Pair of Bronze Monkey Lamps

A pair of gilt bronze horses each in the form of a galloping horse, raised on a faux marble rectangular plinth with rounded corners and mounted as l...

Pair of late 20th century bronze black patina elephant lamps, Vietnam.

This is a charming pair of period 18th century. Louis XV gilt bronze figural chenets that have been mounted on impressive and hefty Lucite plinths and fitted as lamps. The opposing b...

Table lamp "Jugendstil, Art Nouveau, Liberty" Materia: silver bronze and wood Country: France To take care of your property and the lives of our customers, the new wiring has been ...

Selection of bronze modernist lamps, American, circa 1950s-1990s. From left to right, they are: 1) Abstract solid bronze lamp, signed, numbered, and ...

Rare and whimsical pair of patinated bronze table lamps by Maitland-Smith depicting a monkey jockey riding a large ostrich. The bronzes are mounted to a dark tessellated stone plinth...

Depicting what appears to be male and female apparitions (?) chanting, he holding in the crook of his arm a pet monkey wearing a cap, the pair emanating a g...

A fine pair of French patinated bronze and gilt metal figural lamps Each cast as a putto supporting a flower filled urn, raised on a gilt metal ...

This exclusive pair of Italian sculpture custom design lamps, handcrafted for Cosulich Interiors & Antiques, presents a very interesting Brutalist cast bronze base and sail-shaped fr...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...