Painted Floor Lamps

Rare Floor Lamp by Stilnovo. Designed and manufactured in Italy, circa 1950's. Patinated brass, enameled metal. U.S. plug. Pivoting/adjustable stem fro...

Here you are shown the US wired, Terminus floor lamp with Structure in painted sheet steel. One bulb 12V, 50W., designed in 1981, by Martine Bedin. Martine Bedin is an industrial d...

Axolight Float Floor Lamp in Blue Aluminum and Steel by Mario Alessiani From the ingenuity of Axolight and the creativity of the designer Mario Aless...

Exceptional French 1940s wrought iron candelabra in the style of Gilbert Poillerat. Can be used as is or turned into a chic floor lamp.

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 002 features a rice-paper shade constructed from a vintage souvenir parasol handed out at the 1962 World's Fair in Seattle. It sits atop a lacquered bamboo column with a hand-painted, rattan-and-leather handle, and a painted coiled-seagrass base. Brass fittings, tan leather accents, and a cloth-covered cord complete the modernist profile. Limited edition of 3. One in stock and ready to ship. Handmade in New York by artist Christopher Tennant...

Pair of large and impressive bronze, marble and composition Louis XVI style six light painted and gilt torchères. Electrified. Bronze and composition mounted on Sienna marble bases.  

Off-white lacquer uplight torchiere with foliate form top. The paint finish shows cosmetic wear, as shown. Measures: Top 23" diameter, base 18" diameter.

The One reading floor lamp, designed by Stephan Lebrun, is a perfect blend of modern design and practical functionality. This elegant floor lamp features a sleek, minimalist silhouet...

Developed in partnership with Cristaleria Nacional, the Lore lamp is crafted from solid jequitibá wood and features glass lenses from the 1950s that were once used in traffic signals...

The Ballroom Floor lamp is like a chameleon that will fit into every room and environment. This lamp is very stylish with the colored mouth blown glass dome and elegant base. The li...

Fantastic brass floor lamp with 3 canister lights all equipped for individual and simultaneous use. Either 1, 2 or all3 lights together. Brass housing with a iron base for stability,...

Three-light space age floor lamp in the style of the Italian productions by Stilnovo in the 1970s. The base and shaft are in white lacquered metal, with brass rings, and there is a s...

Rare minimalist floor lamp model 1086 designed by Gino Sarfatti and manufactured by Arteluce, Milano 1961. This is the floor lamp version of a series of lights that Sarfatti designed...

Danish Art Deco floor lamp from the 1930s made of chromium-plated metal and lamp foot of wood with black lacquer. The floor lamp is provide...

A smart black metal based floor lamp with X framed base. Sold with bespoke shade and rewired.

Oracolo floor lamp with a cilindical basement in brown lacquered metal with a pierced stainless steel section, and a blown glass diffuser. This lamp was designed by Gae Aulenti in ...

This antique torchiere floor lamp is unsigned, but presumed to have originated from the United States and date to approximately 1920 and ...

Tall ceramic table / floor lamp, showing striking illustration depicting late 15th- early 16th century Latin America with Christopher Columbus "Santa Maria" and Azteks and Spanish Conquistadors.

Ignazio Gardella 'Alzabile' Floor Lamp in Brass and Black Marble for Tato Italia. Ignazio Gardella was one of the leading figures in Italian twentieth-century architecture. A gradua...

Louis Weisdorf 'Multi-Lite' Floor Lamp in Chrome for GUBI Designed in 1972 by Weisdorf, this is an authorized re-edition by GUBI of Denmark who meticulously reproduces his work with...

The black painted and gilt metal neoclassical floor lamp has elements of a classical column with a Corinthian capital and secondary base. In between is a black shaft. All rests on a ...

Fabulous and a beautiful torchiere floor lamp by Gerald Thuston for Lightolier. Glass dish rests on a brass plate supported by three rods which are conne...

Superb character Art Deco period ceiling light circa 1920. Ideal for multiple rooms around the home but especially the kitchen.  Elegant copper shape, with single bulb holder.  Susp...

Editions Serge Mouille 'Lampadaire Droit' floor lamp in white. Originally designed in 1953, this iconic lamp is still made by Editions Serge Mouille i...

Introducing the Ligurian Summer Collection, a sophisticated family of handmade fixtures in natural sea shell, coiled leather, marble, and bamboo, inspired by the faded splendor of th...

Gilt Faux Bamboo Floor Lamp in the Hollywood Regency Style. Made of metal and wood. 48" to top of socket. Good overall condition with some wear to finish from age and use. Newly rewi...

Pair of French Mid-Century Modern bronze floor torchiere lamps. A pair of spectacular solid bronze floor lamps. Each having painted column form ...

Tronconi white and chrome Italian Mid-Century Modern floor lamp. A rare piece of Italian design, this 'TOTEM' floor lamp, designed by Enrico Tronconi and manufactured by Tronconi ha...

Florentine gilded metal floor lamp with colored glass chalice-shaped shades. Hans Kögl style 1970s This rare lamp features 4 light points and has 11...

A very lovely Chinoiserie floor lamp in turned and polychromed wood with ebonized (black) background & hand-painted in gold depicting figure in landscape with flowers and fern leaves. England, dated 1932 (appears on small dedication plaque). Newly electrified, with new cream-colored shade and antique brass finial...

Pair of Maison Jansen floor lamp with three lights, two patinas gun metal and brass. Three bulbs 100w each. US wired and in working condition. Shade: 17" diameter base, 8.5" H, 13...

"Ibiza" is a standing floor lamp, designed by Jaume Tresserra and manufactured by Dessie', featuring a structure in charcoal gray colored steel, a lamp...

Early 20th-century Italian carved wooden floor lamp with dolphins. Impressive early 20th century Italian Grotto style wooden floor lamp with carved and in green and golden tones painted meandering grapes and vine leaves. This polychrome antique floor lamp rests upon three large dolphins...

Fabulous adjustable double headed floor lamp from Lightolier by Gerald Thurston c1958. Brass with painted black pole shaft and base. In e...

The Horst Collection is inspired by the life and times of pioneering early 20th century lensman Horst P. Horst, who is credited with introducing color photography to a mass audience ...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

1950s Italian floor lamp with two adjustable brass arms and enamel painted shades that swivel to aim light where needed. The disc-shaped reflector at the top measures 19" in diameter...

A decorative Italian 18th century Baroque period floor-standing torchière lamp. Wood carved rich in details and painted in green, giltwood an...

Christian Dell 'Kaiser Idell 6556-F' Floor Lamp for Fritz Hansen in Matte Black. Established in 1872, Fritz Hansen has become synonymous with legen...

Richly carved and polychromed antique Venetian floor lamp Anonymous Probably Venice, Italy; ca. 1900 Painted and giltwood Approximate size: 56.7...

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maje...

Painted Wrought Iron Flowers Italian Mid Century Modern Side Table Floor Lamp MINT

Engineered for impact, this steampunk floor lamp is a fusion of rugged industrial design and precision craftsmanship. At its core is a vintage stainless steel and brass Japanese Fox...

Silver plate and elegant design meet in this floor lamp. A vintage Art Nouveau style silver plated and mirrored torchiere floor lamp with graceful touches at the base--acanthus leave...

- Vintage theatre spotlight on wooden tripod made during the 1960s - Adjustable height and angle - Black metal body - Clear magnifying glass - Dimensions of the lamp: 21 x 21 cm,...

Pierre Guariche 'G21' floor lamp for Sammode Studio in black. Originally designed by Pierre Guariche in 1951, this iconic floor lamp is newly produced in an authorized re-edition b...

Hozcal Lamp by Merve Kahraman Hand-blown and hand-painted glass, light or dark wood options available. 16" W x 16" D x 73" H “The Hozkal Floor Lamp” is a striking, checkered glass...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at ...

Antique French Neoclassical Tole floor lamp & original Tole shade in an ivory colour, dating from around the 1900-1920 period, all in good original con...

A vintage Mid-Century French pair of spotlights made of hand crafted painted metal, in good condition. The detailed Parisian cinema floor studio lamps are composed with a customizabl...

Large Menorah style candelabra made of metal chain link, painted gold, with seven branches. Raised on a tripod base ending in star-shaped feet.

Flos Luminator Floor Lamp in Yellow with Iron and Metal Frame by Achille and Pier Giacomo Castiglioni Floor lamp providing indirect light. Bulb with ...

Flos Luminator Floor Lamp in Anthracite with Iron and Metal Frame by Achille and Pier Giacomo Castiglioni Floor lamp providing indirect light. Bulb w...

Mid-Century Modern, orange enameled, extending floor standing or reading lamp with original shade extending to 66 inches - Elegant pared down form amalgamating three materials, me...

J.T.Kalmar floor lamp vienna around 1950s The shade is replaced ( new ) Metal withe painted Brass polished and stove enameled

GamFratesi White 'Yuh' Brass and Marble Floor Lamp for Louis Poulsen Designed in 2017 by the Danish-Italian duo Stine Gam and Enrico Fratesi, the 'Yuh' floor lamp is inspired by the...

Large scale white tole palm tree floor lamp, style of Serge Roche, fitted with six 30" long interchangeable palm fronds on a 17.5" diameter circular base. New wiring Consisting of t...

This signature contemporary floor lamp Astar defines uniqueness, movement and grace. It is composed by 3 different pieces: 1) A double shade of brushed brass and painted iron placed ...