Unique Neoclassical French Revolution Style Double Sconces, 1950s

Beautiful pair of French Mid-century Modern single arm Torc- sconces in the style of Maison Arlus, France 1950 in gilt brass, blackened wrought iron and white opaline. In a real go...

Pair of straw marquetry sconces, designed and entirely made by a talented French artist, using ancient technics of straw marquetry and innovating methods. Totally non flammable of co...

French Maison Bagues style bronze Neoclassical sconces. French Maison Bagues style bronze Neoclassical arrow sconces. These stunning French Empire s...

These pure white sconces sit upon torch like bases, illuminating the room in the fusion of classical and romantic forms, typical of the neoclassical period. Alabaster lighting was the first used electrical lighting in Europe, prized for its ability to softly diffuse light. As mentioned above, the Neo-Renaissance style was in reality an eclectic blending of past styles, which the architect selected on the whims of his patrons. In the true Renaissance era there was a division of labour between the architect, who designed the exterior highly visible shell, and others—the artisans—who decorated and arranged the interior. The original Italian mannerist house was a place for relaxation and entertaining, convenience and comfort of the interior being a priority; in the later Baroque designs, comfort and interior design were secondary to outward appearance. This was followed by the Neoclassical period, which gave importance to the proportions and dignity of interiors, but still lost the comfort and internal convenience of the mannerist period. It was during the Neo-Renaissance period of the 19th century that the mannerist comforts were re-discovered and taken a step further. Not only did the improved building techniques of the 1850s allow the glazing of formerly open loggias and arches with the newly invented sheets of plate glass, providing the first "picture windows", but also the blending of architectural styles allowed interiors and exteriors to be treated differently. It was at this time that the concept of "furnishing styles" manifested itself, allowing distinctions to be made between interior rooms...