arteluce and Stilnovo...

Christian Dell 'Kaiser Idell 6556-F' Floor Lamp for Fritz Hansen in Matte Black. Established in 1872, Fritz Hansen has become synonymous with legen...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Flos Luminator Floor Lamp in Red with Iron and Metal Frame by Achille and Pier Giacomo Castiglioni Floor lamp providing indirect light. Bulb with ref...

GamFratesi Black 'Yuh' Brass and Marble Floor Lamp for Louis Poulsen Designed in 2017 by the Danish-Italian duo Stine Gam and Enrico Fratesi, the 'Yuh' floor lamp is inspired by the...

Splendid Paolo Buffa floor lamp beautifully decorated with birds and flowers on a cream background with a chinoiserie feel. Classic flat brass three legs.

Pierre Guariche 'G21' floor lamp for Sammode Studio in white. Originally designed by Pierre Guariche in 1951, this iconic floor lamp is newly produced in an authorized re-edition b...

Beautiful large hand decorated ceramic floor lamp. Rich details such as the fine antelope on the front and flower motifs on the backside, realized in sgraffito technique. Designed by Marian Zawadzki, model "Oryx" for Tilgmans Ceramic in Sweden. Dated 1960 Signed here by. This pleasing vintage lamp will complement many interior styles. A Modern, Scandinavian, Classic or an Art deco home decor.

"Equatore" is a floor lamp, designed by Gabriele & Oscar Buratti and manufactured by FontanaArte, made in glass and metal and is part of a collection including table, floor and ceili...