Two Lamps Model Tree Light by Ron Arad for Zeus, Milano

Floor lamp designed by Renato Toso and produced by Leucos in 1980. Perfect conditions.  

An Arcangelo Metropolitano floor lamp, designed by Ugo La Pietra. in 2007, for Lumen Center, sculptural construction on a painted metal base, wings in transparent methacrylate hand-d...

Lamp vase Kostantin designed by Andrea Branzi and produced by Metea in 2008. Limited edition. Marked 5/12 Kostantin Ed. Metea.

"Simplicity is the most complicated thing in the world." Vico Magistretti Nemea is an "inverted lamp" that, as Magistretti said in an interview released to Modo in 1979, is perhaps ...

Design Lungoo Concrete base / pedestal / dimensions 60cmheight, diameter 15cm 3 blanc steel or iron tubes chemically blackened / 180 length, 3 lamps – 135 length , 3 lamps – 135 length, 2 lamps Total 8 dimmable, directional spotlights...

Design Lungoo Concrete base / pedestal / dimensions 60cmheight, diameter 15cm 3 blanc steel or iron tubes chemically blackened / 180 length, 3 lamps – 135 length , 3 lamps – 135 length, 2 lamps Total 8 dimmable, directional spotlights...

A pair of halogen floor lamps Duna designed by Mario Barbaglia and Marco Colombo for PAF Studio. Noticeable details of this early edition: The height of both lamps can vary between ...

Set of 2 the Grassing Giraffe lamp by Kilzi Dimensions: D 65 x W 210 x H 210 cm Materials: Stainless Steel. Dimensions may vary. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. In this project objects are often considered as or inspired in living organisms. This is why there is always space for variations in shape, sizes and positions. The “Giraffe” lamps are no exceptions and as a giraffe would, they are proposed in several sizes (yet to define production ones) and positions (standing and grassing). These variations give a sense of fluidity, of movement, lightness and life... Jorge Suárez-Kilzi was born in Venezuela to immigrant parents of Spanish and Syrian descent. His collection of works is signed under his mother’s last name, Kilzi, which is also often used to describe a person who works with plaster and chalk-unconsciously leading Jorge down a path he was destined for. The name has a link to a hard childhood in movement, to an immigrant background, to Latin American and its vernacular arts, to a sense of movement and evolution. As a grown man, the sensibilities of his childhood took him all the way to Japan, where worked as an architect in the offices of Sejima+Nishizawa Associated Architects/ SANAA and Junya Ishigami...