Painted Floor Lamps

Engineered for impact, this steampunk floor lamp is a fusion of rugged industrial design and precision craftsmanship. At its core is a vintage stainless steel and brass Japanese Fox...

A smart black metal based floor lamp with X framed base. Sold with bespoke shade and rewired.

Exceptional French 1940s wrought iron candelabra in the style of Gilbert Poillerat. Can be used as is or turned into a chic floor lamp.

Richly carved and polychromed antique Venetian floor lamp Anonymous Probably Venice, Italy; ca. 1900 Painted and giltwood Approximate size: 56.7...

A circa 1920's English painted and lacquered floor lamp. Measurements: Height of body: 54" Height to shade rest: 64" Diameter:  14" (base).

Gilt Faux Bamboo Floor Lamp in the Hollywood Regency Style. Made of metal and wood. 48" to top of socket. Good overall condition with some wear to finish from age and use. Newly rewi...

Fabulous Gerald Thurston design and interpretation of the triennial floor lamp in brown tones with brass accents. Completely maneuverable to accent any lighting position desired. In ...

Matt white toleware floor lamp with soft pink flower heads Hans Kögl, 1970's /80's Stunning large statement floor lamp the light has five tall ste...

Verner Panton 'Panthella' floor lamp for Louis Poulsen. The Panthella Collection was designed by Verner Panton in 1971 and remains one of his most popular fixture designs. Panton d...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Silver plate and elegant design meet in this floor lamp. A vintage Art Nouveau style silver plated and mirrored torchiere floor lamp with graceful touches at the base--acanthus leave...

Fully adjustable reading lamp in bronze enamel by Robert Sonneman for Kovacs. In excellent vintage condition with minimal wear. Lamp extends from 45 inches to 58 in height. This item...

Traffic Light Walk Don't Walk Yellow from New-York, pedestrian traffic light in forged iron, yellow painted. With orange round traffic light, orange "d...

A vintage Mid-Century French pair of spotlights made of hand crafted painted metal, in good condition. The detailed Parisian cinema floor studio lamps are composed with a customizabl...

Model No. 014 is a one-of-a-kind art lamp featuring a vintage rice-paper shade constructed from an exceedingly rare 1919 French parasol advertising a lin...

A Mid-Century Crackle Painted Swing and Extension Arm Floor Lamp Measures 22" in width( with arm fully extended), 11" in depth and 53" in height. Base is 12" in diameter.  

Fabulous set of two vintage urn torchiere lamps made from a heavy cast iron and painted white. Very good vintage condition with no rust or major imperfections. Tested and working.

Editions Serge Mouille 'Lampadaire Droit' floor lamp in white. Originally designed in 1953, this iconic lamp is still made by Editions Serge Mouille i...

Rare minimalist floor lamp model 1086 designed by Gino Sarfatti and manufactured by Arteluce, Milano 1961. This is the floor lamp version of a series of lights that Sarfatti designed...

Mid-Century Modern, orange enameled, extending floor standing or reading lamp with original shade extending to 66 inches - Elegant pared down form amalgamating three materials, me...

Blossom Pink and Golden Luster Floor Lamp (US) Details: Insurance included: No Height (in): 66.929 Width (in): 18.504 Length (in): 18.504 Finished: Gloss and gold lustre Wireless: ...

Ignazio Gardella 'Alzabile' Floor Lamp in Brass & Black Marble & Manganese Shade Ignazio Gardella was one of the leading figures in Italian twentieth-century architecture. A graduat...

Danish Art Deco floor lamp from the 1930s made of chromium-plated metal and lamp foot of wood with black lacquer. The floor lamp is provide...

Pair of large and impressive bronze, marble and composition Louis XVI style six light painted and gilt torchères. Electrified. Bronze and composition mounted on Sienna marble bases.  

Sare Lamp by Merve Kahraman White, black, and pink marble, milk glass and hand painted glass, and polyurethane ruff finished in pearl paint and polished chrome. 21" W x 21" D x 72"...

The elegant glossy red up-lighter is made of glossy red painted aluminum and rests on a cast iron base. It projects a strong light on the ceiling and radiates with its timeless outer...

Oracolo floor lamp with a cilindical basement in brown lacquered metal with a pierced stainless steel section, and a blown glass diffuser. This lamp was designed by Gae Aulenti in ...

Petite 'KOKO' floor lamp in opaline glass & brass by Alvaro Benitez. Hand-fabricated by Los Angeles based designer and lighting professional Alvaro Benitez, this UL listed and high...

Style of Tony Paul Rattan Fish Trap Lamp with Ball Feet, ca 1960s Rattan or possibly bamboo fish trap basket shade woven on a wrought iron frame with...

'Dorica' floor lamp in metal, natural cotton shade and leather for Santa & Cole Founded in 1985 in Barcelona, Santa & Cole produces iconic pieces by such luminaries as llmari Tapiov...

An early example (circa 1967, Denmark) of Per Iversen's 'Combi' Lamp for Louis Poulsen (model #28917). Composed of an all original black painted-metal stem, top cap, and base with re...

Classic Art Deco / Machine Age triple cone aluminum & chrome torchere's. All electrical tested and working. One replaced on/off switch. One of the best examples I have ever owned. Ag...

Beautiful large hand decorated ceramic floor lamp. Rich details such as the fine antelope on the front and flower motifs on the backside, realized in sgraffito technique. Designed by Marian Zawadzki, model "Oryx" for Tilgmans Ceramic in Sweden. Dated 1960 Signed here by. This pleasing vintage lamp will complement many interior styles. A Modern, Scandinavian, Classic or an Art deco home decor.

Excellent example of iron craftsmanship. Great details. Wood neck painted in a faint pink. Rewired to US standards. Shade not included. Second lamp to create a pair is availabl...

Rare painted iron standing floor lamp made to burn oil but converted to electricity. Nice lines and detail with upturned feet, scroll work and finial at top. See measurements below.

Off-white lacquer uplight torchiere with foliate form top. The paint finish shows cosmetic wear, as shown. Measures: Top 23" diameter, base 18" diameter.

Early 20th-century Italian carved wooden floor lamp with dolphins. Impressive early 20th century Italian Grotto style wooden floor lamp with carved and in green and golden tones painted meandering grapes and vine leaves. This polychrome antique floor lamp rests upon three large dolphins...

Antique French Neoclassical Tole floor lamp & original Tole shade in an ivory colour, dating from around the 1900-1920 period, all in good original con...

Developed in partnership with Cristaleria Nacional, the Lore lamp is crafted from solid jequitibá wood and features glass lenses from the 1950s that were once used in traffic signals...

Here you are shown the US wired, Terminus floor lamp with Structure in painted sheet steel. One bulb 12V, 50W., designed in 1981, by Martine Bedin. Martine Bedin is an industrial d...

Floor lamp designed by King and Miranda for Arteluce. Designed and published in the 80s. Black painted base and pole. Shade is made of pattern painted glass. This lamp comes with tw...

Pierre Guariche 'G21' floor lamp for Sammode Studio in black. Originally designed by Pierre Guariche in 1951, this iconic floor lamp is newly produced in an authorized re-edition b...

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maje...

Editions Serge Mouille 'Lampadaire Droit' floor lamp in black. Originally designed in 1953, this iconic lamp is still made by Editions Serge Mouille i...

Large Menorah style candelabra made of metal chain link, painted gold, with seven branches. Raised on a tripod base ending in star-shaped feet.

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 002 features a rice-paper shade constructed from a vintage souvenir parasol handed out at the 1962 World's Fair in Seattle. It sits atop a lacquered bamboo column with a hand-painted, rattan-and-leather handle, and a painted coiled-seagrass base. Brass fittings, tan leather accents, and a cloth-covered cord complete the modernist profile. Limited edition of 3. One in stock and ready to ship. Handmade in New York by artist Christopher Tennant...

A single circa 1920's Italian carved wood floor lamp with painted silver finish. Measurements: Height of body: 50.25" Diameter of base: 10"

Description: Clean, simple lines describe the elegance of this Serge Mouille floor lamp. A long, slender arm supported by a tapered triangular base allows the swiveling shade to illu...

A magnificent pair of antique Athenian Neoclassical style scrolled iron faux candlestick torchères - floor standing lamps. Each with single light mounted over large oversized faux c...

Tony Paul Black Wrought Iron and Black Wire Side Table and Floor Lamp. Featuring a Black Wrought Iron stem, round rimmed Black enameled wire surface on balanced tripod hairpin legs. ...

Flos Luminator Floor Lamp in Anthracite with Iron and Metal Frame by Achille and Pier Giacomo Castiglioni Floor lamp providing indirect light. Bulb w...

The Tube T table or floor lamp, designed by Belgian interior architect and designer Christophe Gevers, showcases his exceptional ability to combine form and function. Renowned for hi...

Here you are shown the EU wired, oceanic table lamp made in metal and glass, designed in 1981, by Michele De Lucchi. US version 110v also available ...

Antique Italian Wood Carved Baroque Style Torchiere Two Light Floor Lamp. Early 20th century hand carved and turned Baroque style two light electrified torchiere. The turned body is...

Fabulous pair of Mid Century Modern Glass Mushroom floor lamps by the Laurel Lamp Co. C1965. Lamp bases have been resprayed satin white and r...

Introducing the Ligurian Summer Collection, a sophisticated family of handmade fixtures in natural sea shell, coiled leather, marble, and bamboo, inspired by the faded splendor of th...

Small Vilhelm Lauritzen 'VL Studio' Metal and Glass Table Lamp for Louis Poulsen This innovative lamp is based on Lauritzen's original studio wall lamp for Radiohuset, the headquart...

Floor lamp in porcelain from the Firefly collection, inspired by the fascinating light emitted by fireflies on warm summer nights. This is how this series of original lighting design...