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Orientalist Bronze Table Lamp Franz Bergman
$16,000
£12,287.31
€14,081.11
CA$22,524.05
A$25,231.91
CHF 13,123.73
MX$307,777.25
NOK 167,082.53
SEK 157,546.92
DKK 105,097.54
About the Item
A Sultan reclining on a chaise within an open Bedouin tent made of draped rugs and a bamboo frame. A shield, swords and ornate bags, hang from the intricately woven rug above him. He smokes a simple pipe, wearing golden robes and a matching turban. A crescent adorns the top of the composition, a symbol of the guidance of God on the path through life. Cold painted in bright and brilliant colors, the miniature scene exudes life and luxury.
Marked with B within an urn on the reverse.
Materials/ Techniques: Bronze, Cast, Cold Painted
H. 50 cm (19.7 in)
- Creator:Franz Bergmann (Artist)
- Dimensions:Height: 19.7 in (50.04 cm)Width: 8.5 in (21.59 cm)Depth: 5.2 in (13.21 cm)
- Power Source:Plug-in
- Lampshade:Not Included
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:19th Century
- Condition:
- Seller Location:New York, NY
- Reference Number:Seller: AusBr111623-031stDibs: LU4745240558132
Franz Bergmann
There were many bronze foundries operating in Vienna in this period, but it was Bergman’s which became the most celebrated, working with a number of celebrated Viennese sculptors at the turn of the 20th Century, such as Bruno Zach, to produce designs for his famous bronze figures. Bergman bronzes are especially famous for having utilised a technique for decorating the bronzes called cold painting. Cold painting as a technique developed in Vienna in the late 19th Century, and involved the application of several layers of paint added to the bronze after firing. It was used to make fashionable collectors’ items. Bergman figures came in three main forms: animal figures, Orientalist sculptures, and erotic figures in the Art Nouveau style. His animal figures were often whimsical and humorous, and often satirical. They have become highly sought-after collectors’ items today. Bergman’s Orientalist sculptures are equally highly sought-after. He was producing these figures at a time when interest in the exotic lands of the Middle East and North Africa was at its peak among Europe’s artists and buyers.
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