Pair of French 19th-20th Century Louis XV Style Gilt-Bronze Putti Table Lamps

A fine pair of French 19th-20th century Louis XV style gilt and patinated bronze figural chenets. Each cast as two patinated figures of amorini (Putti) growing out of leafy volute vi...

A very fine french 19th-20th century Louis XV style ormolu and white marble three-light candelabra, attributed to François Linke (1855-1946). The single allegorical and whimsical finely chased gilt-bronze Belle Époque group representing a pair of mermaid Putti supporting a cornucopia filled with flowers and fruit topped...

A very fine and charming pair of French 19th-20th century Louis XV style Belle Époque figural gilt-bronze chenets. The finely chased whimsical ormolu andirons, each surmounted with a...

A very fine pair of French 19th century Louis XV style figural gilt bronze and rouge marble six-light candelabra, each with a figure of a standing cherub holding the ornate scrolled arm candelabra, crowned with a gilt bronze candle snuffer...

This is a charming pair of period 18th century. Louis XV gilt bronze figural chenets that have been mounted on impressive and hefty Lucite plinths and fitted as lamps. The opposing b...

French 19th century bronze gilt putti A set of bronze putti figures on a square marble base. A torch and a flute carrying putti, which are graceful objec...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

A fine quality pair of 19th century classical bronze seated putti, reading and writing, mounted on square rouge marble plinths and engraved gilded ormolu bases.