19th Century Candelabra Table Lamp

This 19th century carved wooden capital has been mounted on plexiglas and bronze base.

Two large scale table lamps. Can also work as a floor lamp. Created from a pair of matching zinc roof finial from a French chateau which had to replace its roof. These architectural ...

Unique in design. This table lamp has a porcelain body direct from Limoge France. It is fitted with an LED Diode on the top which creates a glowing tip. With its organic design, the lights provide atmosphere lighting...

Unique in design. This table lamp has a porcelain body direct from Limoge France. It is fitted with an LED Diode on the top which creates a glowing tip. With its organic design, the lights provide atmosphere lighting...

Incredible ornate French brass candelabra table lamp, circa 19th C. The lamp was originally a candlestick, and was part of a three piece garniture set, it was later converted to use...

Unusual poly-chromed wooden figurative candleholders carved in Mexico in the late 18th to mid-19th century converted into table lamps, circa 1940. The figures have had minor restorat...

19th Century French Cherub Candelabra to Lamp. Beautiful design and stands, see photos.

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...