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Early 19th Century French Carved Giltwood Figural Winged Putti Table Lamp
About the Item
A fabulous French Empire period giltwood figural candlestick, early 19th century, now professionally electrified and fashioned as a single-light table lamp.
Exquisitely hand carved, sculpted, gessoed and polychromed gilded wood, exceptionally executed sculptural form, having a single light, over cornucopia-form standard with carved fruit and foliates, terminating in winged putti mask, rising on tripartite base with carved stylized dolphin fish supports with shell and incised ornamentation, further raised on ornate paw feet.
Dimensions: (approx)
27" High, 12" Wide, 9" Deep, 4lbs
Table to fiolate carvings: 20.5" Tall
Great antique condition with nicely aged warm rustic distressed patina. Wear consistent with age and use, including scattered chippy paint, losses. Contemporary/modern electric elements.
- Dimensions:Height: 27 in (68.58 cm)Width: 12 in (30.48 cm)Depth: 9 in (22.86 cm)
- Power Source:Hardwired
- Voltage:110-150v
- Lampshade:Not Included
- Style:Rococo (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1815
- Condition:Rewired: Recently professionally wired. Wear consistent with age and use. Minor losses. Great antique condition with nicely aged warm rustic distressed patina. Wear consistent with age and use, including scattered chippy paint and losses. Contemporary/modern lighting elements.
- Seller Location:Forney, TX
- Reference Number:1stDibs: LU5977234002632
About the Seller
4.8
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Established in 2013
1stDibs seller since 2021
285 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Forney, TX
- Return Policy
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Hand-crafted in the late 18th / early 19th century, exceptionally executed intricate detailing, the large scale antique religious sculpture depicting the female Saint Teresa of Avila, polychrome painted gesso over finely sculpted wood, inset glass eyes, shown in Carmelite nun habit...
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18th Century German Baroque Architectural Putti Bust Wall Shelf Carving
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Provenance / Acquisition:
Property from the magnificent estate of the late T. Boone Pickens (1928 -2019). An American business magnate and financier.
Acquired from the highly reputable auction house J. Garrett Auctioneers, Dallas, Texas. September 2022 More of T. Boone Pickens Estate catalog
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19th Century Hindu Nandi Temple Guardian, Architectural Ornament
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Provenance:
Acquired from The Neiman Marcus Corporate Art Collection. Details below.
Dimensions: (approx)
49.5" x 43" x 12"
An important religious folk art work, the Nandi is of carved wood and gessoed cloth, then hand-painted. In Hindu religion, Nandi is the mythical mount of Shiva. The four legs represent truth, righteousness, peace and love.
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In Hindu symbolism, the bull represents both strength and ignorance. The white or light color of the bull symbolizes purity and justice. Symbolically, the seated Nandi towards sanctum in Shiva temples, represents an individual jiva (soul) and the message that the jiva should always be focused on the Parameshwara. From the yogic perspective, Nandi is the mind dedicated to Shiva, the absolute. In other words, to understand and absorb light, the experience, and the wisdom is Nandi, which is the guru within. The fact that Shiva uses it as a mount symbolizes how this divine figure removes ignorance while instilling strength and wisdom.
A superb example, the life size work is in great overall shape, and presents wonderfully, having beautifully aged patina over the whole, highly desirable original, worn, rustic, naturally distressed, chippy paint, craquelure finish, that's delicate, and enhances the artistic antique character and rich historic depth.
Detailed Condition Report:
Fragile / delicate by design. Loss to one ear, age related checking and separation to carvings, fabric to hind quarters is released and tattered with minor loss, rubbing to paint throughout with wear indicative of age and use; later grey painted mounting blocks are attached to back and hooves.
White glove in-home shipping/delivery available.
Pickup available near Dallas, Texas
Additional Provenance:
Property from the Neiman Marcus Collection. Acquired from Heritage Auction, Design District Gallery, Dallas, Texas.
From The Dallas Morning Newspaper; April 12th, 2021
Neiman Marcus is selling some of its history and valuables that have been displayed and stored for decades as part of the luxury retailer’s corporate art collection.
The Neiman Marcus corporate art collection dates back to 1951, when Stanley Marcus (1905-2002), a life long avid art collector, purchased Mariposa, a large mobile by Alexander Calder and started a long tradition of buying original artwork for new stores as they opened. The Mariposa sold at a Sotheby’s auction last month fetching $18.2 million. The items are being offered through Sotheby's auction house, NYC, New York and Heritage Auction, Dallas, Texas.
Many of the pieces were personally collected by Stanley Marcus from the 1960s through the 1980s.
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18th/19th Century Italian Baroque Silvered Metal Altar Monstrance Reliquary
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Dimensions: (approx)
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History:
Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints.
The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries.
The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages.
Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone.
Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...
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