19th Century Victorian Era Gilt Bronze Mounted Mirror Wall Sconce Lamp

A stunning period Napoleon III (1852-1870) French hand carved, painted and gilded wall mirror by JB Paris. circa 1850s/early 1860s Born in France in the mid-19th century, exquisitely hand-crafted high-quality Parisian work, using elements from timeless and luxurious historical Louis XV Rocaille style, in typical Napoleon III Second Empire fashion ornamentation and decoration are the focal points. Exceptionally executed, this remarkable antique mirror features a blackened (black lacquered) wood frame with an abundance of exuberant curving shapes, dimensional openwork, leafy acanthus scroll flourish elements, and visually striking profusion of brilliant gold gilded decorative motifs. Surmounted by an ornate sculptural cascading urn scrolling crest bouquet pediment, over ebonized frame embellished with contrasting giltwood fruit, flowers and leaf carvings, bordered by stylized foliage relief running ornamentation, encasing large rectangular flat mirror plate, flanked by a pair of elongated beveled glass side panels embellished with artistic etched glass accents. Signed, the boarded back stamped black "JB Paris" within a circle. Dimensions; (approx) 47.25" High, 32" Wide, 41.5lbs Louis Napoleon Bonaparte (1808-1873) was Emperor of France from 1852 to 1870 under the name of Napoleon III. In a way, the artistic codes of the Napoleon III style — also called Second Empire style — were presented at the Exhibition of 1844, during the reign of Louis-Philippe d'Orléans. He was an important influence on architecture, interior furnishings and decoration throughout the rest of Europe and North America. The Napoleon III style (also known as Second Empire) stands as one of the most unique styles ever produced. The eclecticism of the Second Empire is reflected in the association of past tradition with the development of modernism. It was often referred to as a “style without style”. The Napoleon III ”style” was in fact more of a combination of different styles from past centuries adapted to the modern era in order to correspond to a time of dynamic, innovative transformation. It stands out because there is nothing within it that is unique to itself. Everything, including materials, forms reproduced, and ornamentation used, was borrowed from styles that preceded it. Instead of drawing their inspiration from a single period, the artists and decorators from the Second Empire drew indiscriminately, with joyful exuberance, from all sources. Even so, this style, which is so apparently lacking originality, carries on a recognizable personality and is easily identified. Provenance / Acquisition: Acquired from highly reputable antiques auction...

Add refined elegance, luxury, and sophistication to any space with this magnificent antique British Regency era Adam style carved giltwood wall mirror. circa 1800 Exquisitely hand c...

A most impressive, large scale, museum exhibition quality Baroque period Italian Catholic church cartaglorie altar card frame, now repurposed and fashioned as a stunning mirror. Bo...

A most impressive antique Italian Venetian Rococo carved painted parcel gilt wooden hall lantern. Hand carved in the Veneto region (Venice) of Northeast Italy in the 18th / possibly early 19th century, exceptionally executed in the highly ornate, whimsy, light, airy, dramatic splendor that is period late Baroque Rococo style, lavishly ornamented and elaborately sculpted, featuring a large triangular sculptural form enclosing later electrified three faux candle lights, showcasing the original pale pastel green ground adorned with whimsy hand painted polychrome flower motif and ornate giltwood carvings, with beautifully aged patina over the whole. circa 1740-1810 This very large lantern probably graced a sweeping hall or palatial entry of a Venetian aristocratic palazzo decorated with frescoed walls and ceilings, marble floors, surrounded by opulent artwork. Importance / History: For many centuries, the control of artificial light was an important status symbol for people living in most cultures and was an instantly understood sign of wealth and power. Beginning in the early 17th century, grand lanterns such as this were first created and hung in the entrance halls, foyers and/or vestibules of important mansions and manor houses of the aristocratic and affluent classes of Italy, France and Spain. Up until the early 20th century, the entrance hall was considered to be one of the most important spaces in any house. The main reason was that was the most public space in a house, and prior to phones or email, the space into which guests were admitted. Many, such as business people or important tradesmen, seldom went any further into the house. Therefore, that important entryway was designed and decorated with the intent of making the best impression on anyone who might enter it and to ensure they had the highest opinion of the residents of that house. Dimensions: (approx) 32" Tall, 16.75" Wide, 16.75" Deep Condition: Very good antique condition with highly desirable original warm rustic distressed chippy paint patina. Modern lighting and wiring. Lots of antique character and old world European charm, wear consistent with age and use, including scattered minor nicks, losses and exposed gesso adding to the sophisticated whimsical elegance, warmth, and rich antique opulence! Similar to a chandelier / hanging ceiling lamp / monumental pendant light...

Finely Carved and Detailed Gilt Gold Wall Mirror Sconce.

Victorian brass mirrored two candleholders sconce with 16 crystal drops.

Antique mirror wall sconce with integrated candelabras. This antique sconce is ideal for wall decoration and the look and feel is just wond...

Beautiful 19th century French bronze mirror candle sconce. Crown, knight helmet, French lily flower, "F" letter for France. Three candleholder. High quality. Mirror at the center.