Pairpoint Glass Lamp #D3070

"Goberg Candlesticks" Steel, Iron, Patina, Rare, 1900's, Art Nouveau, Pair The exquisite rare antique candlesticks are an ARTS & CRAFT Art Nouveau pair signed GOBERG a Hugo Berger wr...

SALE ONE WEEK ONLY Edgardo Simone (Italian/American, 1890-1948) The Kiss patinated plaster casting sculpture for kissing nudes fountain sculpture signed to top of base. Classically trained in Italy at the Beaux Arts Academy in Rome from 1906 to 1913, Edgardo Simone became a famous sculptor in Italy and the United States using mediums of terracotta, ceramic, bronze, and plaster. He earned a Doctorate of Design and Sculpture at the Academy and then emigrated to the United States where he worked in New York, Chicago and southern California. His style was influenced by Art Nouveau, Art Deco and other modernist influences. In Italy he had received three times the Croix de Guerre and was decorated by King Victor Emmanuel II and Queen Margherita. Before moving to America, he had much recognition in Italy. He had created war, funeral and city monuments in twenty-six Italian cities. When he arrived in New York City, one of the newspapers carried a headline: "Italy's greatest Sculptor Arrives in New York." In New York, Simone became prominent in society and did many portrait busts including of Thomas Edison, John J. Pershing, Henry Ford and Louis Brandeis...

"Voyeur" is a sculpture that sets out to provide one of the links in the love symbolism of the ‘key-lock’ sequence – the artifact of visualizing a love affair. There are famous images by Degas of women taking a bath and drying themselves afterward and here is how he (Degas) explained the secret of such compositions: “Naked figures are usually depicted posing for the viewer. I, however, paint the ordinary modest women, who are busy taking the usual care of their bodies… It is like watching them through a key-hole.” In this sculpture the watcher, having previously been in the dark, turns into a certain link in the love chain and becomes an artifact. In the present triad of key, lock and keyhole, every symbol acquires its own meaning in time and shape. - per Vladimir Kush "Vladimir Kush was born in Russia, in a one-story wooden house near the Moscow forest-park Sokolniki. At the age of seven, Vladimir began to attend art school until late evening where he became acquainted with the works of great artists of the Renaissance, famous Impressionists, and Modern Artists. He entered the Moscow Higher Art and Craft School at age 17, but a year later he was conscripted. After six months of military training...

The ceramic bowl is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Pairpoint table lamp, exceedingly rare piece, planter base ring holder, Vienna shade, seascape and New England village featuring Vienna shade, signed, C3072 serial number. Documented (see below), USA, circa 1910. Obverse-and reverse-painted acid-etched glass, milk glass, patinated metal 14 height × 16 diameter stamped manufacturer's mark to shade 'The Pairpoint Corp'n'. Stamped manufacturer's mark to planter insert 'Pairpoint MFG Co...

Vintage hawkes pairpoint amber crystal table lamp Additional information: Materials: Crystal Color: Amber Brand: Pairpoint glassworks Designer: Pairpoint glassworks Period: ...

Pairpoint reverse painted eight panel table lamp. Two sockets with acorn pulls on silver plated engraved foliage base. 16" shade decorated with floral desi...

Pairpoint Monumental Hand-Painted Orientalist Oil Lamp, Pyramids, Palms c 1905 Rare oil lamp, USA, c. 1905. obverse-painted glass, patinated metal Measures: 33½ height × 10 diameter in (85 × 25 cm) Provenance: Collection of Edward and Sheila Malakoff Literature: Pairpoint Lamps, Malakoff, pg. 114. This piece is given the" rarity rating" of 1; the rarest of Pairpoint production. Purchase includes a copy of Malakoff text. Pairpoint Glass Company is an American glass manufacturer based in Sagamore, Massachusetts. It is currently the oldest operating glass company in the United States. The company was founded by Deming Jarves in 1837 in South Boston, Massachusetts, as the Mount Washington Glass Works. In 1870, Mount Washington relocated to New Bedford, Massachusetts. In the 1880s, the company primarily produced art glass. In 1885, it introduced Burmese art glass, a translucent, heat reactive glass that shades from yellow at the bottom to pink at the top. The company became known for this type of glass, obtaining a British patent for it in 1886, and presenting a number of Burmese pieces to Queen Victoria. In 1880, British silver designer Thomas Pairpoint (1838-1902) resigned his position as head designer at the Meriden Brittania Company and founded the Pairpoint Manufacturing Company...